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Error: #f88

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/***
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This StyleSheet can be used directly by languages such as Chinese, Japanese and Korean which need larger font sizes.
***/
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#displayArea {margin: 1em 1em 0em 1em;}
/* Fixes a feature in Firefox 1.5.0.2 where print preview displays the noscript content */
noscript {display:none;}
}
/*}}}*/

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<div class='headerShadow'>
<span class='siteTitle' refresh='content' tiddler='SiteTitle'></span>&nbsp;
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<div id='messageArea'></div>
<div id='tiddlerDisplay'></div>
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<!--{{{-->
<div class='toolbar' macro='toolbar [[ToolbarCommands::ViewToolbar]]'></div>
<div class='title' macro='view title'></div>
<div class='subtitle'><span macro='view modifier link'></span>, <span macro='view modified date'></span> (<span macro='message views.wikified.createdPrompt'></span> <span macro='view created date'></span>)</div>
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<div class='viewer' macro='view text wikified'></div>
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<div class='title' macro='view title'></div>
<div class='editor' macro='edit title'></div>
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<div class='editor' macro='edit text'></div>
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To get started with this blank TiddlyWiki, you'll need to modify the following tiddlers:
* SiteTitle & SiteSubtitle: The title and subtitle of the site, as shown above (after saving, they will also appear in the browser title bar)
* MainMenu: The menu (usually on the left)
* DefaultTiddlers: Contains the names of the tiddlers that you want to appear when the TiddlyWiki is opened
You'll also need to enter your username for signing your edits: <<option txtUserName>>

These InterfaceOptions for customising TiddlyWiki are saved in your browser

Your username for signing your edits. Write it as a WikiWord (eg JoeBloggs)

<<option txtUserName>>
<<option chkSaveBackups>> SaveBackups
<<option chkAutoSave>> AutoSave
<<option chkRegExpSearch>> RegExpSearch
<<option chkCaseSensitiveSearch>> CaseSensitiveSearch
<<option chkAnimate>> EnableAnimations

----
Also see AdvancedOptions

<<importTiddlers>>

Equipment:
recorder: Philips DCC170 
microphone: Realistic 33-1065 

a very good audience recording
recorded by Songhunter
Enjoy !

-65:29 minutes-
transfered by a Philips DCC 951 - optical - PC - EAC - FLAC6 - You 

SETLIST:
01 Intro / Phyllis Ruth
02 Sac of Religion
03 Haw
04 Black Soul Choir
05 Harm's Way
06 Splinters
07 Clogger
08 Brimstone Rock
09 Low Estate
10 I seen what I saw
11 American Wheeze
12 For Heaven's Sake
======
13 Fire Spirit

more info: http://www.16horsepower.com/crossingborder98.html

Lineage: fm>cas (1st gen>Soundblaster>wav>shn

Announcer (1:30)

Roberto Plano - Piano

Villa-Lobos   Ciclo Brasileiro: Impressoes Seresteiras (6:14)

Announcer (0:13)

Ginastera   Danzas Argentinas, Op. 2
(4:51)
(2:57)

Ning An - Piano

Announcer(0:33) 

Debussy   Preludes, Book II:
   La terrasse des audiences du clair de lune (4:49)
   Ondine (3:18)

Announcer (0:11 + 0:23)
Announcer

Maria Mazo - Piano
Tchaikovsky-Pletnev   Concert Suite from The Nutcracker(9:28) 

Ying Feng - Piano
Brahms Variations on a Theme by Paganini, Op. 35, Books I and II
(3:00)
(3:31)
(1:55)
(1:28)
(1:24)
(1:49)
(0:44)
(1:38)
(2:08)
(1:21)
(1:04)
(2:24)
Announcer (0:10)

Total Time: 57:38

Lineage: fm>cas (1st gen>Soundblaster>wav>shn

Joyce Yang - piano

Announcer (4:27)
Carl Vine: Piano Sonata No. 1 (1990) (17:32)

Announcer (0:56)
Dvorak: Piano Quintet in A major, Op. 81 [with Takacs Quartet]
I. Allegro ma non troppo (10:30)
II. Dumka: Andante con moto - Un pochettino piu mosso (7:49)
III. Sherzo (Furiant): Molto vivace - Trio: poco tranquillo (10:46)
IV: Finale: Allegro (7:58)

Lineage: fm>cas (1st gen>Soundblaster>wav>shn

Announcer (3:00)
Alexander Kobrin - Haydn: Sonata in E-flat major, Hob. XVI:52 (15:00)

Announcer (1:00)
Sa Chen - Liszt: Spanish Rhapsody (13:02)

Announcer (0:34 + 3:05)
Joyce Yang - Beethoven: Piano Concerto No. 3 in C minor, Op. 37 (35:14)

Announcer (0:20)
Joyce Yang - Liszt: Reminiscences de Don Juan (17:47)

Announcer (1:05)
Alexander Kobrin - Rachmaninoff: Rhapsody on a Theme of Paganini, Op. 43 (24:35)

Announcer (0:30)

Giles Collins Wallace McDonald Jakszyk
2CDs 107min Sharp MD-SR60>Sony ECM-DS70P>WAV>FLAC

Walk On
A Man A City
Cat Food
Let There Be Light
Cirkus
Cadence And Cascade
Court Of The Crimson King
Ladies Of The Road

Catleys Ashes
Formentera Lady
Sailor's Tale
I Talk To The Wind
Epitaph
21st Century Schizoid Man

(*unless any CJ3 gigs were captured, this may be the last performance of Ian Wallace recorded by fans.  

(**Missing Encores: Starless, Birdman

Enjoy

disc 1
1. Fanfare for the Common Man
2. Desde la Vida
3. Lover to Lover
4. You Do or You Don't
5. Hoedown
6. Talkin' Bout

disc 2
1. Creole Dance
2. On My Way Home
3. Runaway
4. Standing in the Shadows of Love
5. America/Rondo/Drum Solo
6. Eight Miles High

The wiki will be under startup construction for a bit. My goal is to have it up to date by July 1, 2006.

I'm also working on an RSS feed, so you can just subscribe to updates.

Intro
Crazy Eights
Mysterious Conversation
Ursula in Summer
Drifting into the Attack
Theme from an Imaginary Western
Uptown Breakdown
Sleight of Hand
Bloody Mary
audience
Something in B Flat

Jack Bruce - bass, vocals
Billy Cobham - drums
Allan Holdsworth - guitar
Didier Lockwood - violin
David Sancious - keyboards

Trade history
jazzvines: offered 2007-08-04

Sound: A
Show: A

(intro)
Take These Hands and Throw Them in the River
American Motor Over Smoldered Field
(dudes)
Mountains Made of Steam
On Silver Mt. Zion (movie never made)
God Bless Our Dead Marines
(some fucking car with gull wing doors)
Ring Them Bells (freedom has come and gone)
(birdfeeders)
The Triumph Of Our Tired Eyes
Hang On To Each Other

Lineage: Mic (Sony ECM-DS70P)> Uncompressed recording (iRiver H120 - 16/44 WAV)> SoundForge (EQ, slight compression, some declipping)> FLAC v1.1.2a (Q5)
Taped by: Etienne Blythe
Transferred by: Etienne Blythe

http://www.archive.org/details/asmz2005-06-16.mic.flac16

Fly on the Wall
Back in Black
Shake Your Foundations
Dirty Deeds Done Dirt Cheap
You Shook Me All Night Long
Sin City
Jailbreak
The Jack
Shoot to Thrill

Highway to Hell
Sink the Pink
Whole Lotta Rosie
Let There Be Rock
Hell's Bells
T.N.T.
For Those About to Rock (We Salute You)

Lineage:  CSBs > Edirol RO9 > Soundforge (edits)

Accademia Bizantina, Ottavio Dantone - conductor, Sonia Prina - Contralto

A France Musique recording

Antonio Vivaldi (1678-1741): Forgotten Arias

: (from) La Ninfa infelice e consolata (1732)
01 - Sarai qual padre mio 03'19"
: (from) La Silvia Rv734 (1721)
02 - Abbia respiro il cor 06'09"

: Concerto for violin in Bb major for violin, strings & basso continuo ??
03 - I 04'37"
04 - II 02'54"
05 - III 04'23"

: (from) Teuzzone Rv736 (1719)
06 - Vedi le mie catene 02'38"
: (from) La Verita in Cimento Rv739 (1720)
07 - Mi vuoi tradir, lo so 02'58"

: Concerto in A minor opus 3/6 for violin, strings & basso continuo Rv356
08 - I Allegro 03'16"
09 - II Largo 01'53"
10 - III Presto 02'19"

: (from) Teuzzone Rv736
11 - Per lacerarlo 02'40"
: (from) Tito Manlio Rv738 (1720)
12 - Tu dormi in tante pene 09'42"

: Concerto in A minor opus 3/8 for 2 violins, strings & basso continuo Rv522
13 - I Allegro 03'20"
14 - II Larghetto e Spirituoso + III Allegro 06'39"

: (from) L'odio vinto della costanza (1731)
15 - PerchŽ lacero il foglio 04'29"

: (from) Concerto for two violins No 5 opus 3 Rv519
16 - III Allegro 02'46"
total 64'32"

FM Radio Broadcast (Musiq3 (RTBF) july 20th, 2007) => Onkyo T-401 (analogic) receiver => Audacity 1.3.2 (Creative Commons: SourceForge.net) 32 bits 44100 Hz => Flac 16 bits 44100Hz with PowerPC G4/533 Mhz Digital Audio Apple MacIntosh => Ubuntu 7.04 Feisty Fawn
=> Please do not encode to MP3 or other lossy file format except for personal use !!! for trade only, Please do not sell !!! enjoy !!! FA2007-140

Writing on the Wall
Dinosaur
Ampersand
Walk around the World
Young Lions
Beat Box Guitar
I Remember How to Forget
Madness
Elephant Talk
Drive
Big Electric Cat
Matchless Man
Of Bow and Drum
Frame by Frame
Future Vision
Three of a Perfect Pair
Inner Man
Thela Hun Ginjeet

Sound: B+
Show: A

Writing on the Wall
Dinosaur
Ampersand
Future Vision
Walk Around the World
Young Lions
Beat Box Guitar
I Remember How to Forget
Madness
Matchless Man
Elephant Talk
Drive
Big Electric Cat
Of Bow and Drum
Frame By Frame
Three of a Perfect Pair
Inner Man
Thela Hun Ginjeet

Sound: B
Show: A

"After Genesis"
Alessandro Cavicchi - pianist, arranger e composer.
Alberto Bocci - first contrabass for prestigious orchestras.
Andrea Baggio - digital sound.

Title: The Cryme of Selling Lambs 

Date: 05. 08. 2003
Venue: Giardino di Sant'orsola, Prato
Country: Italy
Source: DAT 
Quality: A+  
Media: 1CD-R 

Note: Trio of Prato composed from orchestra masters,
than to of recent published a disc of reworks of music of the Genesis for
contrabass, piano and loop vocal.

Track # Track Name Track Length 
1.1 Firth Of Fifth - 11:46 
1.2 Medley: 12:13
      For Absent Friends
      Harlequin
      Seven Stones
1.3 Harold The Barrel - 4:16 
1.4 The Lamb Medley - 34:11
1.5 Harold The Barrel (encore) 4:35 

Total Running Time : 67:03 

Mics>dat>cd>eac>sf6>flac>dime>you

1. High On Sunday 51 
2. Goodbye Caroline 
3. You're With Stupid Now 
4. You Could Make A Killing 
5. Save Me 
6. Video 
7. One 
8. Little Bombs 
9. Lost in Space 
10. It's Not Safe 
11. 4th of July 
12. Medicine Wheel 
13. Nothing is Good Enough 
14. You Do 
15. Frankenstein 
 
16. Invisible Ink 
17. Red Vines 
18. Humpty Dumpty 
19. Wise Up

Party in the Park II

1. [10.17] Alien Chase on Arabian Desert
2. [11.23] Senor Mouse
3. [06.16] Egyptian Danza
4. [08.44] Al Di's Dream
5. [03.22] Beyond the Seventh Galaxy
6. [02.43] Dinner Music of the Gods
7. [14.13] Race with Devil on Spanish Highway
8. [01.09] DJ Outro

Sound: A
Show: A

Disc 1
1 Sirius/Eye In The Sky
2 I Wouldn’t Want To Be Like You
3 Can’t Take It With You
4 Old And Wise
5 Money Talks/La Sagrada Familia
6 Days Are Numbers (The Traveller)
7 Prime Time
8 Limelight
9 Time
10 Turn It Up
11 Standing On Higher Ground
12 Blue Blue Sky II
13 I Can’t Look Down
14 So Far Away

Disc 2
1 Fall Free
2 Cloudbreak
3 Brother Up In Heaven
4 (The System Of) Dr. Tarr & Pr. Fether
5 Psychobabble
6 Don’t Answer Me
7 Band Intro/You’re Gonna Get Your Fingers Burned
8 Games People Play

Transfer: CD-R from trade > EAC > FLAC Level 8 > you 
Sound Quality: A in my rating and ears.... 

Disc 1  66min    
1 Magical Mystery Tour
2 Open My Eyes
3 Sirius/Eye In The Sky 
4 Crazy On You 
5 My Wife 
6 Hello It’s Me/Don’t Answer Me
7 You’re The Biggest Part Of Me
8 How Much I Feel
9 Bang On The Drum
10 The Real Me
11 Games People Play
12 Dreamboat Annie
13 Barracuda/My Generation

Disc 2  75min
1 Back In The U.S.S.R. 
2 Lady Madonna
3 I’m Down
4 The Fool On The Hill 
5 While My Guitar Gently Weeps
6 Here Comes The Sun
7 Lucy In The Sky With Diamonds
8 You’ve Got To Hide Your Love Away
9 Everybody’s Got Something To Hide....
10 Revolution
11 Day Tripper
12 I Want To Hold Your Hand/Blackbird
13 Rain
14 Let It Be
15 Ticket To Ride
16 Hey Jude
17 Birthday
18 Golden Slumbers/Carry That Weight/The End

Alan Parsons: Guitars, Vocals & Keyboard 
Todd Rundgren: Guitars & Vocals 
Ann Wilson: Vocals & Flute 
John Entwistle: Bass & Vocals 
David Pack: Guitars & Vocals 
Godfrey Townsend: Guitars 
Steve Loungo: Drums 
John Beck: Keyboards 

Notes:
Nice recording from A Walk Down Abbey Road Tour -  a tribute to The Beatles.
Out of a frequency analysis I did of I’m Down, I guess a MiniDisc recorder is used.
Since I got this in a trade I dont have any info
about lineage, taping equipment etc. 

This is intended for free trade only. Do not buy or sell!!

Transfer: CD-R from trade > EAC > FLAC Level 8 > you 

Disc 1 
1 Magical Mystery Tour 
2 Sirius/Eye In The Sky 
3 Barracuda 
4 Hello It’s Me 
5 You’re The Biggest Part of Me 
6 The Real Me 
7 Back In The U.S.S.R. 
8 Lady Madonna 
9 I’m Down 
10 The Fool On The Hill 
11 While My Guitar Gently Weeps 
12 Yesterday 
13 Here Comes The Sun 
 
Disc 2
1 Lucy In The Sky With Diamonds
2 You’ve Got To Hide Your Love Away
3 Maybe I’m Amazed
4 Rain
5 Blackbird
6 Everybody’s Got Something To Hide Except Me And My Monkey
7 Revolution
8 Day Tripper
9 Ticket To Ride
10 I Want To Hold Your Hand
11 Hey Jude
12 Birthday
13 Golden Slumbers/Carry That Weight/The End

Alan Parsons: Guitars, Vocals & Keyboard 
Todd Rundgren: Guitars & Vocals 
Ann Wilson: Vocals & Flute 
John Entwistle: Bass & Vocals 
David Pack: Guitars & Vocals 
Godfrey Townsend: Guitars 
Steve Loungo: Drums 
John Beck: Keyboards 

Intro/I Robot
Damned If I Do
Don't Answer Me
Breakdown
The Raven
Luciferama
What Goes Up
Limelight
Time
Psychobabble
Return to Tunguska

More Lost without You
I Wouldn't Want to Be Like You
We Play the Game
Don't Let It Show
Prime Time
Sirius/Eye in the Sky
Dr. Tarr and Professor Fether
Old & Wise
Games People Play

VHS transfer (Madrid)
Pro-Shot (Spain)

    I Robot  instrumental

    Can't Take It With You vocals: P.J. Olsson

    Don't Answer Me vocals: Alan Parsons

    Breakdown / The Raven vocals: Steve Murphy / P.J. Olsson

    Time vocals: P.J. Olsson

    Psychobabble vocals: Steve Murphy

    I Wouldn't Want To Be Like You vocals: John Montagna

    Damned If I Do vocals: P.J. Olsson

    More Lost Without You vocals: P.J. Olsson

    Don't Let It Show vocals: P.J. Olsson

    Prime Time vocals: Godfrey Townsend

    band intros

    Sirius / Eye In The Sky vocals: Alan Parsons

    Encores:

    (The System Of) Dr. Tarr and Professor Fether vocals: P.J. Olsson

    Games People Play vocals: Alan Parsons / P.J. Olsson

    TOTAL RUNNING TIME: 1:17:50

This concert was sponsored M80 Radio in Madrid.

Personnel:

    ALAN PARSONS: Acoustic Guitar, Keyboards and Vocals

    P.J. OLSSON: Acoustic Guitar and Vocals

    GODFREY TOWNSEND: Lead Guitar and Vocals

    STEVE MURPHY: Drums and Vocals

    MANNY FOCARAZZO: Keyboards and Vocals

    JOHN MONTAGNA: Bass Guitar and Vocals

Minidisc MZ-NH700 & Coresound Binaural Mics >> Sonicstage wave >> Audobe Audition >> WAV >> Traders Little Helper >>Flac level 6
MD5 file created with Traders Little Helper

01 I Robot
02 Damned if I do
03 Don’t answer me
04 Breakdown
05 Lucifer
06 Day after day (the show must go on)
07 La Sagrada familia
08 Time
09 Psychobabble
10 I wouldn’t want to be like you
11 We play the game
12 Don’t let it show
13 Prime time
14 Sirius / Eye in the sky
15 Can’t take it with you
16 Old and wise 
18 Games people play
19 (The system of) Doctor Tarr and Professor Fether

Cheers

Purple_fan 

Aldo Romano - drums
Louis Sclavis - clarinet, sopranosax
Henri Texier - bass

01 Daoulagad (Texier)
02 Standing Ovation (for Mandela) (Romano)
03 Entraves (Texier)
04 Les Petits Lits Blancs (Sclavis)
05 (unknown)

FM > cassette > CDR > EAC > WAV > Audacity (minor track editing) > FLAC

CoreSound Binaurals > BeyerDynamic MV100 > Sony TCD-8

Track Listing:

1.	Intro
2.	Short Order
3.	Blue Trout
4.	Lay this Body Down
5.	Cumulus Rising
6.	Inverness
7.	Angel
8.	Sweet William
9.	It Ain't Necessarily So
10.	Intro
11.	St. James Infirmary
12.	Shortnin' Bread
13.	The Water Garden
14.	Down Below
15.	Single Girl
16.	Sleepytime
17.	Goodbye Porkpie Hat, Last Steam Engine Train
18.	Tuning
19.	Turning, Turning Back

SOURCE: FM>SONY DAT TAPE DECK 60ES>STANDALONE CD RECORDER PHILLIPS CDR 880>AUDIO CDR > EAC SECURE MODUS>FLAC FRONTEND, LEVEL 6>FLAC

Lineup:
Allan Holdsworth - guitar
Alan Pasqua – keyboards, piano
Jimmy Haslip – electric bass
Chad Wackerman – drums

Tracks:

CD 1
1. Radio Intro [1:08]
2. Track02 [9:48]
3. Track03 [10:06]
4. Track04 [16:59]
5. Track05 [8:34]
6. Track06 [3:41] (fade out Radio Announcer)
7. Track07 [10:06]
8. Track08 [11:03]

CD2
1. Track01 [14:44]
2. Track02 [6:32]
3. Track03 [9:08] (fade out)

ENJOY!!

Statesboro Blues
Don't Keep Me Wonderin'
Done Somebody Wrong
One Way Out
In Memory of Elizabeth Reed
Midnight Rider
Hot 'Lanta
Whipping Post
You Don't Love Me

Trade history:
2007-08-12 received in trade

Taped and transferred by Lee Hart
leehookem21 at yahoo dot com 

Source: AKG 483 (DINa @7') > Warm Mod UA5 > Jb3 on ice (SVU-1)
Transfer: JB3 (firewire) > Creative Playcenter > Soundforge 7.0 (fades) > CDWave (tracking) > flac level 6

01
02
03 Anecdote
04 Heavy Lifting
05
06
07
08 Primitive (The Way I Treat You)
09 Sugar Pill
10
11 encore
12 Yoga Means Union

Amy's set:
1. [tuning up]
2. Shopping Around
3. Cynically Yours
4. Beer & Kisses
5. Are We Ever Gonna Have Sex Again
6. Summer of My Wasted Youth
7. Keep It to Yourself
8. I Hate Every Bone in Her Body
9. Magicians
10. Til the Wheels Fall Off (w/ Todd Snider)
11. Balls
12. 20 Questions

Todd's set:
1. Easy Money
2. 45 Miles
3. [Devil's Backbone intro]
 Ballad of the Devil's Backbone Tavern
4. D.B. Cooper
5. [Moondawg story]
 Moondawg's Tavern
6. Doublewide Blues > Why Don't We Get Drunk and Screw (Jimmy Buffet)
7. [Moondawg's funeral]
 Can't Complain
8. Beer Run
9. Class of '85
10. Waco Moon
11. [Tillamook County Jail story]
 Tillamook County Jail
12. [End of Tillamook County Jail story]
 Keep Off the Grass
13. Vinyl Records
14. What's Wrong with You
15. Alright Guy
16. Illegal Smile (John Prine)
17. Freebird > Sideshow Blues

DISC 2
1. [Skip story]
 Broke
2. Satisfaction (Rolling Stones) (w/ Amy Rigby)
3. Satisfaction Guaranteed (w/ Amy Rigby)
4. Somebody's Comin'
5. I Believe You/Amazing Grace

DVD1/Set1
1. Young Persons Guide To The Orchestra 
2. Time And A Word / Owner Of A Lonely Heart / Teakbois  
3. Clap  
4. Mood For A Day  
5. Wakeman Solo 
6. Long Distance Runaround / Bruford Solo  
7. Birthright  
8. And You And I  
9. I've Seen All Good People  

DVD2/Set2
1. Close To The Edge  
2. Themes
3. Levin / Bruford Duet  
4. Brother Of Mine  
5. Heart Of The Sunrise 
6. Order Of The Universe  
7. Roundabout  
8. Starship Trooper  


The Young Persons Guide intro was extended, probably because Jon was late getting to the stage.

The Meeting was dropped for this show.


Taped by Kevin Hall & Carl Morstadt 


Sony WM-D6C Professional Walkman recorder
2 Beyer M-700 microphones
Maxell metal cassettes


Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)
	
Master Cassettes -> 
Aiwa AD-WX808 cassette deck -> 
M-Audio Firewire Audiophile 2496 -> 
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CD Wave (track breaks) ->
FLAC Front End (FLAC 8)

No EQ'ing.

A 16-bit/44.1-KHz flac16 version of this show is also available.

CD1/Set1
1. Young Persons Guide To The Orchestra 
2. Time And A Word / Owner Of A Lonely Heart / Teakbois  
3. Clap  
4. Mood For A Day  
5. Wakeman Solo 
6. Long Distance Runaround / Bruford Solo  
7. Birthright  
8. And You And I  
9. I've Seen All Good People  

CD2/Set2
1. Firebird Suite  
2. Close To The Edge  
3. Themes (nice Quad effects)
4. Levin / Bruford Duet  
5. Brother Of Mine 
6. The Meeting  
7. Heart Of The Sunrise 
8. Order Of The Universe  

CD3
1. Roundabout  
2. Starship Trooper  


This show was still early in the tour (the fourth show), and finds the band experimenting with setlist and sound effects.  This may be the only show with the Firebird Suite, which drops right into the opening jam of Close To the Edge.

They were also experimenting with quadrophonic sound, with stacks of speakers on the lawn handling those effects like at old-style "azimuth coordinator" Floyd shows.

We moved to the lawn for the second set to better capture the quad effects, and found a nice spot near one of the speaker stacks.  During Themes especially you can hear the sound moving in and out of the lawn speakers.

 Taped by Kevin Hall & Carl Morstadt 

Sony WM-D6C Professional Walkman recorder
2 Beyer M-700 microphones
Maxell metal cassettes


Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)
	
Master Cassettes -> 
Aiwa AD-WX808 cassette deck -> 
M-Audio Firewire Audiophile 2496 -> 
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CD Wave (track breaks) 

dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)

No EQ'ing.

There have been a number of different versions/remasters of this show floating around for some time. A number of those versions have no lineage and/or come from higher-gen copies. This post is not a rehash or reseed of those versions. 

This is a brand new transfer direct to cd-r from the metal cassette masters and it comes to us courtesy of BF. This show is well-known because Tony Levin collapsed a short time after the concert due to illness. The next night's concert at the Dallas Starplex was cancelled. This Houston gig is a very tight performance by the band and a fine recording as well. Song samples provided. Enjoy!

Metal cassette master tapes>cd-r>Bias Peak Pro 5.2.1>Xact>flac

Setlist: Disc One (78:57)
1. Time And A Word/Owner Of A Lonely Heart/Teakbois
2. Clap
3. Mood For A Day
4. Wakeman Solo
5. Long Distance Runaround/Bruford Solo
6. Birthright
7. And You And I
8. I've Seen All Good People
9. Close To The Edge
Disc Two: (67:09)
10. Themes
11. Brother Of Mine
12. The Meeting
13. Heart Of The Sunrise
14. Order Of The Universe
15. Roundabout
16. Starship Trooper

Never, Never Sell This!

Lineup	:	
Jon Anderson	 (Vocals)
Bill Bruford	 (Drums)
Steve Howe	 (Guitars)
Rick Wakeman	 (Keyboards)
Julian Colbeck	 (Keyboards)
Tony Levin	 (Bass)
Milton McDonald	 (Guitars)

Young Persons Guide To The Orchestra
Time And A Word/Owner Of A Lonely Heart/Teakbois
Clap
Mood For A Day
Wakeman Solo
Long Distance Runaround/Bruford Solo
Birthright
And You And I
Themes
Levin/Bruford Duet
Brother Of Mine
Tombo No Megane
The Meeting
Close To The Edge
Order Of The Universe
Heart Of The Sunrise
Roundabout
I've Seen All Good People

Audience > DAT > 1st copy > eac > wave > flac frontend 

Disc 1 :

01. Intro (2:50)
02. Stella (7:18)
03. Angoh! / Band Introduction (10:05)
04. New & Unreleased (3:14)
05. Dancing With The Lion (5:28)
o6. Cor Do Amor (4:26)
07. Passionata (7:05)
08. Under One Moon (7:30)
09. Belladonna (3:44)
10. Morgana Palace (12:57)

Disc 2 :

01. Behind The Garden (13:15)
02. The Secret, The Candle And Love (3:28)
03. Moon Dance / Geastrum Coronatum (10:15)
04. First Free Improvisation Encore (11:15)
05. Second Free Improvisation Encore (5:53)

Andreas Vollenweider - Electric Modified Pedal Harp, Vocals
Walter Keiser - Drums, Percussion
Andi Pupato - Percussion
Daniel Küffer - Keyboard, Saxophone, Flute, Percussion, Akkordeon

Andrew Hill-p
Scott Colley-p

1.44:13
2.12:26

FM?>trade/cdr>EAC>WAV>FLAC

Program: In the Moment
Presenter: Jim Bennett
KCSM FM 91.1 San Mateo CA

Intro: 3:26
Nichodemus 12:54
blah :40
Image of Time 12:31
blah :10
Bayou Red 19:38
blah :14
Malachi 7:44
Outro: 1:24

Andrew Hill Quintet:

Andrew Hill, piano
Charles Tolliver, trumpet
Marty Ehrlich, tenor saxophone
John Hebert, bass
Eric McPherson, drums


This is for Ron Lyles who has given me so much music I am glad to be able to return the favor! Enjoy.
Bill D.

KCSM FM>HD via USB>WAV>FLAC

FM broadcast > Philips CDR765 > Adobe Audition 2.0 > dBpowerAMP Music Converter 11.5 

Personnel:
Andrew Hill (p)
Scott Colley (b)
Nasheet Waits (d)

Tracklist:
1. Medley: But not farewell / Nicodemus  33:45
2. Medley: Smooth / Golden sunset  20:54

TT 54:39

Taped & Transferred by peterw

Late Show

This tape was given to me by the person who recorded it. Neither one of us can remember if this is the master or a 1:1 copy generated at real-time. The taper wishes to remain anonymous, but wants me to convey greetings to Ms. Haslam.

"Hi Annie!"

The equipment was probably a Sony D-3 with the stock microphone. The recorder was very close to the stage.

Setlist:

Carpet Of The Sun
Black Flame
Intro to Ocean Gypsy
Ocean Gypsy
Still Life
Intro To Reaching Out
Reaching Out
Intro To The Willow Song
The Willow Song
Annie Has A Good Laugh
Communication
Let It Be Me
No Beginning, No End
Annie Talks About New York
Mother Russia
Band intros
Encore: (unknown song)

Please supply track corrections!

Tape: Maxell Epitaxial XLII-90

Enjoy!

A DoinkerTape

w/ Lassad Hosui, Barbaros Erkoese 

01 Introduction
02 Sur Le Fleuve
03 Le Voyage De Sahar
04 L'Aube
05 Les Jardins De Ziryab
06 Nuba
07 E La Nave Va
08 Cordoba
09 Halfaouine
10 Eté Andalous
11 Vague / E La Nave Va
12 Zarabanda
13 Outro

Anouar Brahem - oud
François Couturier - piano
Jean Louis Matinier - accordion

Omroep Radio 6
Astra 1G DVB @ 256kbps
11 September 2007

no set list

lineage: fm>?>cd-r>eac>flac(6)

FM>???>CDR>EAC>FLAC 6 (w/sector align)

1. Bahdra
2. Kashf
3. Talwin
4. Uns
5. Kernow
6. Hizam Al Dhabbi

Anouar Brahem     -oud
Dave Holland      -bass
John Surman       -sax

1975 or 1976
SBD > cassette > Total Recorder > HDD > CDR

1. Alto saxophone 14:16
2. Clarinet 6:35
3. Flute 8:12
4. Bass clarinet 11:53
5. Alto saxophone 2:46
6. Alto saxophone 5:38
7. Encore: I Remember You (Words & Music by Johnny Mercer & 
Victor Schertzinger, 1942 First recorded by Jimmy Dorsey, 1942) 10:49

Anthony Braxton - alto saxophone, clarinet, flute, bass clarinet
Dave Holland - bass

received in trade

Disc One:

01) Intro (John Bell)
02) Fixin' To Die
03) No Egos Underwater
04) Shoeless Joe
05) Yield Not To Temptation
06) Planet Earth
07) Time Flack
08) Salty Dog
09) Ain't Nothing You Can Do*
10) Compared To What
11) Trondossa
12) Workin' On A Building

Disc Two:

01) Zambi>
02) Space Is The Place/Rocket #9> Drums> Space Is The Place>
03) Jazz Bank>
04) Davy Crockett
05) Cheese Frog
06) E:) Time Is Free

Compared to What?
Lovelight
Payday
Time Flack
Working on a Building
Black Bottom
Throndussul
Planet Earth
Fixin to Die>
Time is Free
Spoonful(*)
No Egos
Cissy Strut$^
Yield not to Temptation$^%
Basically Frightened $^%
Down By the River(*)$%(#)
Zambi $%(#)&
Space is the Place$%(#)&

(*) with Luther Dickinson - guitar/guitar & vocal on 'Down By The Riverside'
$ with Skerik - sax
^ with Eric Krasno - guitar
% with Jeff Coffin - sax
(#) with Eric Levy - keys
& with Fareed Haque - guitar (joined in towards end of 'Zambi')

Source: AKG 483 > warm mod.UA-5 > Kind Kables Digital Pathcbay > Hosa ODL-276 > JB3 (DFC-30')
Lineage: JB3 > Firewire > CDWave > FLAC16
Taped by: MojoWill
Transferred by: Bennett Schwartz

Sound: A
Show: A

Intro
Neighborhoods #1 (Tunnels)
Crown of Love
Neighborhoods #2 (Laika)
No Cars Go
Haiti
Headlights Look Like Diamonds
I?m Sleeping In A Submarine
Vampire/Forest Fires
In the Backseat
Neighborhoods #3 (Power Out)
Rebellion (Lies)
Encore Break
Queen Bitch [with David Bowie]
Wake Up [with David Bowie]

Wake Up
Neighborhood #2 (Laika)
No Cars Go
Haiti
Headlights Look Like Diamonds
Sleeping in a Submarine
Five Years
Neighborhood #1 (Tunnels)
Neighborhood #3 (Power Out) > Rebellion (Lies)

http://www.paleo.ch

Taper: krsb99 (gvataper@gmail.com)
Equipment: Beyerdynamic MC930--> Oade ACM Marantz PMD 660
Location: centre 50 "rows" back

Setlist:

1. Black Mirror

2. No Cars Go

3. Haïti

4. Poupée de Cire

5. Neighborhood #2 (Laïka)
6. (Antichrist Television Blues)
7. Intervention
8. Ocean Of Noise

9. Neighborhood #1 (Tunnels)

10. Neighborhood #3 (Power Out) -> Rebellion (Lies)
11. Keep The Car Running

12. Wake Up (with Björk's brass band)

FM>Cass>???>CDR>EAC>FLAC 6 (w/sector align)

1. Outhouse
2. Bake´ 
3. Main Man
4. Little Song
5. If you look far enough
6. Gardsjenta

Arild Andersen     b
John Abercrombie   g
Pierre Favre       dr

Lester Bowie,tp 
Roscoe Mitchell,reeds 
Joseph Jarman,reeds 
Malachi Favors,b 
Famadou Don Moye,dr	

CD1: 41:50
1 Titel 41:50

CD2: 59:35
2 Titel 52:18 
3 Titel 3:46 
4 Titel 3:32

Lineage: audience > cdr on trade > flac > dime

Sound Rating: Audience A/A-

Source:  HEBs (DPA 4061s) > CS batt box > Edirol R-09 (line in, 24/44.1)
Lineage:  Wav file > Sound Studio > 16/44.1 >  xACT > FLAC (level 8)

Taping location:  Thirteenth row, in line with left speaker stack
Taped & transferred by:  TT

Asia lineup:

John Wetton:  Bass, vocals
Steve Howe:  Guitar, vocals
Geoff Downes:  Keyboards, vocals
Carl Palmer:  Drums

DISC 1: 
Intro music
Time Again
Wildest Dreams
One Step Closer
Roundabout
Without You
Cutting It Fine
Steve Howe solo-Clap
Fanfare For The Common Man

DISC 2:
The Smile Has Left Your Eyes*
Don't Cry*
In The Court Of The Crimson King
Here Comes The Feeling
Video Killed The Radio Star
The Heat Goes On / Carl Palmer drum solo
Only Time Will Tell
Sole Survivor
Encore:
Ride Easy*
Heat Of The Moment

(*)performed acoustically

Intended for free distribution and trade only!! 
Enjoy!

The Four Original Members of Asia

Source: SP-CMC-8 (AT943 cardioids) > SP-SPSB-10 > Edirol R-09 (line in, 24/48)
Lineage: Wav file > Sound Studio > convert 16/44.1 > xACT > FLAC (level 8)
Taping location: Row 10, 2 seats off center
Taped & transferred by: TT

Asia lineup:

John Wetton:  Bass, vocals
Steve Howe:  Guitar, vocals
Geoff Downes:  Keyboards, vocals
Carl Palmer:  Drums

DISC 1:  54:56

01 Intro
02 Sole Survivor
03 Wildest Dreams
04 Roundabout
05 Time Again
06 Steve Howe solo: Intersection Blues
07 The Smile Has Left Your Eyes
08 Ride Easy
09 Fanfare For The Common Man
10 Without You


DISC 2:  44:33

01 In The Court Of The Crimson King
02 Here Comes The Feeling
03 Video Killed The Radio Star
04 The Heat Goes On > Carl Palmer drum solo
05 Only Time Will Tell
06 Don't Cry
07 Heat Of The Moment

Source : EX+ quality 1st gen. FM tape 

Lineage : traded 1st gen. Maxell XLII cassette tape  ->  Nakamichi Dragon dolby off for playback -> Pioneer PDR 609 stand alone CD burner  -> EAC -> Goldwave for tracks -> Flac Frontend ->  FLAC level 8 align on sector boundaries.

01.Sky High (5:23) 
02.Back up against the wall (5:17) 
03.Truckin' in my blood (4:12)
04.Angel (6:20) 
05.? (4:08)
06.So into you (6:52) 
07.Another man's woman (22:22)
08.Mixed emotions (3:50)

Total time 0:58:24  

Seeded by finkployd49

Love Your Life
Same Feeling, Different Song
A Love Of Your Own
McEwan's Export
Your Love Is A Miracle
She's A Dream
If I Ever Lose This Heaven
Pick Up The Pieces

Alan Gorrie - Guitar, Vocals,
Hamish Stuart - Bass, Vocals
Onnie McIntyre - Rhythm Guitar, Vocals
Roger Ball - Keyboards, Alto Sax
Malcolm Duncan - Tenor and Soprano Sax
Steve Ferrone - Drums, Percussion

01. Steve Reich: Music for Mallet Instruments, Voices, and Organ
02. Michael Gordon: Love Bead
03. Announcer
04. Lou Harrison: Concerto for Organ and Percussion. I
05. Lou Harrison: Concerto for Organ and Percussion. II
06. Lou Harrison: Concerto for Organ and Percussion. III
07. Lou Harrison: Concerto for Organ and Percussion. IV
08. Announcer
09. John Adams: Scratchband
10. Announcer
11. Philip Glass: Facades
12. Frank Zappa: Dog Breath Variations - Uncle Meat
13. Frank Zappa: Get Whitey
14. Frank Zappa: G Spot Tornado
15. Frank Zappa: Moggio

Ensemble Modern
John Adams, cond.
Hermann Kretzschmar, organ

Track 01: Teac FM Tuner > TDK SA (?) > Aiwa Cassette Deck > Dolby NR > Pioneer CD Recorder > CD-R > EAC > wav > FLAC level 6
Tracks 02 - 15: FM Tuner > cassette > Line-in > Audiograbber > Wav > FLAC

This is my Wiki for Booting the System, my collection of unofficial live recordings.

1/1
1/2
2/1
2/2
Everything Merges with the Night
Burning Airlines Give You So Much More

Brian Eno: Music for Airports 
 
When we first heard Music for Airports in the late seventies/early eighties it was like a door cracking open. This record-long piece was mesmerizing, dreamy, intense and meant to be played in or thought of as fitting into a specific environment. It was a redefinition of how we relate to music in our everyday lives. Brian Eno was exploring the question of where music could go. Could its home lie somewhere outside of the muzak of elevators and dentists' offices and outside of the concert hall as well? Could it exist somewhere in between? Eno was essentially defining Ambient music. Twenty years ago there were no Ambient departments in record stores. There were no New Age or techno sections, no chill rooms. Music for Airports kicked off a whole web of musics that hadn't existed previously. But the unique factor about Eno's work was that although it could and can exist in the background of everyday life it is music that carries a potency and integrity that goes far beyond the incidental. It's music that is carefully, beautifully, brilliantly constructed and its compositional techniques rival the most intricate of symphonies. What Eno didn't imagine was that his piece would be realized with live musicians. In his analog studio, methodically stringing out bits of tape and looping them over themselves, he hadn't anticipated that a new generation of musicians would take his music out of the studio and perform it on live instruments in a public forum. Over at Bang on a Can we have always searched for the redefinition of music, exploring the boundaries outside of what is expected. This recording represents a further step in this exploration. After 20 years where does this landmark piece fit into our ever expanding definition? The effect has only begun. The Music for Airports revolution is just beginning to unfold. The live realization of Music for Airports stays close to the source. To the core group of the Bang on a Can All-Stars we've added voices, brass, winds and pipa, filling out the orchestra of sound that emerged in our minds from Eno's original synthesized recording. We have had the great pleasure of sharing the project plans with Brian Eno along the way. We are indebted to him for giving us the experience of getting inside and out of this monumental work. - Michael Gordon, David Lang, Julia Wolfe 

source : assistive Listening Device
taper : benchboy 
transfer  : markp

Hollywood Bowl Orchestra (Edwin Outwater conductor)
Cheap Trick
Ian Bell (Gomez)
Joan Osborne
Aimee Mann
Rob Laufer
Al Jourgensen (Ministry)
Sin Quirin (Ministry)
Richard Lloyd

Disc One:
01 Star Spangle Banner (Orchestra)
02 Medley (Orchestra) 
03 cheap trick intro
04 Magical Mystery Tour (Cheap Trick)
05 conductor banter 
06 intro of ian bell
07 Strawberry Fields Forever (Ian Bell) 
08 intro of joan osbourne
09 Lady Madonna (Joan Osborne)
10 The Long and Winding Road (Joan Osborne)
11 intro of rob laufer
12 Norwegian Wood (Rob Laufer)
13 intro of aimee mann
14 Blackbird (Aimee Mann) 
15 Eleanor Rigby (orchestra) 
16 intro of cheap trick
17 intro of al jourgensen & sin quirin
18 I Want You (She's So Heavy) (Al Jourgensen)
19 Golden Slumbers/Carry That Weight/End (Cheap Trick)

Disc Two:
01 Sgt. Pepper's Lonely Hearts Club Band (Cheap Trick)
02 With a Little Help from My Friends (Cheap Trick)
03 Lucy in the Sky with Diamonds (Joan Osborne)
04 Getting Better (Cheap Trick)
05 Fixing a Hole (Aimee Mann)
06 She's Leaving Home  (Cheap Trick)
07 Being for the Benefit of Mr. Kite! (Ian Bell)
08 Within You Without You (Rob Laufer) 
09 When I'm Sixty-Four (Cheap Trick)
10 Lovely Rita (Aimee Mann) 
11 Good Morning Good Morning (Cheap Trick)
12 Sgt. Pepper's Lonely Hearts Club Band (Reprise) (Cheap Trick)
13 A Day in the Life (Cheap Trick)
14 crowd
15 All You Need Is Love (Cheap Trick)

BEN FOLDS, voc, p, b; 
JARED REYNOLDS, b, voc; 
LINDSAY JAMIESON, dr, voc.

can't say much about this recording except that it is NOT the online stream but the real thing. the show was professionally edited, 'gone' is gone (hah!), along with some banter and chat from ben. enjoy!

01 in between days
02 there's always someone cooler than you
03 jesusland
04 bastard
05 still fighting it
06 all u can eat
07 you to thank
08 landed
09 prison food
10 bitches ain't shit
11 zak and sara
12 brick
13 fred jones part two
14 one down
15 the luckiest
16 army
17 trusted
18 carrying cathy
19 rockin' the suburbs
20 late
21 philosophy
22 emaline
23 not the same
24 one angry dwarf and 200 solemn faces

9X9
Sunny's Song
My Pet Goat
Best Reason To Buy The Sun >
Becky
Welcome Red
Foam
Hoedown
Scratchitti
The Beltless Buckler (Gabba La La)
Mike's Song

Mysteries
Romance
Drake
Resolve
Spider Monkey
Tom the Model
Autumn Leaves
Funny Time of the Year
Candy Says
Show

Mysteries
Romance
Drake
Resolve
Spider Monkey
Tom the Model
Sand River
Funny Time of Year
Candy Says
Show

/***
|Name|BetterTimelineMacro|
|Created by|SaqImtiaz|
|Location|http://tw.lewcid.org/#BetterTimelineMacro|
|Version|0.5 beta|
|Requires|~TW2.x|
!!!Description:
A replacement for the core timeline macro that offers more features:
*list tiddlers with only specfic tag
*exclude tiddlers with a particular tag
*limit entries to any number of days, for example one week
*specify a start date for the timeline, only tiddlers after that date will be listed.

!!!Installation:
Copy the contents of this tiddler to your TW, tag with systemConfig, save and reload your TW.
Edit the ViewTemplate to add the fullscreen command to the toolbar.

!!!Syntax:
{{{<<timeline better:true>>}}}
''the param better:true enables the advanced features, without it you will get the old timeline behaviour.''

additonal params:
(use only the ones you want)
{{{<<timeline better:true  onlyTag:Tag1 excludeTag:Tag2 sortBy:modified/created firstDay:YYYYMMDD maxDays:7 maxEntries:30>>}}}

''explanation of syntax:''
onlyTag: only tiddlers with this tag will be listed. Default is to list all tiddlers.
excludeTag: tiddlers with this tag will not be listed.
sortBy: sort tiddlers by date modified or date created. Possible values are modified or created.
firstDay: useful for starting timeline from a specific date. Example: 20060701 for 1st of July, 2006
maxDays: limits timeline to include only tiddlers from the specified number of days. If you use a value of 7 for example, only tiddlers from the last 7 days will be listed.
maxEntries: limit the total number of entries in the timeline.


!!!History:
*28-07-06: ver 0.5 beta, first release

!!!Code
***/
//{{{
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//this function by Udo
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window.old_timeline_handler= config.macros.timeline.handler;
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Soul for Every Cowboy
Kensington Line
Hysteria
Dinner with Ivan
Julianna
Turn the Light Out
Magdelina
Secret Mission
Ellis Island
Helpless
Riveria
It's Alright
Carolina
Please Don't Tell Her
Runaway Train
Resignation Superman
Again and Again
City on Fire
Sister Sweetly
Circle
Tangerine
Strategem
Vincent of Jersey > The Leaving Song
Bittersweet
Crazy Mary
Freedom Fighter
Broken Hearted Savior

Disc 1

Beautiful World
Dirty Juice
Crazy Mary
Secret Mission
Stratagem
Lets Get it on*/ Sister Sweetly
Moose Song
Caroline
Friend of the Devil%
Peacemakers Blues/ Broken Hearted Savior

Disc 2
Conquistador
Geography of a Horse Dreamer
Vincent of Jersey/ The Leaving Song
Come On Come On
Riviera
Tangerine
Love Transmission
In the Morning
Bittersweet
Resignation Superman
crowd before encore
Monument in Green
Circle

01 - Hells Bells
02 - One Of A Kind
03 - Sample And Hold
04 - Feels Good To Me
05 - Beelzebub
06 - The Sahara Of Snow
07 - Forever Until Sunday
08 - Back To The Beginning
09 - Goodbye To The Past
10 - Five G

Allan Holdsworth-guitar, Jeff Berlin-bass, Bill Bruford-Drums, Dave Stewart-keys

Hell's Bells
Sample And Hold
Fainting In Coils
Forever Until Sunday
One Of A Kind Part 1
One Of A Kind Part 2
Travels With Myself, And Someone Else
Beelzebub
The Sahara Of Snow Part 1
The Sahara Of Snow Part 2

SBD>???>CD>EAC>FLAC FRONTEND (LEVEL 8)

Disc I:
01. Hell's Bells
02. Joe Frazier
03. Land's End
04. The Sliding Floor
05. Drum Solo > Gothic 17
06. Fainting in Coils (w/ Back to the Beginning)

Disc II:
01. Palewell Park
02. Plans for JD
03. Age of Information
04. Five G
05. Beelzebub
06. Gimme Some Lovin' > Sunshine of Your Love

Bruford is:
Bill Bruford - drums
Dave Stewart - keyboards
Jeff Berlin - bass
John Clark - guitar

Lineage: FM > ? > CDR > EAC > wav > CDR (mine) > EAC > wav > dBpowerAMP > flac (L7)


unknown venue, Chicago, IL
7/1/87

1. Thud 
2. Ikebana
3. Pressure 
4. Up North 
5. Improvisation 
6. It Needn't End In Tears 
7. Emotional Shirt


Studententsenteret, Bergen, Norway 
6/2/88

8. Band Introduction
9. It Needn't End In Tears
10. Bridge Of Inhibition

Lineup:
Bill Bruford - drums & percussion
Django Bates - keyboards, horn, trumpet
Mick Hutton - bass
Iain Ballamy - saxophones

No Truce with the Furies
If Summer Had Its Ghosts
Forgiveness
Some Shiver, While He Cavorts
A Part, and Yet Apart
Footloose and Fancy Free
Dewey Eyed, Then Dancing
Pigalle
Original Sin

 FM>tape>CDR(Philips CDR 570)>wave(EAC)>flacf(8)

 I saw this really great show in Cologne and I was very happy,that
 the complete show was broadcasted next monday at the german 
 radio station WDR 1.First 80 min complete,for the encores I 
 had to change the tape so track 10 fades in and track 12 fades out.
 Bill Bruford was very nice and friendly this night and after 
 the show he came to the bar and answered all questions from the 
 audience.I had the luck and sit direct to BB and had a 20 min 
 conversation with him about his work and for sure about
 King Crimson.

 Earthworks :
 
 Tim Garland: Tenor and soprano saxophones, flute, bass clarinet. 
 Steve Hamilton: Piano 
 Mark Hodgson: Bass 
 Bill Bruford: Drums, log drum. 

 
 Setlist: I`m not 100% sure with the name of the songs,any help 
 is more than welcome,thanks booomboom.

 CD 1 : 

 01 Revel without a pause       11:29
 02.Triplicity                  10:10
 03.Hale Life                   08:57
 04.Come to dust                08:21
 05.Modern Folk                 07:18
 06.Where sleep may saftly rain 05:31
 07.Footloose and fancy free    09:04
 08.The wooden man sings and the stone lady dances   09:34
 09.Bridges of Inhibition       09:30

 CD 2 :

 01.Teaching Vera to dance      05:15
 02.Never the same way once     05:31

Recorded by anonymous (SONY MDR55 minidisc)
Mastered by TheTooleMan, July 2002

An EXCELLENT recording made in a small jazz club in North London. The taper was kind enough to 
ask me to master his recording, which I did in July 2002. Very little improvement was needed 
other than boosting the high and low frequencies for a little more presence, raising the levels 
of some of Bill Bruford's comments to the audience, reducing the audio level of clapping, and 
tracking.

I have never circulated this recording, and as far as I know, neither as the taper. But that's all 
going to change now, and well it should, as it deserves to be heard. 

TheTooleMan
July 2007

DO NOT SELL THIS RECORDING!

Earthworks:
Bill Bruford: drums, percussion
Tim Garland: saxophone, bass clarinet
Steve Hamilton: piano
Mark Hodgson: bass

Tracks, Disk 1

(unknown)*
Bill Bruford's Comments #1
Bajo del Sol
(unknown)*
Tim Garland's Comments
Modern Folk
(unknown)*
Bill Bruford's Comments #2
The Wooden Man Sings, and the Stone Woman Dances

Tracks, Disk 2

(unknown)*
Come to Dust
Bill Bruford's Comments #3
Blues for Little Joe
(unknown)*
Bill Bruford's Comments #4
Bridge of Inhibition
(unknown)*

)*Help with track titles will be appreciated.

Set I
Piano/Sax Intro
Revel Without a Pause
Bajo del Sol (intro)
Bajo del Sol
Turn and Return
Come to Dust
Triplicity
Seems Like a Lifetime Ago
One of a Kind
The Wooden Man Sings, and the Stone Woman Dances
Beelzebub
Footloose and Fancy Free
 
Comment
Bill Bruford: drums
Tim Garland: sax
Steve Hamilton: piano
Mark Hodgson: Bass

Source: Audience Sony WM-D3 (XL-IIS) + Core Sound stealth cards > Soundblaster Live > Soundforge 4.0 > shntool > dbPowerAmp > FLAC

Early show + 45 minutes of late show

Bill Bruford: Drums
Tim Garland: Sax
Henry Hey: Piano
Mike Pope: Bass

Sound: B
Show: A

Mr. Memory
Blues for LA
Keep Your Eyes Open
Rain, Rain
Roscoe
Lookout for Hope
Shenandoah
Egg Radio

Big Shoe
Poem for Eva
Introductions
Lookout for Hope #2
Keep Your Eyes Open #2
My Buffalo Girl
Monroe
Verona

Cadillac 1959
That Was Then
The Pioneers
Poem for Eva #2
Mr. Memory #2
Big Shoe #2 
Untitled

from WOWOW Jazz File TV broadcast. Excellent quality.

Pro-Shot

Soundcheck
The Stranger
Somewhere Along The Line
Summer, Highland Falls
Piano Man
Scenes From An Italian Restaurant
Travelin' Prayer
Movin' Out
Still Crazy After All These Years
Just The Way You Are
Prelude / Angry Young Man
New York State Of Mind
The Entertainer
Vienna
Root Beer Rag
She's Always A Woman
I've Loved These Days
Miami 2017 (Seen The Lights Go Out On Broadway)
The Ballad Of Billy The Kid
Have Yourself A Merry Little Christmas
Captain Jack
Say Goodbye To Hollywood
Only The Good Die Young
Get It Right The First Time
Souvenir

WLIR Pre-FM #14

Master Audiance Recording

CSB -> Sony MZR30 MiniDisc -> M-Audio 24-bits Soundcard into WaveLab (Low Shelf @35Hz, slight compression with Waves C1)
-> .wav -> .flac

1. Earth Intruders
2. Hunter
3. Pagan Poetry
4. Immature
5. Jóga
6. The Pleasure Is All Mine
7. Unravel
8. Army Of Me
9. Innocence
10. I Miss You
11. Anchor Song
12. Bachelorette
13. Five Years
14. Wanderlust
15. Hyperballad
16. Plútó
17. Encore Break & Band Introduction
18. Oceania
19. Declare Independence 

79'58''

Tomorrow's Dream
Sweet Leaf
Killing Yourself To Live
War Pigs
Snowblind
Sabbra Cadabra
Supernaut Part 1 (Improvisation)
Supernaut Part II(Bill Ward's Drum Solo)
Supernaut Part 3
Iron Man
Guitar Solo(w/Orchid, Sabbra Cadabra[reprise])
Paranoid
Embryo/Children Of The Grave
 
Comment
Chase The Dragon CTD 005, a/k/a/ "Cannibas Confusion" aka Bagdad  (GR032)

California Jam: http://en.wikipedia.org/wiki/California_Jam

1. "DJ Into" (1:12)
2. "Black Sabbath intro" (2:20)
3. Children on the Grave" (5:05)
4. "Hot Line" (5:01)
5. "War Pigs" (7:30)
6. "Iron Man" (8:59)
7. "Zero the Hero" (7:46)
8. "Heaven and Hell" (8:42)
9. "guitar solo" (8:42)
10. "Digital Bitch" (3:51)
11. "Black Sabbath" (7:52)
12. "Smoke on the Water" (5:18)
13. "Paranoid" (3:51)

This bootleg was taken from "Captured Live", a US radio promo, so the sound is excellent for a bootleg. Classic recording of Sabbath featuring a smokin' version of "Smoke on the Water", a song many Sabbath die-hards felt was blasphemy for Sabbath to be playing. Gillan sounds a bit strained on a few songs here, especially on "Heaven and Hell". However, when he goes into those high, falsetto screams, he sounds fantastic! The line-up for this tour was Tony Iommi (guitar), Geezer Butler (bass), Ian Gillan (vocals), Bev Bevan (drums) and Geoff Nicholls (keyboards).

Transfer: CD-R from trade > EAC > FLAC Level 8 > you 

1 Blackfield
2 Open Mind
3 The Hole In Me
4 Glow
5 Pain
6 Lullaby
7 Epidemic
8 Waiting
9 Summer
10 Where Is My love?
11 Cloudy Now
12 Scars
13 Hello
14 Feel So Low
15 Blackfield (again)
=79 min of pure luck!!

Blackfield
Open Mind
The Hole In Me
Glow
Pain
Epedemic
Hello
Cloudy Now

 Once
Miss U
Blackfield
Christenings
The Hole In Me
1,000 People
Pain
Glow
Thank U (Alanis Morissette)
Epidemic
Some Day
Set II
Open Mind
My Gift Of Silence
Where Is My Love
End Of The World
Hello
Once
Cloudy Now

(MPRB01)

Source - Sony minidisc MZ-R55 with a Sony Microphone ECM-939 LT - PC - cdr - eac - flac (level 8)

01. Blackfield
02. Open Mind
03. Hole In Me
04. Glow
05. Pain
06. Lullaby
07. Summer
08. Where Is My Love ?
09. Cloudy Now
10. Scars
11. Hello
12. Feel So Low

Line-up

Steven Wilson - vocals, guitars, additional keyboards
Aviv Geffen - vocals, keyboards, additional guitars
Daniel Salomon - piano
Seffy Efrati - bass guitar
Tomer Z - drums, percussion

lineage/transfer: DAT master @ 48KHz/16bit > digital output(optical) > Edirol UA-3FX > USB 1 > Power Mac G4 > Sound It! 3.0(aiff @ 48KHz/16bit > sampling frequency down conversion to aiff @44.1KHz/16bit, track splitting) > xACT(SBE fix, flac compression level 8) > flac 

track list

disc-1
01. Opening SE : Susatissimo
02. Dome Epais Le Jasmin A La Rose S'Assemble from "Lakme"(by Sister of The
    Moon)
03. Way to Mandalay(intro) - Cartouche
04. Queen For A Day
05. Under A Violet Moon
06. Minstrel Hall
07. Past Time with Good Company
08. Soldier of Fortune
09. - Earthquake -
10. Praetorius(Courrante)
11. Diamonds and Rust 
12. Durch Den Wald Zum Bach Haus - Violin Solo(incl. Japanese Folk Song
    "Shojoji")
13. Home Again - Woman from Tokyo - Home Again(rep.)
14. Fires at Midnight
15. Nur Eine Minute
16. Hanging Tree

disc-2
01. Renaissance Faire
02. Hurdy Gurdy Solo - The Clock Ticks on
03. I Still Remember

-encore-
04. All for One
05. Rainbow Blues
06. Difficult to Cure - Self Portrait
07. Blues
08. The Temple of The King
09. Purple Haze
10. Since You Been Gone

-encore-
11. Sixteenth Century Greensleeves
12. Piano Solo(incl. "Chopin's Revolutionary") 
13. Violin Solo "Swan Lake" - Writing on the Wall - Burn
    - Writing on the Wall(rep.)
14. The Times They are A Changin' - Mid-Winter's Night - Dandelion Wine

Txt file:

This is the 2nd show in Tokyo and the last performance in Japan in 2004 tour. The band experienced a big typhoon in Nagoya in fact, then an earthquakes during the show on the last night in Tokyo(you'll hear it in track 09 of disc-1).  The carried on after a few minutes of break while staff checking gears.  As you may see from the setlist, Blackmore finished acoustic set earlier, then did lots of rock stuff, which was quite nice surprise!  I was in about tenth row, facing right PA speaker, so the sound quality of my DAT master is quite listenable, guys right next to me were a little too noisy, though(they are not to blame, of course).

Sound: B

Don't Tell Me
What's Your Problem?
That's Love That It Is
Don't You Love It All?
Why Don't They Leave Things Alone?
God's Kitchen
Lose Your Love
Paradise Is
Other Animals
Game Above My Head
Living On The Ceiling
I've Seen The Word
Kind
Blind Vision

source 2:  mbho 603a/ka500hn (hypercardioid) > edirol r4 (24/96) (sleepypedro and the_meekster)
soundforge 8.0 (dither, resample, tracking, fades) > shntool > flac

Intro
So Here We Are
Positive Tension
Banquet
Blue Light
She's Hearing Voices
This Modern Love
Two More Years
Like Eating Glass
Little Thoughts
Helicopter
Pioneers

Party in the Park II

1. [02.18] ?
2. [03.12] She's Got a Big Boyfriend
3. [03.58] Scream
4. [02.43] Gimme the Girl
5. [03.05] We Are the Now-Tones
6. [04.28] I Wanna Be a Lifeguard

Sound: A
Show: A

SOURCE: Aux SBD mix + Nak 300 CP3 (0mnis) > Mackie 1404 Mixer > DA-P1. Mics hung over stage and ran into snake to SBD and out to Mackie. 

LINEAGE: DAT > DAT via 1 analog cable generation for computer remastering by Brad Sarno. DAT > Audiophile 24/96 > Wavelab 5 (fades, resample) > CD Wave (Track) > Flac Frontend.

TAPED BY:  Steve Brothers & Brad Sarno
REMASTERED BY: Brad Sarno
TRANSFERRED BY: Steve Brothers

SETLIST: 

Disk 1 (1st Set - part 1) (50:04)

01: 5 & Dime			05:30
02: Log Jam	 		06:01
03: Nao				07:24
04: Dev's Sidestep		07:13
05: Half The Time		03:47
06: Mississippi Jack		09:11
07: Sleeping Beauty		06:09
08: Dead Flowers		04:46

Disk 2 (1st Set - part 2 + 2nd Set - part 1) (30:17)

01: Get On The Road		12:27		
02: Cripple Creek		05:23
03: Playin' With Fire		07:11
04: Kid Charlemagne		05:14
05: Good Lovin'			08:01
06: Wishing Stone		08:43
07: Late In The Evening		04:27
08: Come A Stranger		06:45
09: Walk Awhile			06:12
10: She Said, She Said		04:02

Disk 3 (2nd Set - part 2)

06: Werewolves Of London > 	08:12
07: Welcome Back My Friend	17:17
08: Nothing But Flowers		13:32
09: Blue Line			13:03
10: Love Light			12:32

Encore:
11: Whisper In The Night	07:28
12: Let It Bleed		05:43

BLUES EXPLORATIONS INTO THE MUSIC OF PINK FLOYD with:
Allen Woody - guitar, bass & vocals
Matt Abts - drums
Marc Ford - guitar & vocals
Johnny Neel - keyboards, harmonica & vocals
Berry Oakley - bass, percussion & vocals

Source:  AKG 461 > Lunatec V2 > SBM-1

Set 1:
Disc 1:
01. Sheep
02. Hey You
03. Fearless
04. In The Flesh
05. Cymbaline
06. Breathe >
07. Us And Them >
08. Any Colour You Like >
    Use Me >
    Any Colour You Like

Disc 2:
01 Young Lust >
   Another Brick In The Wall Pt. 2
Set 2:
02. HAL >
    Echoes >
    The Trial* >
03. Echoes
04. Drums >
05. Bass/Drums >
    Mountain Jam >
06. Set The Controls For The Heart Of The Sun >
07. Interstellar Overdrive >
08. Wish You Were Here >

Disc 3:
01. Shine On You Crazy Diamond >
    Loan Me A Dime >
    Shine On You Crazy Diamond
02. Have A Cigar
Set 3:
03. Apocalypse Now intro >
04. Whiter Shade Of Pale
05. Seamus
06. Odds and Ends
07. Red House >
    How Blue Can You Get

Disc 4:
01. Money** >
    Fever** >
    Baby Please Don't Go** >
    Money**
02. Crossroads*** >
03. Spoonful** >
04. Another Brick In The Wall**

Comment:
(* w/ Brian Farmer on vocals
(** w/ Warren Haynes on guitar
(*** w/ Warren on guitar & vocals

Note:
Downloaded from Furthurnet ?2000? SHN > WAV > archive CDR
CD > EAC > WAV > FLAC (Level 6 verified) by robemichel on 05/25/2006
questions/comments: robemichel@yahoo.com

The Red & The Black, Transmaniacon Mc, Screams, O.D'd On Life Itself, Wings Wetted Down, 7 Screaming Diz-Busters, Buck's Boogie, Workshop Of The Telescopes, Cities On Flame With Rock & Roll, It's Not Easy

Soundboard>?(some editing)>CDR(trade)>Flac7>Free to Trade

1. Dominance and Submission
2. Astronomy
3. ME262
4. Stairway To the Stars
5. Transmaniacon M.C.
6. Born To Be Wild
7. Buck's Boogie

Soundboard of Blue Oyster Cult's New Year's Eve show 
(Iggy & the Stooges and Kiss opened for B.O.C.)
It's a great bootleg!

Lineage: CD-R (trade)>WAV>FLAC Level 8>Free to Trade

Disc One
1. Intro...
2. The Red and the black
3. O.D'd On Life (Life Itself)
4. Career of Evil
5. Harvester of Eyes
6. Dominance and Submission
7. Astronomy
8. Flaming Telepaths

Disc Two
1. Buck's Boogie
2. Cities on Flame
3. ME262
4. Hot Rails to Hell
5. I Ain't Got You

from TokeMaster Chris
First seeded July 2006 on dime

intro tape
Stairway to the Stars
Harvester of Eyes
Cities on Flame with Rock and Roll
E.T.I.
Morning Final
Flaming Telepaths
Then Came the Last Days of May
ME-262
Dominance and Submission

Buck's Boogie
This Ain't the Summer of Love
5 Guitars
Born to Be Wild
(Don't Fear) The Reaper

For hard-core collectors only. ME-262 is incomplete, and the recording of D&S is botched. This also includes a very gratuitous drum solo.

R.U.Ready To Rock
E.T.I.
Cities On Flame
Hot Rails To Hell
Godzilla
This Ain't The Summer of Love
Born To be Wild
Don't Fear The Reaper

Early Show*

Stairway to the Stars
E.T.I.
Your Not The One
The Great Sun Jester
Cities on Flame
Maserati GT(I ain't got you)
Gun
The Last Days of May
ME 262
Dr. Music
Hot Rails to Hell
Godzilla
Born To Be Wild
Arthur Comics Blues Jam (Band just riffing around the Arthur Comics Song)
Harvester of Eyes
Dominance and Submission

Second Encore Missing**

ORIGINAL MASTER CASSETTE > WAV > FLAC

Flac's cut on sector boundries

Notes about this show:

We believe this is the earlier of two shows that night at the Old Waldorf. The announcer is the same as the announcer on the known second set with slightly different wording. The track listing for the later set is also somewhat different.

There is a glitch in Maserati GT in the middle of the song where the recorder accidently stopped.

According to the taper (Harry Lime):

"I just spoke to my brother who was with me that night. It is possible that
there were two shows that night. He recalled it being light out when we  were waiting in line.
 I am positive of the date since I wrote it on the tape label that night .
 Back in those days the Old Waldorf often had and early and a late show. 
BTW, I think there was a 2nd encore that night, but I put it on another 
 tape that i have been unable to find for years. "

from LLD_139 (different source?):
Soft White Underbelly a.k.a. Blue Oyster Cult
March 17, 1979  
Old Waldorf  San Francisco, California 
Early Show

Perrsonnel:
 
Eric Bloom - vocals, guitar and percussion
Albert Bouchard - drums, vocals and percussion
Donald "Buck Dharma" Roeser - guitar and vocals
Joe Bouchard - bass and vocals
Allen Lanier - keyboards, vocals
               and guitar

Recorded 3 months before the release of Mirrors,
one can only speculate the boys wanted to try out
the new material. A couple of Irish-American kids
on St. Patrick's Day, set out to see their favorite
Rock group. I thought this would be an appropriate
theme for this bootleg. I hope you enjoy it as much
as I have.

 Due to limitations of the tape,
Astronomy and The Reaper were compromised.



DISC 1
1. Crowd/Intro Music (3:51)
2. Intro/Stairway To The Stars (4:30)
3. E.T.I. (Extra Terrestrial Intelligence) (6:22)
4. You're Not The One (I Was Looking For) (4:00)
5. The Great Sun Jester (5:43)
6. Cities On Flame With Rock And Roll (4:54)
7. Maserati GT (I Ain't Got You) (10:49)
8. Gun (6:13)
9. Astronomy (9/11) *

DISC 2
1. ME 262 (4:18)
2. Dr. Music (3:09)
3. Hot Rails To Hell (6:57)
4. Godzilla (6:33)
5. Born To Be Wild (6:53)
6. Harvester Of Eyes (4:31)
7. (Don't Fear) The Reaper (4:48) *

WLUP 97.9 FM BROADCAST

A1>CDR>EAC>FLAC

SET LIST:

DISC ONE:

1:  DJ Intro/Dominance and Submission
2:  Dr. Music
3:  Mirrors
4:  Cities on Flame
5:  The great sun jester
6:  The Vigil
7:  ETI

DISC TWO:

1:  Astronomy
2:  ME262
3:  Godzilla/Drum Solo
4:  Hot rails to Hell
5:  Bass Solo/5 Guitar Jam
6:  Born to be Wild
7:  OD on life itself
8:  Don't fear the reaper

Dominance & Submission
Dr. Music
Mirrors
Cities On Flame With Rock 'N Roll
The Great Sun Jester
Buck's Boogie
The Vigil

Astronomy
ME 262
Godzilla
Hot Rails To Hell
Bass Solo
5 Guitars
Born To Be Wild

The recording is a bit dated, but the stereo separation is fantastic, and the performance is great (esp. BB). Astronomy features a different solo than usually played. We'll even forgive the electric tom toms in Dr. Music. Listen for the motorcycle Eric rides onto stage at the beginning of BTBW.

Dr. Music
ETI
Lips in the Hills
Unknown Tongue
Cities on Flame
The Marshall Plan
Hungry Boys
Divine Wind
Me262
Hot Rails to Hell

Black Blade
Godzilla
Bass Solo
Five Guitars
Born to Be Wild
Don't Fear the Reaper (incomplete)

Mastered a bit too high & fast. Likely a SBD or Pre-FM

Dr. Music
Lips in the Hills
Unknown Tongue
Cities on Flame
The Marshall Plan
Divine Wind
Last Days of May
It's Not Easy
Me262

Black Blade
Godzilla
Five Guitars
Born to Be Wild
Arthur Comics
Roadhouse Blues
Don't Fear the Reaper

Performing as Soft White Underbelly

Dr. Music
ETI
Burnin' for You
Fire of Unknown Origin
Cities on Flame
Joan Crawford
Flaming Telepaths
Veteran of the Psychic Wars
Hot Rails to Hell

Me262
Heavy Metal
Don't Fear the Reaper
Godzilla
Born to Be Wild
Five Guitars
Roadhouse Blues

Dr. Music
ETI
Burnin' for You
Fire of Unknown Origin
Cities on Flame
Joan Crawford
Flaming Telepaths
Veteran of the Psychic Wars

Me262
Hot Rails to Hell
Godzilla
Born to Be Wild
Heavy Metal
Don't Fear the Reaper
Roadhouse Blues

Quite simply one of my favorite concerts of all time.

intro
Dr. Music
E.T.I.
Hot Rails to Hell
Cities on Flame
Joan Crawford
Burnin' for You
Seven Screaming Diz-Busters

Veteran of the Psychic Wars
ME-262
Godzilla
bass solo
Born to Be Wild
(Don't Fear) The Reaper
Roadhouse Blues

Audience recording (I rate it 7/10 cause of the noisy audience. Sometimes it's amusing. But believe me, it's a very enjoyable concert! It's Worth donloading
for some very rarely performed tracks.

Lineage: CDs got in a trade, converted directly to FLAC using DBpowerAMP (4° grade compression)

CD1

intro
Cities on flame
Before the kiss
E.T.I.
Hot rails to hell
Take me away
Shadow on California ("Where's my wallet";-))
Joan Crawford
Shooting Shark
Born to rock


CD2

(Don't fear) The reaper
Godzilla
Bass solo
Feel the Thunder
Born to be Wild
Let go
Burning for you
Roadhouse blues

Band:
Eric Bloom
Donald "Buck Dharma" Roeser
Allen Lanier
Joe Bouchard
Rick Downey

Amazing concert. 5 songs from "The Revolution by night". 
Shadow on California and Feel the thunder the real gems of the show.

Enjoy!

Celebrimbor

FLAC > dbpoweramp > WAV > CD Audio > DBpoweramp > FLAC files

Audience recording, very good (9/10). 

Only the first half of R.U. Ready to rock has few high frequences, and at the end of the show Cities on flame and Roadhouse Blues has the same problem, a prove that the original was a tape:-)

CD1

Intro
R.U. Ready 2 Rock
Dominance and submission
E.T.I.
White Flags
Take me away
Veteran of the psychic wars
Dancing in the ruins

CD2

Joan Crawford
Shadow warrior
Burning for you
Godzilla
(Don't fear) The Reaper
Cities on flame
Roadhouse blues

Eric Bloom
Donald (Buck Dharma) Roeser
Joe Bouchard
Tommy Zvoncheck
Jimmy Wilcox

BOC are on top of the form here! The only italian concert in their history!
Fantastic one!!! A must!

Stay 'o Cult!

Celebrimbor

Before The Kiss A Redcap, Cities On Flame With Rock & Roll, Eti, Harvest Moon, Buck's Boogie, The Vigil, Live For Me, Flaming Telepaths, I'd Like To See You In Black, Then Came The Last Days Of May, In Thee, Burnin' For You, Godzilla, (Don't Fear) The Reaper, Golden Age Of Leather, Dominance & Submission

1.  R. U. Ready 2 Rock
2.  White Flags
3.  Take Me Away
4.  Dancin' In The Ruins
5.  The Shadow Warrior
6.  Burnin' For You
7.  Godzilla
8.  Wings Of Mercury
9.  (Don't Fear) The Reaper
10. Born To Be Wild
11. Let Go
12. Shooting Shark

Released in 1993 by the "International Broadcast Recordings" 
label.  Recorded at the Civic Auditorium in Santa Monica, CA on 
3/27/1986.  However, the last 3 songs on the CD are actually from a 
2/14/1984 show at the Hammersmith Odeon in London.  The California 
portion of this recording (often incorrectly referred as being from Los 
Angeles) was broadcast on "The King Biscuit Flower Hour" on 7/13/1986.  
This show was rebroadcast by King Biscuit on 8/31/1998, and sent to 
radio stations on CD (the last 3 songs were not part of the King Biscuit 
broadcast, and therefore not on this radio-only CD).  "Wings Of Mercury" 
is credited as written by Donald Roeser, Eric Bloom, and Albert 
Bouchard.  However, according to Bolle Gregmar, the song was actually 
written by Dream Syndicate (Karl Precoda), and given to BOC to use (both 
Dream Syndicate and BOC were managed by Sandy Pearlman, and Tommy 
Zvoncheck plays keyboards on at least one Dream Syndicate album).  It 
was planned to be played by BOC on the Hear 'n Aid project (a heavy-
metal album project organized by Ronnie James Dio to raise money for the 
hungry -- the album featured a group of stars singing one song, plus a 
number of tracks by some of the artists), but was not used.  "Wings Of 
Mercury" was actually played as the first encore of the Santa Monica 
show, but was inserted in-between "Godzilla" and "(Don't Fear) The 
Reaper" for the radio broadcast.  The recording of "Born To Be Wild" 
appears to have been edited to remove the "Texas Chainsaw guitar duel".  
The second verse of "Shooting Shark" is not on the recording -- either 
the band did not perform the second verse, or it was edited out of the 
mix.  The name of this release no doubt comes from the Celtic Frost song 
of the same name.  

01	RUReady 2 Rock
02	Dominance & Submission
03	ETI
04	Buck's Boogie
05	Beat 'em Up
06	Take Me Away
07	Veteran of Psychic Wars (cut)
08	Dancin' in the Ruins (fades in)
09	TZ's Piano Improvisation
10	Joan Crawford
11	Shadow Warrior
12	Burnin' For You
13	Godzilla
14	(Don't Fear) The Reaper

R.U. Ready 2 Rock
Dominance and submission
ETI
I am the one you warned me of
Buck's boogie
Astronomy'88
Take me away

In the presence of another world
Flaming Telepaths
Cities on flame
Joan Crawford
Burnin' for you
This ain't the summer of love
Golden age of leather

CD1

R.U. Ready 2 Rock
Dominance and submission
ETI
I am the one you warned me of
Buck's boogie
Astronomy'88
Take me away

CD2

In the presence of another world
Flaming Telepaths
Cities on flame
Joan Crawford
Burnin' for you
Godzilla (Drum solo)
(Don't fear) The Reaper

Encores:
This ain't the summer of love
Golden age of leather
The red and the black

Stairway to the Stars
Dominance and Submission
Before the Kiss (A Redcap)
ETI
Buck's Boogie
Take Me Away
Cities on Flame
Astronomy
Career of Evil

Unknown Tongue
Burnin' for You
Godzilla
Don't Fear the Reaper
This Ain't the Summer of Love
The Red and the Black

CD >> DBpoweramp > FLAC (4 compression)
Audience recordiong: Very good (9/10)

CD1

Stairway to the stars
Dominance and submission
Before the kiss
E.T.I.
Demon's kiss
Power underneath despair
Take me away
Cities n flame
When the Horsemen Arrive

CD2

Astronomy
Still Burnin'
Harvest Moon
Burning for you
(Don't fear) The Reaper
Cold grey light of dawn
The Red and the black


Great concert! Many new songs played. 
"Demon's kiss" and "When the horsemen arrive" are absolutely classics!
A great mistake has been wasting them for a B-movie soundtrack as Bad Channels.

"Power underneath despair", "Still Burning", "Harvest moon" and "Cold grey light of dawn" are the announced new tracks
for the upcoming new CD. But we had to wait another 6 years to hear them in "Heaven Forbid" in 1998.

Stay 'o Cult!

Celebrimbor 

SOUNDBOARD RECORDING
CASSETTE REC'D IN TRADE>
PLAYBACK ON JVC TD-W505>
AIWA XC-RW700 STANALONE BURNER>
EAC>FLAC> DIME
samples below

Well, as we found out through the unfortunate banning of the original torrent,
this is a "band recorded" Soundboard recording, as opposed to a fan or sound-guy
plug in. DFTR HA BEEN REMOVED TO COMPLY.
An amazing show and recording. Sounds like the band is having fun.

1.STAIRWAY TO THE STARS 
2.DOMINANCE AND SUBMISSION
3.BEFORE THE KISS
4.ETI
5.A DEMON'S KISS
6.POWER UNDERNEATH DESPAIR
7.TAKE ME AWAY
8.CITIES ON FLAME
9.WHEN THE HORSEMAN ARRIVE

1.ASTRONOMY
2.STILL BURNIN'
3.HARVEST MOON
4.BURNIN FOR YOU
5.GODZILLA
6.DON'T FEAR THE REAPER(REMOVED)
7.COLD GREY LIGHT OF DAWN
8.OD'D ON LIFE

Stairway to the Stars
Dr. Music
Dominance and Submission
Before the Kiss (A Redcap)
E.T.I.
Demon's Kiss
Teen Archer
Joan Crawford
Cities on Flame
Still Burning
I Love the Night

This Ain't the Summer of Love
ME-262
Harvest Moon
Burnin' for You
Godzilla
(Don't Fear) The Reaper
Golden Age of Leather
The Red and the Black

AUDIENCE DAT(M)>DAT>CDR>EAC>FLAC

SET LIST:

DISC ONE:

1:  INTRO/STAIRWAY TO THE STARS
2:  DR. MUSIC
3:  OD ON LIFE ITSELF
4:  ETI
5:  HARVEST MOON
6:  BEFORE THE KISS (A REDCAP)
7:  THIS AIN'T THE SUMMER OF LOVE
8:  I'D LIKE TO SEE YOU IN BLACK
9:  JOAN CRAWFORD (RISEN FROM THE GRAVE)
10: CITIES ON FLAME/DRUM SOLO

DISC TWO:

1:  THE LAST DAYS OF MAY
2:  IN THEE
3:  LIPS IN THE HILLS
4:  BURNIN` FOR YOU
5:  GODZILLA
6:  DON'T FEAR THE REAPER (MORE COWBELL?)
7:  SLOW DOWN
8:  DOMINANCE AND SUBMISSION
9:  THE RED AND THE BLACK

Recorded using a Sony D8 and core sound binaural mics.

CD1
Stairway to the stars
Dr. Music
Od'd on life itself
E.T.I.
Harvest moon
Before the kiss
See you in black
Joan Crawford
Flaming telepaths
Cities on flame

CD2
Astronomy
In thee
Lips in the hill
Burnin for you
Godzilla
(Don't fear) the Reaper
Dominance and submission
The Red and the Black

Eric Bloom
Donald "Buck Dharma" Roeser
Allen Lanier
Danny Miranda
Chuck Burgi

CD got in a trade

CD > dbpoweramp > FLAC(4) Files

Audience recording very clear. A little cold, audience very low.
8.5/10

This is the official Heaven Forbid tour! At last the "upcoming" record has been realised!!

CD1

intro
Before the kiss
Cities on flame
E.T.I.
Harvest Moon
Buck's Boogie
Od'd on life itself
The Vigil
Live for me
Flaming Telepaths

CD2
See  you in black
Last Days of may
In Thee
Burning for you
Godzilla
(Don't Fear)The Reaper
Golden age of leather
Dominance and submission



NOt one of my favourite. Eric's vocals isn't in good shape. And I can't imagine a BOC's show without Joan Crawford!
One of the first performance of Live for me. Interesting also for the rebirth of The Vigil, In Thee and Last days of may.
Apart from this...why the fantstic "veteran of the Psychic wars" has been played only on two tours? Fire of unknown origin's and Club Ninja's. The ETL version is absolutely amazing!! Masterpiece!

Eric Bloom
Donald "Buck Dharma" Roeser
Allen LAnier
Danny Miranda
Bobby Rondinelli

Enjoy!

Stay 'o Cult!

Celebrimbor

Coresound Binaurals -> Sony D100 DAT -> 
Edirol UA-3 -> CDWave(tracking)
Encoded to level 8 flac using traders Little Helper

Set List:

Burnin' For You
Cities On Flame
E.T.I.
Harvest Moon
Take Me Away
Buck's Boogie
Joan Crawford
Live For Me
Flaming Telepaths
See You In Black
Astronomy
In Thee
Godzilla
(Don't Fear)The Reaper
Lips In The Hills
The Red And The Black


Artwork Included

CD > DBpoweramp >FLAC files (4° compression)
Audience recording: Excellent 9.5/10

CD1

This ain't the summer of love
Teen Archer
Joan Crawford
Cities on flame
Golden age of Leather
Burning for you
Harvester of eyes
The Subhuman
Buck's Boogie

CD2

Take me away
The Old Gods Return
Astronomy
Godzilla
(Don't Dear) the Reaper
Dominance and submission

Eric Bloom
Donald "Buck Dharma" Roeser
Allen Lanier
Danny Miranda
Bobby Rondinelli

txt:
This concert is definetely one of my favourite! 
A killer set list. The sound is very clear and Eric's voice is in very good shape.
I think this is one of the few concert where was played "The Subhuman" (another favourite of mine) after the 1975 tour, 
and it's 2001!!!
The recording is made few months before "Curse of hidden mirrors" was realized.
"The old Gods return" is a strong track. 
I will post another couple of recent gigs where they play also "Pocket" and "Dance on stilts".
What else? Joan Crawford, Golden age of leather, HArvester of eyes, Take me away, Astronomy, Dominance and submission...
What can I ask more?;-)

Stay 'o Cult!

Celebrimbor

wav files > dbpoweramp > flac files

Broadcast recording 9.5/10

Dr. Music
This ain't the summer of love
Pocket
See you in black
I love the night
Tatoo Vampire
Shooting Shark
Divine Wind
Black Blade
Godzilla
Guitar intro
(Don't Fear) The Reaper
Golden age of Leather

Enjoy!

Stay 'O CUlt

Celebrimbor

Intro
Dr. Music
This Ain't The Summer Of Love
Pocket
See You In Black
I Love The Night
Tattoo Vampire
Shooting Shark
Divine Wind
Black Blade
Godzilla
Bucks Boogie
(Don't Fear) The Reaper
Golden Age Of Leather
Outro

FM>CDR>EAC>You
Westwood One Superstar Concert Series

Intro
Dr. Music
E.T.I.
Dance on Stilts
Harvester of Eyes
Burnin' for You
Tattoo Vampire
Shooting Shark
Divine Wind
Golden Age of Leather
Cities on Flame
Godzilla
Don't Fear the Reaper
Dominance & Submission

Horrible. Just Horrible. D-

Disc 1 (67:34)
01 intro tape / audience      04:24
02 Dr Music                   04:03
03 Before The Kiss (A Redcap) 05:34
04 Pocket                     04:35
05 Harvester Of Eyes          04:10
06 Burnin' For You            04:50
07 Joan Crawford              06:38
08 Shooting Shark             08:34
09 Divine Wind                06:34
10 Lips in the Hills          04:57
11 I Love The Night           07:30
12 Golden Age of Leather      05:46

Disc 2 (34:28)
01 Godzilla / Bass Solo >     08:47
02 Drum Solo >                02:20
03 Godzilla                   01:50
04 Buck's Intro to ...        03:17
05 (Don't Fear) The Reaper
   audience                   11:04
06 Black Blade                07:11

Sony ECM-DS70P omni mic> Vivanco battery box pre-amp> Sony MZN710 Minidisc
recorder>  Hercules Fortissimo 2 (optical digital link) > Polderbits (editing, track marking) > CD > SHN

MD(M)>CDR>EAC>FLAC

Set list:

Disc one:

1:  Red and the Black
2:  Teen Archer
3:  Burnin` for you
4:  Transmaniacon MC
5:  Shooting Shark
6:  ME262
7:  Cities on Flame

Disc two:

1:  Last Days of May
2:  Godzilla
3:  Don't Fear the Reaper
4:  Black Blade
5:  Hot Rails to Hell

Recorded using Sony MZR-55 MD with core sound binaural (CSB) mics.

Taped by bcledfoot.

Taped By: Farve4
Catalog: Nickeh Productions 012
  	 
Format: SHN
Discs: 2CDR
  	 
Lineage: ecm-719 > Sony tcm-200 > Maxell UR MAS CAS | Maxell UR MAS CAS > Sony TC-FX211 > Line-In > Rec. w/ CEP > Hiss Reduction w/ CEP > Track Split w/ CEP | WAV > SHN using DBPowerAmp
Source: AUD
  	 
Setlist:
Disc One
1. Intro (2:29)
2. Joan Crawford(5:48)
3. Cities on Flame (6:18)
4. Burnin' For You (5:18)
5. ETI (5:21)
6. I Love the Night (7:43)
7. Buck's Boogie(7:36)
8. Harvester of Eyes(4:20)
9. Golden Age of Leather (7:00)
10. Astronomy (9:59)

Disc Two
1. Godzilla (15:07)
2. Guitar Solo (3:02)
3. Don't Fear the Reaper (7:16)
4. Crowd Noise (1:45)
5. Black Blade (6:27)
6. Seven Screaming Diz-Busters (8:18)
 
Notes:
Overall a decent show. Not the best, but definatly listenable. The only editing done was hiss reduction. The band is very energetic, and talkative, and put on a good show.

Please do not sell this recording, or trade it in MP3.

Nickeh (www.nickeh.com)

LIneage:  Sony ECM-719 to Sony TCD-D7===Sony DG90P===Tascam DA 20 MKII


1.  This Ain't the Summer of Love
2.  OD'd on Life Itself
3.  Burning For You
4.  Shooting Shark
5.  Cities on Flame with Rock N Roll
6.  Last Days of May
7.  Godzilla
8.  Don't Fear the Reaper

Taper:  Farve4

Disc One
1) Introduction 
2) This Ain't The Summer Of Love
3) OD'd On Life Itself
4) Burnin' For You
5) Harvest Moon (w/Fight Sequence)
6) ?
7) Cities On Flame With Rock And Roll
8) Perfect Water
9) The Golden Age Of Leather/The Red & The Black
10) ?
11) Then Came The Last Days Of May
12) Godzilla
13) Don't Fear The Reaper
14) ?

Total Running Time: 89:51  

Equipment-Sony MZ-R-700 Minidisc with Audio Technica Pro-24 Microphone
Recorded and posted by Kipco (original taper)

Sony MD>Computer hard drive>flac>you

This was an interesting evening. BOC was playing at "Ribfest", an annual downtown 
Kalamazoo happening wherein the local restaurants and Port-A-Pit operators set up and 
compete to see who has the best ribs in town! The Arcadia Creek Festival Place is an open
air site in the heart of downtown Kalamazoo. The air at this show was a mixture
of seared pork, barbeque sauce and beer, with the occasional faceful of cigarette smoke.  

I almost didn't get in as the site was filled to capacity and not enough people were leaving
so there was a delay in getting in but I finally managed to get a spot on the left side of the
stage and set up to tape.  The very vocal crowd was a constantly shifting mass of people
as can be heard on the recording. As a result there are a few phasey spots where people got
between my mic and the band, but fortunately they are brief. I also managed to capture, in 
her full ignorant glory, some lady talking on her cellphone in between songs! (you can hear
this wonderful moment just before track 5!)  Why people talk on cell phones at concerts
is totally beyond me. 

The night's most interesting crowd incident occured when a big muscle bound guy (obviously 
very drunk) started pushing his way through the crowd to get down front. He nudged me on his
way up and seemed to be taking the attitude of "out of my way, puny humans!" In other words, 
a real asshole. He got a little ways up ahead of me when someone took offense to being shoved 
around by this guy and stood his ground. Muscleman didn't like that and shoved the guy into 
a crowd of people. A security guy spotted what was happening and headed down into the 
crowd to take care of it, calling for backups on his headset on his way to the floor. He 
hung with the guy until his backups came and they told Muscleman he had to leave. Well, 
Muscleman wasn't having any of that and he started shoving the security guys! Quicker
than shit they were on him and had him pinned to the ground, but during the scuffle the 
crowd shifted and knocked me back into some people who were sitting in folding chairs. 
Someone in front of me dumped a beer down my leg during the big push as well. Meanwhile, 
the security guys had Muscleman pinned down on the concrete with his arms extended, one 
security guy on each arm and one with a knee on his neck while Muscleman was yelling 
"Get off me". Someone in the crowd (not me, I swear) yelled "Beat his f*cking ass" to the 
security guys.  In the meantime, two more really big security guys had arrived, and at the end 
of the song, they picked him up and took him away to be arrested and taken to jail. I captured
the whole event while recording, you can hear it during the song "Harvest Moon". The rest of
the show seemed to proceed without incident except for a couple lame attempts at crowd surfing.  

Recording quality on this show is excellent, considering some of the conditions I was taping
under. As the show progressed I worked my way up closer to the stage until finally I ended up 
three people away from the barracade. Still, there was a lot of crowd movement, people cutting
in front of me to go here or there, lots of chatter, etc. As I said, there are a few phasey spots were
people were cutting in front of me but it's still a nice sounding show and I haven't 
seen any other complete BOC shows posted here from this year. 

I had to do a LOT of tweezing with the volume levels to balance them out and eliminate some clipping, 
but NO EQ was involved whatsoever! I don't normally post my own recordings but I thought since BOC 
put on a good show, I'd put it up for the fans and hopefully someone will hear it and go see them if they 
come nearby to their town, which helps out the band. Rudy Sarzo is playing on this tour and is on this 
recording. I also changed discs during the drum solo so there's about 20 seconds missing there, but if 
I hadn't I would not have been able to get all of "Reaper". 

Do not sell for profit, circulate in lossy formats or post on other torrents sites (I'd prefer to do that
myself!) Since I am not a diehard BOC fan, there are a few songs I need help with on the setlist so
help out if you can! 

Disc 1:
1.Intro
2.The Star-Spangled Banner
3.Love & Greed
4.Amber Awaits
5.Crash Burn >
6.Hook
7.The Mountains Win Again
8.Freedom >
9.Can't Win True Love >
10.NY Prophesie

Disc 2:
1.Ivory Tusk >
2.Run-Around >
3.Sadly A Fiction >
4.The Devil Went Down To Georgia
5.E:Band Intros
6.She Isn't Mine
7.But Anyway>
8.Save His Soul >
9.Carolina Blues

Taper:Yossi Pollak
Source:Neumann KM184(aimed at stacks)>Canare Star Quad cables>Edirol UA-5>PDAudio(coaxial)>Dell Axim X50v>SD card
Location:Dead Flipping Center FOB-30 feet from stage
Normalized to 100% with WavePad
Track splits and conversion to FLAC with CDWAV
Checked for SBE's with shntool-no errors reported.

bmaddock   a t   gmail  d o t   com

Source: "North Wind Blowing" Kiss The Stone /  KTS 578/79
more informations: http://www.bobsboots.com/CDs/cd-n29.html

no LB-Number for this one

very good sound

Tracks: 

Disc one

(01) Leopard-Skin Pillbox Hat
(02) Man In The Long Black Coat
(03) All Along The Watchtower
(04) Positively 4th Street
(05) Most Likely You Go Your Way
(06) Silvio
(07) Tangled Up In Blue
(08) Lonesome Death Of Hattie Carroll

Disc two

(01) Ballad Of Hollis Brown
(02) Absolutely Sweet Marie
(03) Ballad Of A Thin Man
(04) Highway 61 Revisited
(05) Girl Of The North Country
(06) Rainy Day Women #12 & 35
(07) My Back Pages 


from http://www.bjorner.com:

Concert # 806 of The Never-Ending Tour. Concert # 22 of the 1996 Europe Summer Tour. 1996 concert # 50.
Concert # 350 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion).
7-9, 13, 15  acoustic with the band.
1, 7, 13, 15  Bob Dylan harmonica.
9  John Jackson (banjo).
6, 10, 14  John Jackson, Bucky Baxter (backup vocals).

BobTalk:
(after band credits before Highway 61 Revisited) I want to say hello to my friend Eric Anderson, who's here tonight. Eric, how are you doing? I know you're out there somewhere. He's a great ballad singer. I think he lives here now.

12 new songs (80%) compared to previous concert. No new songs for this tour.

Taper: "Bach"
Lineage: Neumann AK40 > MTX 191 A > Sony DAT TCD-D100 > WaveTerminal > WaveLab 6.01 > dBpower AMP Music Converter > MD5summer 

CD1
01.	Introduction
02. 	Maggie's Farm
03. 	Senor (Tales Of Yankee Power)
04.	Cry A While
05.	Just Like Tom Thumb's Blues
06.	It's Alright, Ma (I'm Only Bleeding)
07.	To Ramona
08.	Things Have Changed
09.	Highway 61 Revisited
10.	Man in the Long Black Coat
11. 	Stuck Inside of Mobile With the Memphis Blues Again

CD2
01. 	Mr. Tambourine Man
02. 	Honest With Me
03. 	Every Grain Of Sand
04. 	Summer Days
05. 	Cat's In The Well
06. 	Like A Rolling Stone
07. 	All Along the Watchtower

Enjoy!!

intro
Maggie's Farm
The Times They Are A-Changin'
Lonesome Day Blues
Mr. Tambourine Man
It's Alright Ma (I'm Only Bleeding)
Po' Boy
Stuck Inside of Mobile with the Memphis Blues Again
Dignity
Love Sick
Tweedle Dee & Tweedle Dum

Saving Grace
Honest with Me
Ballad of Hollis Brown
Summer Days
Like a Rolling Stone
All Along the Watchtower

taper: Streetcar Visions
Source: Schoeps CCM 4V > Lunatec V3 > Sony M1
Transfer: Sony D8 > Emagic 6/2 > Peak 4.12 > xACT

First Evening
Crystal Cat  787-788

London, England
Brixton Academy

November 20, 2005
 
Disc 1

1. Rumble (insturmental song by Link Wray) (incomplete) 
2. Drifter's Escape (Bob on harp) 
3. Señor (Tales Of Yankee Power) 
4. God Knows 
5. To Ramona  
6. It's Alright, Ma (I'm Only Bleeding) 
7. Queen Jane Approximately 
8. 'Til I Fell In Love With You 
9. Stuck Inside Of Mobile With The Memphis Blues Again 
10. New Morning 
11. Highway 61 Revisited 
12. Man In The Long Black Coat 
13. Honest With Me 


Disc 2

14. Desolation Row 
15. Summer Days 
    
  (encore) 
16.  Don't Think Twice, It's All Right 
17.  All Along The Watchtower 

Filler:
Sing Me Back Home  08/03/05
Rainy Day Women #12 & 35  08/03/05
It's All Over Now Baby Blue  14/03/05
A-11  14/03/05
Folsom Prison Blues  18/03/05
Saving Grace  11/04/05
Tough Mama  15/04/05
Tomorrow Is A Long Time  15/04/05


++++++++++++++++++++++++++++++++++++


Second Evening
Crystal Cat  789-790

London, England
Brixton Academy

November 21, 2005
 

Disc 1
 
1. Rumble (insturmental song by Link Wray) (incomplete) 
2. Maggie's Farm 
3. The Times They Are A-Changin' 
4. Million Dollar Bash 
5. It's Alright, Ma (I'm Only Bleeding)  
6. Moonlight 
7. Down Along The Cove 
8. Boots Of Spanish Leather 
9. Cold Irons Bound 
10. Mr. Tambourine Man 
11. Tweedle Dee & Tweedle Dum 
12. Visions Of Johanna (acoustic) 
13. Honest With Me 

Disc 2

14. Waiting For You 
15. Highway 61 Revisited 
    
  (encore) 
16.  London Calling (incomplete - 1 verse) 
17.  Like A Rolling Stone 
18.  All Along The Watchtower 

Filler:
Lenny Bruce  16/04/05
Leopard-Skin Pill-Box Hat  17/04/05
****I Believe In You  17/04/05   ****Available On bobdylan.com  not uploaded
It Takes A Lot To Laugh, It Takes A Train To Cry  17/04/05
The Wicked Messenger  20/04/05
To Be Alone With You  29/04/05
Hazel  29/04/05
Not Dark Yet  29/04/05



+++++++++++++++++++++++++++++++++++++++++++++++++++



Third Evening
Crystal Cat    CC791-792


London, England
Brixton Academy

November 22, 2005
 


Disc 1
 
1. Rumble (insturmental song by Link Wray) (incomplete) 
2. Maggie's Farm 
3. Love Minus Zero/No Limit 
4. Lonesome Day Blues 
5. Positively 4th Street  
6. Most Likely You Go Your Way (And I'll Go Mine) 
7. Cold Irons Bound 
8. Girl Of The North Country (acoustic) 
9. I Don't Believe You (She Acts Like We Never Have Met) 
10. John Brown (acoustic) 
11. Stuck Inside Of Mobile With The Memphis Blues Again 
12. Mississippi 
13. Highway 61 Revisited 



Disc 2


14. Waiting For You 
15. Summer Days 
    
  (encore) 
16.  Like A Rolling Stone 
17.  All Along The Watchtower 


Filler:

Po Boy  30/04/05
I'll Remember You  26/05/05
Tombstone Blues  29/06/05
You Win Again  04/07/05
Trying To Get To Heaven  10/07/05
I Shall Be Released  16/07/05
I Want You   20/07/05
One Too Many Mornings  21/07/05
Down In The Flood  20/10/05



++++++++++++++++++++++++++++++++++++



Fourth Evening
Crystal Cat 793-794

London, England
Brixton Academy

November 23, 2005
 


Disc 1
 
1. Rumble (insturmental song by Link Wray) (incomplete) 
2. Maggie's Farm 
3. She Belongs To Me 
4. Cry A While 
5. Shelter From The Storm  
6. Down Along The Cove 
7. Positively 4th Street 
8. High Water (For Charley Patton) 
9. Most Likely You Go Your Way (And I'll Go Mine) 
10. Million Miles 
11. Stuck Inside Of Mobile With The Memphis Blues Again 
12. A Hard Rain's A-Gonna Fall 
13. Honest With Me 

Disc 2

14. The Lonesome Death Of Hattie Carroll (acoustic) 
15. Summer Days 
    
  (encore) 
16.  Blue Monday (song by Fats Domino & Dave Bartholomew) 
17.  Like A Rolling Stone 
18.  All Along The Watchtower 


Filler:
Tears Of Rage  24/10/05
Never Gonna Be The Same Again  26/10/05
Tangled Up In Blue  29/10/05
Shooting Star  30/10/05
You Ain't Going Nowhere  30/10/05
Things Have Changed  04/11/05
If Dogs Run Free  04/11/05



++++++++++++++++++++++++++++++++++++++++++++++





Fifth Evening
Crystal Cat 795-796


London, England
Brixton Academy

November 24, 2005
 

Disc 1

 
1. Maggie's Farm 
2. Tonight I'll Be Staying Here With You 
3. I'll Be Your Baby Tonight 
4. It's Alright, Ma (I'm Only Bleeding) 
5. Positively 4th Street  
6. Down Along The Cove 
7. Girl Of The North Country (acoustic) 
8. High Water (For Charley Patton) 
9. Just Like A Woman 
10. Highway 61 Revisited 
11. Every Grain Of Sand 

Disc 2


12. Honest With Me 
13. Sugar Baby (acoustic) 
14. Summer Days 
    
  (encore) 
15.  London Calling (incomplete) 
16.  Like A Rolling Stone 
17.  All Along The Watchtower 

Filler:
Ring Them Bells  06/11/05
Can't Wait  06/11/05
Simple Twist Of Fate  07/11/05
This Wheel's On Fire  08/11/05
Standing In The Doorway  13/11/05
My Back Pages  13/11/05

A MILEHIGH recording (audience) 
DPA 4061's > SPBB > SONY SBM-1 > SONY D-8 

Disc 1	73:42
1.	Introduction	1:14
2.	Things Have Changed	6:32
3.	The Times They Are A-Changin'	7:12
4.	Tweedle Dee & Tweedle Dum	5:34 
5.	To Ramona	5:45
6.	Stuck Inside Of Mobile With The Memphis Blues Again	9:00
7.	Love Sick	5:45
8.	I'll Be Your Baby Tonight	5:48
9.	Ballad Of A Thin Man	6:38
10.	I Don't Believe You	6:48
11.	Cold Irons Bound	6:56
12.	Lay, Lady, Lay	6:26

Disc 2	21:41
1.	Cat's In The Well	5:17  	 
2.	Encore			2:51
3.	Like A Rolling Stone	7:02
4.	Band Introductions	0:46
5.	All Along The Watchtower	5:45
 	 
Band Members
Bob Dylan - keyboard, harp
Stu Kimball - rhythm guitar
Denny Freeman - lead guitar
Donnie Herron - violin, electric mandolin, pedal steel, lap steel
Tony Garnier - bass
George Recile - drums

CD 1
1. intro
2. Cat's In The Well
3. The Times They Are A-Changin'  
4. Watching The River Flow 
5. It's Alright, Ma (I'm Only Bleeding) 
6. When I Paint My Masterpiece 
7. Rollin' And Tumblin'  
8. Workingman's Blues #2  
9. 'Til I Fell In Love With You 
10. A Hard Rain's A-Gonna Fall  
11. Tangled Up In Blue  
12. Spirit On The Water  

CD 2
1. Highway 61 Revisited
2. Nettie Moore 
3. Summer Days 
4. Masters Of War
    
encore
5. Thunder On The Mountain  
6. band intros
7. All Along The Watchtower 

(CD 1 = 72:31 / CD2 = 41:22)

Recorded and torrented by audiowhore 

Lineage = SP-CMC-8 > Samson PM-4 > Denecke phantom power > Minidisc (Sony MZ-NH1 Hi-MD) > Adobe Audition > FLAC > Dime 

As Columbia Records once advertised, "Nobody Sings Dylan Like Dylan." Still, I always love to hear Dylan covers. Whenever one pops up, at a show or online, I listen attentively for something new the singer might bring to the song. For the last few years, I've been collecting them via bit torrent with an eye toward making a compilation. Here is the first volume of what may be many, if there is interest, and if I can find the time and energy. For now, I've avoided the Dead, the Byrds and some other usual suspects, but they may appear later. I have sequenced this for flow; total running time is 78:00. I've put the two longest tracks at the end, so those of you who don't like jams or have short attention spans can avoid them. I haven't done any artwork, but if there are any frustrated album cover designers out there, I would love to have some.

Due to the many different sources, I am not including lineages; soundboards and FMs have an asterisk, the rest are very good to excellent audience recordings. I have done nothing to the original files but normalize the levels and fade in and out on each track (using Cool Edit). Thanks, of course, to the tapers, and to the original uploaders. Enjoy! JS

1. Everything is Broken - Neil Young (10-28-89, Shoreline Amp., Mtn View, CA)
2. Dark Eyes - Alejandro Escovedo (10-1-04, Texas Union Hall, Austin, TX)*
3. When the Ship Comes In - Billy Bragg (9-26-05, Talking Bob Dylan Blues The Barbican Theatre, London)*
4. Hard Rain - Big Country w/Eddi Reader (5-31-99, Glasgow SECC, Glasgow, Scotland)*
5. Ring them Bells - Warren Zevon (10-13-96, The Bluebird, Denver, CO)
6. The Groom's Still Waiting at the Alter - Steve Wynn (7-27-05, Molly Malone's Irish Pub, Los Angeles)*
7. When I Paint My Masterpiece - Elvis Costello, Emmylou Harris, and Gillian Welch (10-6-06, Hardly Strictly Bluegrass Festival, Golden Gate Gate Park, San Francisco, CA)
8. Girl From the North Country - The Eels (5-9-05, Morning Becomes Eclectic, KCRW - Santa Monica, CA)*
9. Love Minus Zero - Ron Sexsmith (10-24-97, The Milky Way, Amsterdam)*
10. Highway 61 Revisted - World Party (7-12-93, Summer Stage, Central Park, New York)
11. Stuck Inside of Mobile with the Memphis Blues Again - Soft Boys (October 27, 2002 ,The Mercury Lounge, New York City) 
12. Fourth Time Around - Calexico (7-9-03 Zeltival am Tollhaus, Karlsruhe, Germany)*
13. Positively Fourth Street - X (8-2-86, The Ritz, New York City)*
14. Queen Jane Approximately - Mojave 3 (4-17-96, Morning Becomes Eclectic, KCRW - Santa Monica, CA)*
15. Hurricane - Phish (8-16-97, Loring Air Force Base, Limestone, ME)*
16. Blind Willie McTell - Mick Taylor (9-16-00, Jack Legg's, Nashville, TN)*

http://dylancoveralbums.com/unofficial.html

http://www.flickr.com/photos/15889240@N05/1709508243
http://www.flickr.com/photos/15889240@N05/1709463603/

Disc One:

The Zimmerman Home Tape, 1958:

Hey Little Richard
Buzz Buzz Buzz
Jenny Jenny
We Belong Together

The Wallace Apartment Tape, May 1960:

Nobody Knows You
The Great Historical Bum
Mary Ann
Sinner Man
Abner Young
Muleskinner Blues
One Eyed Jacks
Columbus Stockade Blues
Go Down Ye Murderers
This Land Is Your Lan
Rockabye My Sara Jane

Dylan Apartment Tape, September 1960:

Red Rosey Bush
Johnny I Hardly Knew You
Jesus Christ
Streets Of Glory
Kc Moan
Muleskinner Blues
I’m A Gambler
Talkin’ Columbia
Talkin’ Merchant Marine
Talkin’ Hugh Brown
Talkin’ Inflation Blues

Gleason Home Tape, February 1961:

San Francisco Bay Blues
Jesus Met The Woman At The Well
Gypsy Davey
Pastures Of Plenty
Trail Of The Buffalo
Jesse James
Riding In My Car
Southern Cannonball
Bring Me Back My Blue Eyed Boy
Remember You

Gooding Apartment Tape, March 1962:

Ballad Of Donald White
Wichita
Acne
Rocks And Gravel
(It Makes A) Long Time Man Feel Bad
Ranger’s Command

Disc Two:

Beecher Apartment Tape, May 1961:

Ramblin’ Round
Death Don’t Have No Mercy
It’s Hard To Be Blind
This Train Is Bound For Glory
Harmonica Solo
Talkin’ Fish Blues
Pastures Of Plenty
This Land Is Your Land
Two Trains Running
Wild Mountain Thyme
Howdido
Riding In My Car
Don’t You Push Me Down
Come See
I Want It Now
San Francisco Bay Blues
Young But Daily Growing
Devilish Mary
Railroad Bill
Will The Circle Be Unbroken
Man Of Constant Sorrow
Pretty Polly
The Butcher Boy
James Alley Blues
Why’s You Cut My Hair?

Hollow Horn records
Received on vinelist Oct 2007

Bob Stenson - p
Christof Lauer - sax
Anders Jormin - b
Jon Christensen - d

1. My Man's Gone Now/Moon and Sand
2. NOT
3. The Enlightener
4. ?
5. ?
6. Descent
7. ?

9th Festival di Cultura e Musica Jazz

Bobo Stenson - piano
Christian Spering - bass
Jon Fait - drums

1. Vers le top (Vladimir Visotzky) 14:17
2. Tonus (Bobo Stenson) 13:29
3. Melancholy (Duke Ellington) 12:01
4. untitled (John Coltrane) 8:01
5. El Major (Silvio Rodriguez) 9:23
6. There Comes a Time (Tony Williams) 9:55
7. Race Face (Ornette Coleman) 7:20

Sound quality A+
Source is Radio Broadcast
CDR > HD > FLAC level 6 

First Set (of two): 
1. The Warmth Of The Sun (Brian Wilson)
2. Paranoid Android (Radiohead)
3. My Ideal Ballad (Whiting, Chase & Robin)
4. Think Of Love (Thelonous Monk)
5. Mother Nature's Son (Lennon & McCarthy)
6. My Heart Stood Still (Rodgers & Hart)

Personnel:
Brad Mehldau; piano

Brad Mehldau - Piano

Disc 1
1. CCTune - 5.08
2. Wall's Tune - 5.50
3. Junk - 7.25
4. Los Angeles - 5.26
5. Think Of Me - 7.43
6. I Concentrate On You - 4.33
7. Martha My Dear - 4.10

Disc 2
1. From This Moment On - 5.49
2. Paris/Portrait in Black & White - 10.29
3. Someone To Watch Over Me - 11.41 
4. Riverman (Encore) - 6.59
5. Cry Me A River (2nd Encore) - 5.17

Tape recorder>CD recorder>CD-CA Extractor & Converter>Flac
Sound A (Possible FM hiss - no noise reduction used)

Brad Mehldau	Piano
Darek Oles	Contrebasse
Jorge Rossy 	Batterie

01-	Lament For Linus		06:14 	(Brad Mehldau)
02-	Ron’s Place			08:38	(Brad Mehldau)
03-	The Way You Look Tonight 	16:56
04-	I Fall In Love Too Easily	11:12
05-	Nobody Else But Me		13:27
06-	Carrière & Delmas conclusion	01:59

Total time:	58:31

Lineage: fm>SoundBlaster>wav>flac

Jerusalem Symphony Orchestra
Conducted by Leon Botstein

Announcer (5:39)
Schumann: Manfred Overture from "Symphony No. 4 in D Minor, Op. 120" (11:52)

Announcer (1:52 + 2:30)
Joachim – Concerto for violin and orchestra (In the Hungarian Style), Op. 11 feat. Daniel Kossov - violin

I. Allegro Un Poco Maestoso (25:47)
II. Romanze: Andante (9:31)
III. Finale Alla Zingara: Allegro Con Spirito (11:37)

Announcer (0:35 + 4:34)
Brahms: Symphony #1 in C minor, Op. 68 (40:34)
I. Un poco sostenuto - Allegro
II. Andante sostenuto
III. Un poco Allegretto e grazioso
IV. Adagio - Piu Andante - Allegro non troppo, ma con brio

Announcer (0:13)

Total Time: 114:48

01 Study 16
02 Study 17
03 If A Bell Became A Drone...
04 Campion Bells
05 Bell Study With Distant Delays

16:31 minutes

This one is very rare. In 2003 to promote an Italian wine (Pellisero) a promotional CD was sent to wine distributors. This promotional CD included 5 unreleased Brian Eno tracks.

berndkretzschmar -at- web.de

Dime download>CD Burn>EAC>FLAC

12.7.2006 from 14:45 to 15:15

lineage:
iRiver iHP 120 WAV 44,1Khz
-Core Sound Binaurals
-USB
-Wavelab

total length 33:27 minutes. 

The recording itself is quite good, the music played is a variation of `Ikebukuro`- a piece Eno has used for various installations in the past.

The venue itself is very noisy (you can hear a lot of noise from outside and the restaurant nearby). However, this adds a certain something to it (IMO)- there you have the outside hectic `reality`and at the oposite the very quiet, static installation recording.

This very installation is on tour right now, starting off in Tokyo, and will be set up (slightly altered) in various European cities such as Madrid to promote the new dvd rom release `77 Million Paintings`which I can highly recommend. If you run it you have your own mini Eno installation at home (with paintings permutating/changing permanently on your PC screen)

txt:

Tracks from generative music: 

1.Komarek (3:33)
2.Platform 292 (7:46)
3.Supporting Circle (2:38)
4.Klee 4.2 (5:13)
5.NS-9001 (5:11)
6.Rhotko Doric (5:15)
7.Tintoretto (7:47)
8.Seed Reflector (2:41)
9.Methane IV (7:56)
Total Playing time 48:03 

these tracks were created with KOAN software. If you have thisa software and the right soundcard you will literally hear a different version of the very tracks each time played as they are permutating (this is a fascinating thing by the way). Thus these versions were recorded once but (unless kept as recordings these very version wouldn`t be heard ever again (because there are millions of possible permutations). 

Even though there were several versions of these very tracks already uploaded here as stated before: these are different versions. 

In case you are not tired of it I have two more CDs of Eno Generative Music that I can upload. (I still depend on other Eno collectors for these because I do not have the right soundcards in order to play the software properly).

By the way: watch out for Eno`s new dvd rom `77 million paintings`which do the use the same idea visually, mixing and permutating graphics on your pc screen (which is like having an Eno installation at home)

Original txt file:

Brian Eno- More Generative music II

in case you missed it:
Brian Eno- More Generative music
http://www.dimeadozen.org/torrents-details.php?id=99940

01 - Brian Eno - Densities III            5:09
02 - Brian Eno - Microcosmology           5:06
03 - Brian Eno - Methane II              14:04
04 - Brian Eno - Pulse Ie                 5:05
05 - Brian Eno - Babylon Papillaris      18:59     
06 - Brian Eno - Organa II                5:10
07 - Brian Eno - Lysis (Tungsten)        46:43

these tracks were created with KOAN software.

software info:

http://www.sseyo.com/products/artist_titles/genmus1.html

If you have this software on your computer and the right soundcard you will literally hear a different version of the very tracks each time played as they are permutating (this is a fascinating thing by the way). Thus these versions were recorded once but (unless kept as recordings) these very version wouldn`t be heard ever again (because there are millions of possible permutations).

Even though there were several versions of these very tracks already uploaded here as stated before: these are different versions.

In case you are not tired of it I have two more CDs of Eno Generative Music that I can upload. (I still depend on other Eno collectors for these because I do not have the right soundcards in order to play the software properly).

software info:

http://www.sseyo.com/products/artist_titles/genmus1.html

Soundcard Minimum requirements

Windows PC and Creative Labs AWE64 /AWE32 / SB32 Soundcard (100% compatible) or SBLive! + LiveWire 2 / Audigy soundcard (90% compatible with standard SBLive! GM Soundfont bank, or 100% compatible with additional AWE GM SoundFont Bank). Without the right soundcard this title will not sound as intended.

By the way: watch out for Eno`s new dvd rom `77 million paintings`which uses the same idea visually, mixing and permutating graphics on your pc screen (which is like having an Eno installation at home)

Enjoy ;-)

DISC #1 - Set I

01) Interlocking Intro Jam w/ QST ->
02) I Might Be Wrong ->
03) Machine -> #
04) Astphadel ->
05) Interlocking Outro Jam w/ QST

DISC #2 - Set II

01) Interlocking Intro Jam w/ QST ->
02) Who Really Runs the Planet ->
03) Bottlecap ->
04) Who Really Runs the Planet
05) Crowd/Banter
06) Catharsis
07) Crowd/Banter
Encore (with QST)
08) Boy

source:
microtech gefell sms2000/200 > ps2 > ad20 > d8
d8 > dio2448 > cdwave > shn
(# 3:25 - 9:20 segment of d1t03 is AT3528 -> PS/2 -> AD-20 -> D8
 to replace dropout caused by low ps2 battery)
tape and transfer by steve sanford - tracking by andrei marinenko

Set 1 

Let's Start A Gang -> Inside The Tinman -> Celebrity -> Catharsis -> Inside The Tinman, State Police -> Catharsis

Set 2 

Dead Clowns -> Machine -> Too Late To Call -> Machine, Leave The Light On -> Fascination Street -> A Wonderful Day -> Fascination Street

E: Getaway Somehow -> A Wonderful Day

Set I
Intro
Leave The Light On ->
One Rabbit Race ->
Forget You Know Me ->
Monsters Come Out At Night
Let's Start A Gang ->
Year Of The Horse ->
Everything Must Go ->
Year Of The Horse

Set II
Can You Keep A Secret?
Simple Gift Of Man ->
Celebrity ->
Simple Gift Of Man
What's On Your Mind? ->
Too Late To Call
The Ceiling ->
Everything Must Go ->
The Ceiling

Encore:
State Police ->
One Rabbit Race

Source: DPA 4022(DIN, extended 3' from right side of SBD on balcony)->V3->M-Audio FW410->Toshiba 1905->Wavelab 5(24/96)
Lineage: UV22HR(16/44.1)->CDWave->FLAC
Taped by: Scott Schneider
Transferred by: Scott Schneider

Sound: A
Show: A-

DPA 4027 (split 2.5' / 100deg DFC/front rail) > V3 > JB3 > CDWave > FLAC

Taped and transferred by Scott Schneider

D1
Simple Gift of Man > 
Too Late to Call >
Simple Gift of Man 
banter
Words Like Weapons >
Getaway Somehow >
Squeeze >
Who Really Runs the Planet >
Squeeze

D2
Ghost in Me 
Bitches and Candy >
Love Will Tear Us Apart >
Bitches and Candy
banter
Bottlecap >
Tired Sigh >
Who Really Runs the Planet
encore break
Night Villians

Source - (Multitrack - 8 track source recorded with a Tascam DA-88)
Transfer - Tascam DA-88 -> Tascam PCI822 - > Nuendo

all mixing done in Nuendo
all mastering done in wavelab

Tracks recorded:
1 - kick drum
2 - drums L
3 - drums R
4 - bass
5 - guitar
6 - keyboards
7 - organ/laptop
8 - vocals

Recorded, Mixed and Mastered by Rich Steele

Set 1
Disc 1

01 - Lunar Cycle
02 - Inside the Tinman
03 - Forget You Know Me ->
04 - Can You Keep A Secret
05 - banter
06 - Shut Up* ->
07 - Lines On Our Hands**
08 - Shut Up

Set 2 
Disc 2 

01 - Anvils
02 - Year Of The Horse ->
03 - Getaway Somehow ->
04 - Year Of The Horse
05 - Bitches and Candy
06 - banter
07 - Leave The Light On ->
08 - A Wonderful Day
09 - crowd/banter
10 - Life On A Boomerang

*  - with keyboard player from RAQ
** - with guitar player from RAQ

Taper: John Dewey (hammerhorror) 
Uploader: John Dewey (hammerhorror) 

Source: Neumann KM140's  (DIN) > Hydra Mic Cables > Lunatec V3 > Marantz PMD671 @ 24/48, digital spdif in - (Dithered down to 16/44.1 for this download).

Conversion: NEXTO OTG > Adobe Audition > CD Wave Editor > FLAC Frontend 

Setlist

01. Jam > 
02. Let's Start A Gang* > 
03. Boy 
04. Too Late To Call  > 
05. Inhale > 
06. Who Really Runs the Planet >
07. Fascination Street (The Cure)
08. State Police > 
09. Forget You Know Me >
10. Who Really Runs the Planet

Please enjoy this great show and recording. Please keep seeding for as long as you can. NEVER sell any recordings. Do Not Trade MP3 Versions of this show. Please let me know your comments on the show and recording.

Sony ECM-MS907 - Sony PCM-M1 - Sound Forge (normalized and some volume adjustments to reduce
clapping between songs) - TRacks - CDWAv - FLAC (level 6)

Taped from Row B (front row) center. Super Stealth!

Taped and transferred by musicjaime

Bruce had caught a cold and it shows in some of his vocals. He was obviously under the 
weather. As a result, there was only one encore. Still a great show!! Enjoy.

Disc 1 (Set 1):
1) *Rouler Sa Bosse
2) Going to the Country
3) Silver Wheels
4) Mighty Trucks of Midnight
5) *King Kong Goes to Tallahassee
6) Wondering Where The Lions Are (encouraging audience to sing)
7) If A Tree Falls (beautiful version)
8) *Elegy
9) Wait No More

Disc 2 (set 2):
1) *Water into Wine
2) All the Ways I Want You
3) Put It in Your Heart
4) Intro to "This is Baghdad"
5) This is Baghdad
6) To Tell the Universe
7) After the Rain
8) Last Night of the World
9) *End of All Rivers
10) Messenger Wind
11) Crowd

Encore:

12) *Mistress of Storms
13) Mystery

(* Instrumental

Solo show

FM

Disc 1:
01. Wavy Gravy Into (edited)
02. Rouler Sa Bosse
03. Goin' To the Country
04. Open
05. If I Had a Rocket Launcher
06. Live Short Call Now Intro
07. Life Short Call Now
08. Beautiful Creatures
09. Put It in Your Heart
10. Tell the Universe
11. This Is Baghdad

Disc 2:
01. After The Rain
02. Different When It Comes To You
03. Last Night of the World
04. The End of All Rivers
05. Wondering Where the Lions Are
06. Mystery
Encore:
07. King Kong Goes to Tallahassee
08. If A Tree Falls

4th Of July, Asbury Park (Sandy)
New York City Serenade
Spirit In The Night
Does This Bus Stop at 82nd Street?
It's Hard to Be a Saint in the City
You Mean So Much to Me
Thundercrack

Opening Comments
Tenth Avenue Freeze Out
Spirit in the Night
Then She Kissed Me
Growin' Up
It's Hard to Be a Saint in the City
Intro to the E Street Shuffle
The E Street Shuffle
When You Walk In the Room
She's the One
Born to Run
Thunder Road

Intro to Kitty's Back
Kitty's Back
Rosalita
Encore Comments
Sandy
Quarter to Three
Closing Comments

Jungleland
Kitty's Back
The E Street Shuffle
Jungleland
Tenth Avenue Freeze-Out
It's Hard to Be a Saint in the City
Thunder Road
When You Walk In the Room
She's the One

From the liner notes:

August 15, 1975 - High Temp in NYC 85, Low 65, Wind 10mph avg, gusts to 15mph. No precipitation.

A breezy midsummer night in NYC, where all the heat was concentrated on the
corner of West 4th and Mercer in Greenwich Village, NY.

Lots of Springsteen fans (me included) couldn't get into the Bottom Line - it usually seats 400, but there was
a larger than usual number of music industry seats reserved for these 10 shows (two shows each night
August 13-17.)

WNEW-FM broadcast the early show Friday night.

I've been searching for a complete copy of this broadcast since that night, when
the mono reel to reel tapes I made had many missing pieces due to lots of different reasons.

All of the bootlegs released by the profiteers were incomplete in some way, minor or major.

Finally, in March 2004, nearly 29 years later. I found it. It is not the final word on
this show in terms of sound quality, but it is the COMPLETE broadcast, without anything missing.

Turn it on and listen to it just like you would have back in August 1975. All the station
breaks and DJ chat and such are there.

Thanks to the many people involved in this project, from the tape source, to those
who let me borrow reel to reel decks to get the dub to DAT, to others who gave advice on
mastering procedures or supplied alternate sources. Your kindness will not be forgotten.

Disc 1
1. Badlands
2. Streets of Fire
3. Spirit in the Night
4. Darkness on the Edge of Town
5. Independence Day
6. The Promised Land
7. Prove It All Night
8. Racing in the Street
9. Thunder Road
10. Meeting Across the River
11. Jungleland

Disc 2
1. Kitty's Back
2. Fire
3. Candy's Room
4. Because the Night
5. Point Blank
6. Not Fade Away
7. She's the One
8. Backstreets/Sad Eyes
9. Rosalita

Disc 3
1. 4th of July, Asbury Park (Sandy)
2. Born to Run
3. 10th Avenue Freeze Out
4. Detroit Medley
5. Raise Your Hand

CDR Trade>EAC (Secure)>WAV>FLAC (level 8)

Disc 1:

 1. Good Rockin' Tonight (3:46) 
 2. Badlands (4:55) 
 3. Spirit In The Night (9:33) 
 4. Darkness On The Edge Of Town (4:46) 
 5. Independence Day (7:14) 
 6. The Promised Land (6:05) 
 7. It's My Life (5:38) 
 8. Thunder Road (6:03) 
 9. Jungleland (10:31) 
10. Santa Claus Is Coming To Town (5:21) 
11. Fire (3:02) 
12. Candy's Room (3:20) 

Disc 2:

 1. Because The Night (7:17) 
 2. Point Blank (9:18) 
 3. Kitty's Back (14:04) 
 4. Rosalita (Come Out Tonight) (11:46) 
 5. Born To Run (6:25) 
 6. Tenth Avenue Freeze-Out (5:27) 
 7. The Detroit Medley (10:07) 

Disc 1:

   1. High School Confidential
   2. Badlands
   3. Spirit In The Night
   4. Darkness On The Edge Of Town
   5. Sweet Little Sixteen
   6. Independence Day
   7. The Promised Land
   8. Prove It All Night 

Disc 2:

   1. Racing In The Street
   2. Thunder Road
   3. Meeting Across The River
   4. Jungleland
   5. Santa Claus Is Coming To Town
   6. Fire
   7. Candy's Room
   8. Because The Night
   9. Point Blank
  10. Kitty's Back 

Disc 3:

   1. The Fever
   2. Incident On 57th Street
   3. Rosalita (Come Out Tonight)
   4. Born To Run
   5. Tenth Avenue Freeze-Out 

Sound: A-
Show: A

Great Dane Records 9221
Excellent Soundboard

From the Boots.Net "Top 55" 
Disc 1:
1. Tunnel Of Love
2. Be True
3. Adam Raised A Cain
4. Two Faces
5. All That Heaven Will Allow
6. Seeds
7. Roulette
8. Cover Me
9. Brilliant Disguise
10.Spare Parts
11.War
12.Born In The USA

Disc 2:
1. Tougher Than The Rest
2. Ain't Got You
3. She'S The One
4. You Can Look But You Better Not Touch
5. I'm A Coward
6. I'm On Fire
7. One Step Up
8. Part Man Part Monkey
9. Backstreets
10.Dancing In The Dark
11.Light Of Day /

Disc 3:
1. Born To Run (Acoustic)
2. Hungry Heart
3. Glory Days
4. Rosalita
5. Have Love Will Travel
6. 10th Avenue Freeze-Out
7. Sweet Soul Music
8. Raise Your Hand
9. Little Latin Lupe Lu (first time since 1977)
10.Twist And Shout 

Notes: This is another show where we are very lucky to have a soundboard recording, this one taken from
the video feed. The Tunnel of Love Express Tour turned a corner in late April, when Bruce, according to
Dave Marsh in Glory Days, told Julianne Phillips that he had started seeing Patti Scailfa, a member of the
E Street Band. At the same time, Bruce's performances on-stage improved, and the set list started changing.

In addition to a strong performance on the regular set,the show featured the first E Street Band performance
of "Little Latin Lupe Lu" since 1977 and the first "Twist and Shout" of the tour. Available on the CD "Roses
and Broken Hearts." 

Following this show, Peter Gabriel talked to Jon Landau and Bruce about joining Amnesty International's Human
Rights Now! Tour, which was to mark the 40th anniversary of the Declaration of Human Rights.

original Doberman discs (SBD) > EAC(Secure) > WAV > seekable SHN

Disc One:-

 1:- The Rising
 2:- Lonesome Day
 3:- The Ties That Bind
 4:- Night
 5:- Empty Sky
 6:- You're Missing
 7:- Waitin on a Sunny Day
 8:- No Surrender
 9:- Worlds Apart
10:- Badlands
11:- She's The One
12:- Mary's Place

Disc Two:-

 1:- Counting on a Miracle
 2:- Thunder Road
 3:- Into the Fire
 4:- Where The Bands Are
 5:- Glory Days
 6:- Born To Run
 7:- My City of Ruins
 8:- Born in the USA
 9:- Land of Hope and Dreams
10:- Dancing in the Dark

Bonus Disc:

St. Lukes Church Night
2005-05-09, St. Lukes Church
London England

Crystal Cat 801-803

Original Silver Discs --> EAC (Secure) --> Waw --> Flac Level 6 & Align --> ABMS

101. Intro
102. O, Mary Don't You Weep
103. John Henry
104. Johnny 99
105. Old Dan Tucker
106. Eyes On The Prize
107. Jesse James
108. Cadillac Ranch
109. Long Black Veil
110. Eire Canal
111. My Oklahoma Home
112. How Can I Keep From Singing?
113. Mrs. McGrath

201. Intro
202. How Can A Poor Man Stand Such Times And Live?
203. Jacob's Ladder
204. We Shall Overcome
205. Open All Night
206. Pay Me my Money Down
207. My City Of Ruins
208. Buffalo Gals
209. You Can Look
210. When The Saints Go Marching In
211. Devils & Dust *

(* Oslo 2006-05-20

301. Intro By Johnny Walker
302. John Henry
303. O, Mary Don't You Weep
304. How Can A Poor Man Stand Such Times And Live?
305. Mrs. McGrath
306. My Oklahoma Home
307. Jacob's Ladder
308. We Shall Overcome
309. Pay Me My Money Down
310. Interview By BBc DJ Johnny Walker

Original silver discs ( CC 760-761 ) -> EAC ( secure ) -> WAV -> FLAC

Disc 1

1. Intro
2. My beautiful reward
3. Reason to believe
4. Devils & Dust
5. Lonesome day
6. Long time coming
7. Silver palomino
8. The river
9. Real world
10. Part man, part monkey
11. All the way home
12. Nebraska
13. Reno
14. Racing in the street
15. The rising

Disc 2

1. Further on ( up the road )
2. Jesus was an only son
3. Leah
4. The hitter
5. Matamoros banks
6. Ramrod
7. I'm on fire
8. Land of hope and dreams
9. The promised land
10. Dream baby dream
11. Audience
12. Empty sky ( 5-5-2005 )
13. Two faces ( 5-5-2005 )
14. Paradise ( 11-5-2005 )

Sony ECM-717 > Sony D8 > Philips CDR-880 >
Extracted w/ CD Creator > CD Wave > 
Cool Edit Pro for level adjustments >
FLAC Frontend

Disc One:

Prove It All Night
Reason to Believe
Devils & Dust
Empty Sky
Long Time Comin
Black Cowboys
4th of July, Asbury Park (Sandy)
Leap of Faith
State Trooper
Nebraska
Maria's Bed
The Line
Reno
When You're Alone
You're Missing

Disc Two:

The Rising
Darkness on the Edge of Town
Jesus Was an Only Son
If I Should Fall Behind
The Hitter
Matamoros Banks
(encore)
Does This Bus Stop at 82nd Street?
My Best Was Never Good Enough
The Promised Land
Dream Baby Dream

Sound: B
Show: B+

Set I
Prove It All Night
Reason to Believe
Devils & Dust
Empty Sky
Long Time Comin'
Black Cowboys
4th of July, Asbury Park (Sandy)
Leap of Faith*
State Trooper
Nebraska
Maria's Bed
The Line
Reno

Set II
When You're Alone
You're Missing
The Rising
Darkness on the Edge of Town
Jesus Was an Only Son
If I Should Fall Behind
The Hitter
Matamoros Banks

E: Does This Bus Stop at 82nd Street?
My Best Was Never Good Enough
The Promised Land
Dream Baby Dream

listed as audience/IEM matrix

From Section 114, row G, seat 11

AT853 > battery box > Nomad Jukebox 3 (WAV, 44.1) > USB digital transfer to PC

Remaster from original tapes - the volume on the original release was very low, and 
there was an imbalance between the Left and Right channels. To present this show in 
its best quality, the following steps were acheived:

1. Cool Edit: increase volume in right channel 4.5db
2. Cool Edit: Hard Normalize to increase overall volume by 8db without clipping.
3. CD Wave for tracking and splitting waves.

Flac Frontend to create FLAC files and check for SBE

Disc 1:
   1. Into The Fire
   2. Reason To Believe
   3. Devils And Dust
   4. Empty Sky
   5. Long Time Comin'
   6. Highway 29
   7. The Promise
   8. All That Heaven Will Allow
   9. The River
  10. State Trooper
  11. Nebraska
  12. Maria's Bed
  13. Reno
  14. Nothing Man
  15. Racing In The Street

Disc 2:
   1. Lost In The Flood
   2. The Rising
   3. Spare Parts
   4. Jesus Was An Only Son
   5. If I Should Fall Behind
   6. The Hitter
   7. Matamoros Banks
      (encore)
   8. Ramrod
   9. Bobby Jean
 10. Land Of Hope And Dreams
 11. The Promised Land
 12. Dream Baby Dream 

Sound: B
Show: B

If I Should Fall Behind
Reason to Believe
Devils & Dust
Lonesome Day
Long Time Comin'
All That Heaven Will Allow
Tougher Than the Rest
Intro to Part Man, Part Monkey
Part Man, Part Monkey
All I'm Thinkin' About
Galveston Bay
Reno
Valentine's Day
The River
The Rising
Darkness on the Edge of Town

Intro to Jesus Was an only Son
Jesus Was an only Son
Two Hearts
Leah
The Hitter
Matamoros Banks
Waitin' on a Sunny Day
Wild Billy's Circus Story
The Promised Land
Dream Baby Dream

Audio-Technica AT853 > Sony TCD-D8 > 
Adobe Audition 1.5 (re-EQ, amplitude adjust, fade in/out, track splitting) >
CD Wave > FLAC Frontend

Disc One

Lift Me Up
Reason To Believe
Devils & Dust
Lonesome Day
Long Time Comin'
Back in Your Arms
For You
State Trooper
Cynthia
One Step Up
Reno
When You're Alone
Valentine's Day
Lost in the Flood

Disc Two

The Rising
Further On (Up the Road)
Jesus Was an Only Son
Two Hearts
The Hitter
Matamoros Banks
(encore)
Ramrod
Bobby Jean
The Promised Land
Dream Baby Dream

Package includes artwork

Enjoy the show!

Neo

Rode NT5's>Sound Devices MP2>SBM1>D8
Transfer via Sony PCM-R500>HHB850>
Sound Forge (Fades & Tracking)

Disc I

1. Oh Mary Don't You Weep
2. John Henry
3. Johnny 99
4. Old Dan Tucker
5. Eyes on The Prize
6. Jesse James
7. Cadillac Ranch
8. Erie Canal
9. My Oklahoma Home
10. If I Should Fall Behind
11. Mrs. McGrath

Disc II

1. How Can A Poor Man Stand Such Times & Live
2. Jacob's Ladder
3. We Shall Overcome
4. Open All Night
5. Pay Me My Money Down
6. My City Of Ruins
7. Buffalo Gals
8. You can Look ( But You Better Not Touch )
9. When The Saints Come Marching In
 
For those who have been curious as to what Bruce is doing these days here
it is. A fun time for all so get out and buy those tickets. I think this tape will help.

Sound: 9/10

Taper: Kathleen (Core Sound stealth cardiod mics -> Core Sound Mic2496 Pre-Amp/A-to-D Convertor -> Dell AximX50v w/PDAudio-CF S/PDIF digital audio interface card) -> flac -> Wav -> Adobe Audition 3 db sound boost -> CDWav -> flac

I started this recording way ahead of the concert (in the bathroom) so as not to attract the attention of the ever present security guards.  Unfortunately it was almost an hour before the concert actually started and my Axim lost power during the encore. See the setlist for what is missing.  Sorry - I did the best I could with the conditions at hand.  When I got home, the flac file that I recorded was damaged due to the Axim losing power so I first had to repair the file before editing and cutting into tracks.  Otherwise this would have been up earlier.

Setlist:

Jesse James
Oh, Mary, Don't You Weep
Johnny 99
John Henry
Eyes on the Prize
Old Dan Tucker
Cadillac Ranch
Erie Canal
My Oklahoma Home
If I Should Fall Behind
Mrs. McGrath
How Can a Poor Man Stand Such Times and Live?
Jacob's Ladder
We Shall Overcome
Open All Night
Pay Me My Money Down

Encore: 

Turn! Turn! Turn! (Cut)
Buffalo Gals (missing)
You Can Look (But You Better Not Touch) (Missing)
When the Saints Go Marching In (missing)

CoreSound Binaurals w/ bass roll-off >
Sony D8 > Philips CDR-880 > extracted w/
CD Creator > CD Wave > FLAC Frontend

Disc One

Long Black Veil
O Mary Don't You Weep
John Henry
Johnny 99
Eyes on the Prize
Adam Raised a Cain
Old Dan Tucker
Cadillac Ranch
My Oklahoma Home
Mrs. McGrath
How Can a Poor Man Stand Such Times and Live?

Disc Two

Jacob's Ladder
We Shall Overcome
Open All Night
Pay Me My Money Down
(encore)
If I Should Fall Behind
Buffalo Gals
You Can Look (But You Better Not Touch)
Daring Young Man on the Flying Trapeze

Flynn Remaster of the Original Dime-Posted Recording

I boosted the levels, evened out the spots where the levels
went up or down, added some high end, and boosted the 144 
frequency.  I also fixed the track markings.

Track listing:

Disc 1
1. Intro
2. O Mary Don't You Weep
3. Intro
4. John Henry
5. Johnny 99
6. Intro
7. Old Dan Tucker
8. Eyes on the Prize
9. Jesse James
10. Intro
11. My Oklahoma Home
12. Intro
13. Mrs. McGrath
14. Intro
15. How Can a Poor Man Stand Such Times and Live?
16. Jacob's Ladder
17. Intro
18. We Shall Overcome

Disc 2
1. Open All Night
2. Pay Me My Money Down
3. Intro
4. My City of Ruins
5. Buffalo Gals
6. You Can Look (But You Better Not Touch)
7. Intro
8. When the Saints Go Marching In

Original Information from the Taper/Poster

Source: Schoeps MK4>R-Box>SBM-1>M1
On 7 foot stand 150 feet back from stage right

Transfer: Pansonic 3700 into stand alone HHB burner

CDR ripped using EAC

Note that the last track on disc 1 cuts off 15 seconds before 
ending, but is complete on disc 2 track 1

I am posting this, because it brought the crowd to tears (read any 
of the reviews of this performance) - it was the first public debut 
of this 17 piece group, and they were on fire! 

I have not seen this show posted anywhere else, and I thought DIME 
members deserved to hear it first!

txt:

This concert was uploaded a couple of weeks ago. It was a nice one. But this upload is from ANOTHER SOURCE. The sound quality of this one is, in my humble opinion, so good that, maybe, it is a candidate for the best 2006 recording of Bruce. Perhaps not the best one but at the least  IT'S AN ABSOLUTE TOP RECORDING OF AN EXCELLENT CONCERT!  That's the reason why I wanna share it with you: it's a clear upgrade.
The music comes out very well: bright & clear. The vocals are very near by and audible. There's an almost perfect balance between the music and the audience: almost no talkers, no singers and/or handclapping by the public in the music. Just like everybody wishes a good recording must be.

recording details:
recorded from a VIP-box with Sennheiser cardoid mikes MKE-40 > custom made power unit > Sony TCD-D8 DAT

editing/mastering details (for the techno-freaks):
Tascam DA-40 > analog > Yamaha 2x31 equalizer (some low boost only) > SPL Vitalizer (some small changes in the low/mid range) > Layla 24/96 > digital > Sound Forge 7 (fade in/out, normalising, some dynamic equalizing, click & crackle, editing) > WAV
(Don't let this all scare you. It didn't ruin the original recording. It just gave the recording some extra drive & power and the things you don't wanna hear were suppressed or removed. This is the complete concert and NO essential parts were deleted! The editing is done with a well-trained musical ear! )

conversion:
WAV > FLAC Frontend (level 8, verify, align on sector boundaries)

101 intro
102 O Mary Don’t You Weep 
103 John Henry
104 Johnny 99
105 Old Dan Tucker
106 Eyes On The Prize
107 Jesse James
108 Cadillac Ranch (w Mystery Train)
109 Long Black Veil
110 Erie Canal
111 My Oklahoma Home
112 Mrs. McGrath

201 intro to >
202 How Can A Poor Man Stand Such Times And Live?
203 Jacob’s Ladder
204 We Shall Overcome
205 Open All Night
206 Pay Me My Money Down
207 My City Of Ruins
208 Ramrod
209 You Can Look (But You Better Not Touch)
210 introduction band
211 When The Saints Go Marching In
212 Buffalo Gals

Taper : 2mas

cdr from taper -> EAC -> Wav --> Flac (level 8, align border sectors & verify)

D1

01.John Henry
02.O Mary Don't You Weep
03.Johnny 99
04.Old Dan Tucker
05.Eyes on the Prize
06.Jesse James
07.Adam Raised a Cain
08.Long Black Veil
09.Erie Canal
10.My Oklahoma Home
11.Bring Them Home (If You Love Your Uncle Sam)
12.Mrs. McGrath


D2

01.How Can a Poor Man Stand Such Times and Live?
02.Jacob's Ladder
03.We Shall Overcome
04.Open All Night
05.Pay Me My Money Down
06.My City of Ruins
07.Ramrod
08.You Can Look (But You Better Not Touch)
09.When the Saints Go Marching In
10.Buffalo Gals



Enjoy The Show,

eSTREET

Taper: SparkJockey
Recorded from the left side of the stage, 5 rows behind the pit

SP-CMC-19 > SP-Microtrack Mic Power > Microtrack (16/44.1 Wav.)
Transfer: Microtrack > PC > Flac level 8 > Nero 6 > DVD+R

Mastering: Flac > Cool Edit Pro (amplification/equalization/editting for 
clapping) > CDWAV > Nero 7 > CDR

Disc 1
01 Intro 
02 Atlantic City
03 John Henry
04 O Mary Don’t You Weep
05 Johnny 99
06 Old Dan Tucker
07 Eyes On The Prize
08 Jesse James
09 Erie Canal
10 My Oklahoma Home
11 Intro (Froggie Went A Courtin’)
12 Froggie Went A Coutin”

Disc 2
01 Mrs McGrath
02 How Can A Poor Man Stand Such Times And Live?
03 Jacob’s Ladder
04 We Shall Overcome
05 Open All Night
06 Pay Me My Money Down
07 PSA
08 My City Of Ruins
09 Rag Momma Rag
10 You Can Look (But You Better Not Touch)
11 When The Saints Go Marching In

taper:JB
recording: dpa4061 mics > sony tcd 100
transfer: DAT > s/pdif in m-audio Audiophile> CD wav
mastering: Audacity to amplify, CD Wav for track splits
EAC> FLAC

Disc 1 (74:11)
1 O Mary Don't You Weep
2 John Henry
3 Atlantic City
4 Old Dan Tucker
5 Eyes on the Prize
6 Jesse James
7 Johnny 99
8 Erie Canal
9 My Oklahoma Home
10 Long Black Veil
11 Mrs. McGrath

Disc 2 (76:58)
1 intro to Poor Man
2 How Can a Poor Man Stand Such Times and Live?
3 Jacob's Ladder
4 intro to WSO
5 We Shall Overcome
6 Open All Night
7 Pay Me My Money Down
8 Bring Them Home
9 Rag Mama Rag
10 You Can Look (But You Better Not Touch)
11 When the Saints Go Marching In
12 Buffalo Gals 

disc one:
American Land
John Henry
O Mary Don't You Weep
Johnny 99
Old Dan Tucker
Eyes on the Prize
Jesse James
Atlantic City
Erie Canal
My Oklahoma Home

disc two:
If I Should Fall Behind
Mrs. McGrath
How Can a Poor Man Stand Such Times and Live?
Jacob's Ladder
We Shall Overcome
Open All Night
Pay Me My Money Down

disc three:
Bring Them Home
My City of Ruins
Ramrod
You Can Look (But You Better Not Touch)
When the Saints Go Marching In

AT853 Hypercardoid > Microtrack 24/96 (24 bit/44.1 kbit)
Section 202, row E
mics in hat, 17cm sep., 70 deg
Taped by Scoper

Recorded from the left side about 
5 rows back.

CoreSound Binaurals w/ bass rolloff >
Sony D8 > Philips CDR-880 > Extracted w/
CD Creator > Cool Edit Pro for some level
adjustments and high end boost > CD Wave >
FLAC Frontend

disc one:

American Land
John Henry
O Mary Don't You Weep
Old Dan Tucker
Atlantic City
Long Black Veil
Jesse James
Long Time Comin'
Erie Canal
My Oklahoma Home

disc two:

If I Should Fall Behind
Mrs. McGrath
Devils & Dust
How Can a Poor Man Stand Such Times and Live?
Jacob's Ladder
We Shall Overcome
Open All Night
Pay Me My Money Down

disc three:

My City of Ruins
Ramrod
You Can Look (But You Better Not Touch)
When the Saints Go Marching In
The Man on the Flying Trapeze

bonus track :
Maria's Bed (6/24/06, recorded from lawn)

 CDR from master(got it in a trade)>wave(EAC)>flacf(8)
 I think it`s FM or SBD or a really,really great audience tape,
 but the quality is in my opinion too good for an audience tape.
 It`s wonderful  music from some great artists.

 Musicians:

 Bill Bruford - drums.
 Chris Botti - trumpet.
 David Torn - guitars, loops, electric bansuri.
 Tony Levin - Stick, bass, NS Electric Upright

 Setlist:
 
 01.Etude Revised   14:29
 02.Original Sin    08:52
 03.Cerulean Sea    08:06
 04.Deeper Blue     06:27
 05.A Place of Pearls(on a Blade of glass)  05:40
 06.Cracking The Midnight Glass     05:44
 07.Band Introduction    01:15
 08.3 Minutes Of Pure Entertainment   08:35 
 09.Fin de Siecle     06:15
 10.Cobalt Canyons    07:42

Late show

East Coast Tour	
1CD DAUD>CSB>WAV>FLAC 68min

Bruford Levin Botti Torn

3 Minutes Of Pure Entertainment
Original Sin
A Palace Of Pearls
Cerulean Sea
Cracking The Midnight Glass
Oud Solo / Improv
Etude Revisited
Cobalt Canyons

Source: TV Broadcast> Low Generation VHS> NTSC DVD

1. Introduction by Steve Allen
2. Unknown
3. Unknown
4. Unknown
5. Unknown
6. Channel One Suite
7. Birdland
8. Interview with Steve Allen and Billy Taylor

Original notes:

Date unknown, est. 197x

Source: Unknown; but reported to be taped at the venue, not a braodcast
Transfer: Unknown
Current status: Medium generation CDR from a most probably lossless format lineage. After transfer from master to CDR only CDR generations to my knowledge. No compression, no lossless formats as far as known.

01 Time Out			06:59
02 Best Coast			04:50
03 Party Time			06:08
04 Round Midnight		06:51
05 No Jive			06:10
06 Sophisticated Lady		05:28
07 The Summer Knows		04:33
08 Channel One Suite		17:08
09 Norwegian Wood		03:42

Notes: Very rare recording from Germany in very good sound quality. Passed on among pro musicians in Germany playing in big bands themselves. Not identical with other Buddy Rich recordings from Stuttgart. Never been released officially or as bootleg, so far never seen posted anywhere on trading platforms to my knowledge.   

Any help sourcing the exact origin and date appreciated. Any help cleaning up the recording appreciated as Buddy's band gives one of the best performances that I have heard so far. The recording captures the band at the 110% Buddy Rich always demanded. The band is just perfect, precise, spot-on and the recording would deserve the best audio quality possible. If someone could improve the already very good sound quality, I'd be happy to see it re-posted.

Enjoy!

Taper: Christopher Jones <jones.chris@gmail.com> 
Source: DPA 4022 Compact Cardioid > Sound Devices 722 Hard Disk Recorder (@ 24-bit / 96 kHz) 
Location: Directly in front of bar, DFC.  Mics ORTF at 8'.
HD > .flac: Sound Devices 722 Hard Disk Recorder > Apple Power Mac G4 MP800  mHz / 512MB > T.C. Works' Spark XL 2.8 > xACT 1.4b28 

Resampled and dithered using T.C. Works' respective highest quality resampling and Ultra-Noiseshaping functions.  A 24-bit / 96 kHz version of this recording exists in .flac24. 

t01 Introduction					01:17.39
t02 Porchlight						05:10.23
t03 Summer						04:22.53
t04 Mineral						06:06.06
t05 Butterscotch					03:46.57
t06 Torch Singer					03:45.32
t07 Three Easy Pieces					06:22.24
t08 Crutch						06:16.03
t09 You'll Never Catch Him				05:20.29
t10 Clobbered						04:01.63
t11 Under My Thumb ^					07:14.33
t12 Wiser						05:38.43
t13 Tangerine						05:27.70
t14 Kitchen Door					03:34.58
t15 Frozen Lake						05:27.71

Change
02
Sharing
Gare du Nord
05
Existence
Moving

disk 1 - 51:41

01. 
02. A Minor Swing
03. The Bullfrog Shuffle
04. > The Jig Is Up
05. Natchez Trace
06. Tony solo
07. BŽla solo
08. Killer Bees On Caffeine
09. The Sunta
10. -tuning
11. Cripple Creek > Earl's Breakdown

disk 2 - 56:20

01. Classical Medley 
02. Happy Birthday to Margaret 
03. Cheese Whiz
04. Elzic's Farewell > Green Willis > Whiskey Before Breakfast
05. Beatles Medley: You Won't See Me > I Feel Fine > You Never Give
	Me Your Money > Sun King > Here, There & Everywhere > Michelle >
	Drive My Car
06. -thanks for coming outÉ
07. John Hardy
08. -crowd 
  encore:
09. 
10. Foggy Mountain Special > 

Source: DSBD DAT from Sean Hawkins
Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through) >
M-Audio 24/96 > @ 24 Bit to Wavelab > to 16 bit CD WAVE > FLAC 
Transfers, Remastering and Seeded to bt.etree.net by Bill Koucky February 2007 

Source: FOB Neumann KM-140 > Beyerdynamic MV-100 > Sony SBM-1
Transfer: (2006-05-13) master DAT > Panasonic SV-3700 > TC-Electronic Finalizer+ (bypass, electrical>optical) > Macbook Pro > Amadeus 3.8.6

01 intro
02 Vix 9
03 Throwdown at the Hoedown
04 E Guitar
05 Big Country
06 And Why Not?
07 Funk E.
08 Who's Got Three?
09 Almost 12
10 The Big Blink >
11 Stomping Grounds
12 crowd
13 Ramblin' *
14 outro

(*) w/ John Medeski and Chris Wood

Intro
Next
Throwdown at the Hoedown
Intro > 3/4
Off the Top
Vic solo
Am Latin

Intro
Futch solo
Futch with Béla
Big Country
Dm 5/4
Mars Needs Women
Earth Jam
Béla solo
Hoedown

Disc 1

01 Intro				01:10.49
02 Next					07:43.03
03 Bil Mon					08:14.53
04 Band Intros				02:21.03
05 Latitude					05:36.24
06 Scratch					11:09.26
07 Vic Solo > Vic/Bela			18:35.39
08 Off The Top				08:36.24
09 Futch Solo > Futch/Jeff		13:18.04

Disc 1 Total: 76:45.00

Disc 2

01 Christmas Medley			08:52.65
02 Snatchin'				07:35.42
03 Pineapple Heart			05:52.19
04 Costa Brava				12:50.65
05 Bela Solo				17:47.59
06 Throwdown				09:32.08
07 Sleeping Dogs				04:45.36

Disc 2 Total: 67:16.69

Disc One
01: Intro
02: Next
03: Sex In A Pan
04: Latitude
05: Band Intros
06: Bill Mon
07: Futch Solo
08: Futch/Bela
09: Off The Top
10: Something

Disc Two
01: Vic Solo
02: Vic/Jeff
03: Sleeper
04: Am Latin
05: Bela solo
Encore
06: Moment So Close

Source: {onstage} AKG ck61 > Active Cables > JK Labs DVC > Canare Starquad Interconnects > Apogee Mini-Me > Powerbook G4 @ 24/48
Lineage: Spark XL v2.8 to record, resample, dither, and track. xACT v1.3 to fix SBE's and create shn's
Taped by: Jon Ice (ice@justdmb.com)
Transferred by: Jon Ice (ice@justdmb.com)
From: http://www.archive.org/details/bfft2004-04-06.ck61.shnf

Sound: A+
Show: A

Earth Jam
Cheeseballs in Cowtown
Lover's Leap
Untitled
Futch solo
Futch & Béla
Big Country

Vic solo
Vic & Jeff > Throwdown at the Hoedown
Extra New Guitar
New G Tune
Blu Bop
New South Africa
Béla solo
applause
The Sinister Minister
Sleeping Dogs

1: Intro
2: Wash
3: The Ride, Part II
4: Service & Repair
5: Tulsa Telephone Book
6: Fade
7: Minas de Cobre
8: Ballad of Cable Hogue
9: Canción del Mariachi
10: El Picador
11: Frontera/Trigger
12: Hey Baby, Qué Paso
13: Stray
14: Cascabel
15: Crystal Frontier

Source: SBD/AUD Matrix (Multitrack)> Master DAT > Mastering (custom - analog & digital - 10/02/04) > CDR(m) > FLAC
Lineage: CDR(m) > EAC (secure) > WAV > FLAC [7]

Disk 1

1: Pepita
2: Across the Wire
3: Quattro
4: Frontera/Trigger
5: Dub Latina
6: Sunken Waltz
7: El Picador
8: Not Even Stevie Nicks
9: Fade
10: Fatal Spring >
11: Close Behind
12: Woven Birds
13: Minas de Cobre
14: Spokes
15: Stray
16: Corona
17: Güero Canelo

Disk 2

1: Black Heart
2: Falling Rain*
3: Alone Again Or*
4: Cancion Del Mariachi
5: Crystal Frontier
6: Attack El Robot! Attack!

Source: SBD/AUD Matrix (Multitrack)> Master CDR(PreFM)>Mastered via SADiE w/ 24 bit Drawmer Masterflow Processing (05/03)> CDR
Lineage: CDR(m) > EAC (secure) > WAV > FLAC [7]
Taped by: Recorded by P3 Live (Sweeden)
Transfered by: Mastered by Jim Blackwood - Official Calexico Archivist

Source: Audience
Master: CSB mics>Sony PCM-M1 @44.1kHz 

Transfer: DAT @44.1kHz (Sony PCM-M1)>Zefiro ZA2>CoolEdit>WAV>EAC>FlacFrontend>Flac

Artwork included 

Disc 1:

01 Yours And Mine
02 Cruel
03 Across The Wire 
04 Stray 
05 Dub Latina
06 Bisbee Blue
07 Deep Down 
08 Not Even Stevie Nicks
09 Minas De Cobre
10 Lucky Dime

Disc 2:
 
01 Roka
02 Sunken Waltz
03 Letter To Bowie Knife
04 Alone Again Or

Encore 1:
05 Panic Open String
06 Nom De Plume
07 Guero Canelo

Encore 2:
All Systems Red

not for trade - commercial release

Set 1 (cd1)

Iron & Wine
01 - Sodom, South Georgia
02 - Cinder And Smoke
03 - Resurrection Fern
04 - An Angry Blade
05 - Trapeze Swinger
06 - On Your Wings
07 - Freedom Hangs Like Heaven
08 - Evening On The Ground
09 - Free Until They Cut Me Down
10 - Woman King
11 - Teeth In The Grass

Iron & Wine with Calexico
12 - Red Dust 
13 - Prisoner On Route 41
14 - Sixteen, Maybe Less
15 - Burn That Broken Bed

Set 2 (cd2)

Salvador Duran
01 - ??
02 - ??
03 - ??

Calexico (cd3)
01 - Yours And Mine
02 - Cruel
03 - Across The Wire
04 - Stray
05 - Not Even Stevie Nicks
06 - Deep Down
07 - Ballad Of Cable Hogue
08 - Panic Open String
09 - El Picador

Calexico with Salvador Duran
10 - Roka (Danza De La Muerte)

Calexico
11 - Letter To Bowie Knife
12 - Alone Again Or
13 - Black Heart
14 - Sunken Waltz
15 - All Systems Red

Encore
Calexico
16 - Bisbee Blue

Calexico with Iron & Wine and Salvador Duran
17 - He Lay In The Reins

Calexico with Iron & Wine
18 - All Tomorrow's Parties



Comments:-
Great Show.  Three hours of solid music.  A few Notes.  The volume levels were adjusted between sets 1 & 2, as the
recording level was close to clipping in Set 1. The first song of Iron & Wine's set is slightly spoiled by two loud 
chatterers. Luckily after this they were told to shut up so no problems from then on.  If anyone knows the name of the 
three Salvador Duran songs and the Instrumental please post. 


Source - Audience recording. Left Of Stage Front Row
Audio Technica 831b>SONY PCM-M1 DAT>Audacity>Wav>Flac

Files received as 48000Hz Flac files.
Additional lineage: Flac>Wav(Flac 1.1.2/shntool)>Resample to 44100Hz(Audacity)>Wav>Flac & Fix SBEs (Flac 1.1.2/shntool)
Recorded by Dazzer3435.  Dazzer3435 recording Number 41

Visit www.from1fan2allothers.com

PRRP002
 
1 Aristillus 1:28
2 Song within a song 7:27
3 The Great Marsh 1:48
4 Rhayader 3:18
5 Rhayader Goes to Town 5:39
6 Air born 5:00
7 Chord change 6:45
8 The White Rider 8:20
9 Lunar Sea 9:24
10 Preparation 3:25
11 DunKirk 5:57
12 Another Night 6:45
Total Disc 65:16

Broadcast on WSAN -FM San Francisco

Peter Bardens : Keyboards
Andrew Latimer : Guitar, vocals
Mel Collins : Flute, Saxes
Doug Ferguson : Bass
Andy Ward : Drums, Percussion

	Coming off the successes of Mirage and Snow Goose, 1976 saw Camel release another 
masterful work called Moonmadness. Each member of the band contributed compositions to the 
album which reached #15 in the music charts. 
Camel had an extensive tour of the United Kingdom in March and April of 1976 to coincide with 
the release of this new album. The addition of Mel Collins on Sax and Flute had changed the 
Camel sound. His inclusion in the band at the beginning of this tour had given Camel more of 
a jazz feel. This was also the first time that Camel had used film as a visual component of 
their shows. As Andy Latimer told Melody Maker,  "This is the first time we've used films, and 
I don't want us to get into it too much. ...We're not a very bopping band, so it's nice for 
the audience to have something to watch". A short break followed the 17 concert, U.K. tour 
after which Camel came to California for a performance in San Francisco at the Boardinghouse 
on June 26th. This was their first US performance in over a year and their last until February 
of 1979 when they again returned to play in California.
Six of the seven new Moonmadness album songs were played that night. The concert begins with 
two of the new entries. The audience is then told that they are about to get, "a little slice 
of the Snow Goose". The first three songs of that all instrumental album are then played with 
received with great enthusiasm. The band returns to Moonmadness material playing Air Born and 
Chord Change. They then proceed to The White Rider from Mirage, Lunar Sea from the new album, 
two more from Snow Goose and then a final selection from Moonmadness.  Overall, a great 
performance hitting all the highlights of the band's material to that point.



Notes from the Re-Master
	This was generally a good quality recording of a radio broadcast, only a minor degree 
of noise reduction was necessary to remove hiss which was distracting during quiet segments and 
solos. However, major variations in volume occurred throughout the show and were quite 
noticeable. In the remastered version, these are corrected. The last 25 minutes of the show also 
displayed an imbalance between the two channels which was fixed. Pops and Clicks were also 
removed and a little tonality adjustment was made in some places because of a "muddy" sound; 
the result of insufficient treble.

Helping Out
Please help get this show circulated. Visit http://from1fan2allothers.com for details.

Taper:                Avi Sareen (Supernash@vt.edu)
Source:                Earthworks SR-77 > Sound Devices MP-2 > Graham Patten ADC-20 > M1
                7 feet DFC

DAT > CD Conversion:        Avi Sareen (Supernash@vt.edu)

Equipment: Tascam DA-30 mkII > Monster Coax > Sek'd Prodif Plus >
        Samplitude v5.5 > Cool Edit Pro > MKW Audio Compression Tool


** No DAE - DAT > .WAV > .SHN

Disc 1
01 - Paradise City !                                        07:18.502
02 - Shine                                                04:01.127
03 - The Boxer                                                05:00.843
04 - Keyboard Intro -> Life Less Ordinary                04:50.196
05 - Torn To Tattered                                        07:20.856
06 - Mountain Music @                                        04:41.362
07 - 7 Brides For 7 Sinners                                03:17.475
08 - Raise The Roof                                        08:54.229
09 - Sympathy For The Devil #        ->                         08:57.058
10 - American Tale (Train Outro)                         04:24.400
11 - Sloop John B ->                                        01:51.657
12 - Home                         04:40.895

Disc 2
01 - Desperation Song                                        08:08.475
02 - Paloma -> Percussion Jam -> Paloma                        08:24.445
03 - Days Gone By                                        06:42.514
04 - Get Busy $                                                04:11.613
05 - I know the Reason                                        15:29.572
06 - Mary Mac Intro ->                                        02:21.570
07 - Mary Mac                                                05:44.457
---------
08 - What About Everything?                                06:26.505
---------
09 - Time %                                                07:58.522
Tom Sawyer ^                                                05:17.331


! Guns 'n Roses Cover
@ Alabama Cover
# Rolling Stones Cover
$ Sean Paul Cover
% Pink Floyd Cover
^ Rush Cover

Notes:
- Entire show with Kevin Davis on percussion and Carlos Chaffin on Keyboard/Accordian
- The wind can be heard towards the end of the show between tracks. Those who were there know why

Compiled by Avi Sareen 8/4/03 

Taped By: Farve4
Catalog: Nickeh Productions 009
  	 
Format: SHN
Discs: 2 CDR
  	 
Lineage: ecm-719 > Sony tcm-200 > Maxell UR MAS CAS | Maxell UR MAS CAS > Sony TC-FX211 > Line-In > Rec. w/ CEP > Hiss Reduction w/ CEP > Track Split w/ CEP | WAV > SHN using DBPowerAmp
Source: AUD
  	 
Setlist:
Disc One
1. Intro (1:47)
2. Peter Gunn (8:51)
3. Hoedown (4:34)
4. Enemy God (4:31)
5. Trilogy (8:53)
6. L.A. Nights (6:35)
7. Jam Session (14:29)
8. Romeo and Juliet (4:00)
9. Tank (4:41)

Disc Two
1. Bullfrog (6:53)
2. Toccata (9:25)
3. Canario (4:38)
4. Eruption/Aquatarkus (8:00)
5. Fanfare For the Common Man (21:35)
6. Carmina Burana (6:10)
 
Notes:
Here we have The Carl Palmer Band having a great time. Carl seems happy to be alive in this recording. Speaking for minutes between songs happily moving from one topic to the next and then putting his all into the music.

The recording itself is not supurb, but definatly listenable. Was recorded to casette, transferred by me, and the only editing done was a low level run of hiss reduction. Is a complete show minus a quick tape flip between Tank and Bullfrog.

Please do not ever sell this show. Also, please never trade this show in MP3 format. And PLEASE, do enjoy this recording.

Nickeh (www.nickeh.com)

Peter Gunn
The Barbarian
Hoedown
The Enemy God
Trilogy
L.A. Nights
guitar solo
bass solo

Romeo and Juliet
Tank
Bullfrog
Tocatta
Canario
Tarkus
Fanfare for the Common Man
Carmina Burana

SP-CMC-8 (Cardoids) -> Battery Box (no bass filter used) -> Sony D-7 DAT -> 
Maxell HS4/90s -> 7 Pin -> Creative Audigy 2 -> CDWAV -> FLAC Level 8 

Seat Location: 15 feet from stage, DFC, sitting with another taper to my right

Band: 
Carl Palmer - Drums & Master of Ceremonies
Stuart Clayton - Bass
Paul Bielatowicz - Guitar

Disc One: 
01 Intro/Peter Gunn Theme/Barbarian 
02 Hoedown
03 The Enemy God
04 Trilogy
05 Solo Medley
06 Romeo & Juliet
07 Tank

Disc Two: 
01 Bullfrog
02 Toccata 
03 Canario 
04 Tarkus
05 Fanfare for the Common Man (inc Carl's drum solo)
Encore: 
06 Carmina Burana

Source Info:
AT943s>SP-SPSB-8>SONY-MZ-M100>.wav>CoolEditPro>FlacFrontend>.flac
Volume boost in Cool Edit Pro, no other editing done

Location:
DFC 10 rows front stage
Taper:
David S.

Setlist:
Disk 1
1. The Barbarian
2. Hoedown
3. Enemy Guard
4. Trilogy
5. L.A. Nights
6. Solo Medley
7. Tank

Disk 2
1. Bullfrog
2. Toccata
3. Canario
4. ?
5. encore clapping
6. Romeo & Juliet

Performance Date Unknown
Broadcast Date - 2005-10-19

Lineage: fm>SoundBlaster>wav>flac

Announcer (0:59)
SCHUMANN Piano Trio No. 2 in F major, Op. 80 (27:38)
Sehr lebhaft
Mit innigem Ausdruck
In massiger Bewegung
Nicht zu rasch

Harumi Rhodes, violin; Gary Hoffman, cello; Adam Neiman, piano

Announcer (1:43)
BRAHMS Piano Trio in C minor, Op. 101 (19:41)

I. Allegro Energico
II. Presto Non Assai
III. Andante Grazioso
IV. Allegro Molto

Cho-Liang Lin, violin; Gary Hoffman, cello, Andre-Michel Schub, piano 

Announcer (0:19)

Total Time: 50:22

Charles Lloyd - tenor saxophone 
John Abercrombie - guitar
Marc Johnson - bass
Billy Higgins - drums

01 The Blessing   12:43
02 Dwija   9:59
03 Blues For Duke  and "Swee' Pea"   9:57
04 Abercrombie Solo   4:36
05 Unknown   11:58
06 Song   11:42

Total Time: 60:55

Lineage: FM > ? > flac > editing with Adobe Audition 2 > flac > Dime

I downloaded this (I can't remember where), but it came without a lineage and with no setlist.
There were some radio announcement in the original where I got some of the song titles from. Some
announcements were cut of. So I decided to get rid of these announcements and leave just
the pure music. I removed some mini gaps between songs (during the applause) and did some
minor fade-outs at the end of the applause to remove the speaker. The music was not effected from my 
editing, because it was excellent already and there was nothing to improve.

The radio programme was called "Sunday Night Sweets" from KCSM and KRML

Uploaded on Dime 2007-08-22 by jaype
Cover Art by jaype

no setlist available

Ch. Lloyd - saxes
Geri Allen - piano
Robert Hurst - bass
Billy Hart - drums

Source: FM>Tape Deck>Metal Audio Tape>trade>CDR>EAC Secure Modus>Flac Frontend Level 6>Flac
Sound: A-

Lineup:
Charlie Haden: bass
Dewey Redman: tenor sax
Mick Goodrick: electric guitar
Paul Motian: drums

Tracks:

1) unknown 23.52
2) unknown 21.17

Two discs of improvised jams.

aka Groundtruther. Two improvised sets.

Lineage: fm>SoundBlaster>wav>flac

Announcer 1:48
Rabbath - Iberique Peninsulaire 4:56
Opland Speaks 2:39
Vivaldi's (transcribed and edited by Francois Rabbath) Concerto in F for double bass and piano (Three movements)
(2:37)
(4:08)
(2:17)

Announcer/Opland 2:17
Gershwin Medley 
But Not for Me 3:45
Embraceable You 4:44
Summertime 3:24
They Can't Take That Away From Me 2:55
Opland Speaks 0:14
Our Love is Here to Stay 3:03

Bradley Opland, double bass; Frank Winkler, piano, vocals

Total Time: 38:52

Source: FOB, 10ft left of center - Marshall2003's w/Royer Mods>V3@24/48>Tascam HD-P2
Transfer:
sf8:normed,fades>16/44.1 tracked in CDWave, flac front end
Thanks to Gib Matchand for the setlist!

1.  intro
2.  Senorita
3.  Waltse for Abby
4.  Children's Song No. 6
5.  Joban Dna Nopia
6.  Mountain
7.  The Enchantment
8.  Spectacle
9.  encore:  Sunset Road

Notes:

"Whenever Chick Corea and Bela Fleck take to the stage, genres always fly fast
and furious. Performing 
together, these two master musicians weave duets out of staggering
virtuosity creating mind-blowing magic performances. Says Béla: “every time Chick and I
have played together it has been an extraordinary experience. I have to go beyond my best
to hang with Chick!” Chick Corea's groundbreaking band Return To Forever launched the fusion
era of the '70s. His work with flamenco great Paco de Lucia led to the formation of Touchstone,
a band whose fiery Latinismo music has bridged the world of flamenco and jazz. His Piano
Concerto No. 2 headlined the Vienna's Mozart Celebrations this year. Chick's whole career
is the stuff of jazz lore, an amalgamation of influential, limit-stretching, genre-bending
musical experiences that have garnered him 12 Grammy awards and legions of fans worldwide.
Béla Fleck, considered the premiere banjo player in the world, lives to improvise and loves
to work with unexpected musical fusions. Fleck has won 8 Grammys and is the only musician to
be nominated for Grammys in jazz, bluegrass, pop, country, gospel, composition and world
music categories." (from the Planet Bluegerass Website)

Introduction by Jez Nelson (1:04)
Mistress Luck - A Portrait / The Party (Corea) (9:27)
Johnny's Landing (Corea) (15:17)
Introductions (0:56)
CTA (Heath) (19:14)
Got a Match? (Corea) (21:19)

Chick Corea - keyboards
Eric Marienthal - saxophone
Frank Gambale - guitar
John Patitucci - bass
Dave Weckl - drums

Set I
01 BENEATH THE MASK
02 NINETY-NINE FLAVORS
03 ONE OF US IS OVER FORTY
04 A WAVE GOODBYE
05 BLUES FOR MILES
06 ILLUSIONS
07 LIGHT YEARS

Chick Corea - Keyboard
Frank Gambale - Guitar
Eric Marienthal - Sax
John Patitucci - Bass
Dave Weckl - Drums

Taper: unknown

1		9:49
2		12:46
3		11:48
4	Dr. Watson	9:26
5		6:44
6	Is It Nature's Rock 'n' Roll?	9:17
7		6:28
8	(fade out)	13:32
79:53

Txt file:
Source: soundboard (possibly soundboard+audience matrix) > standalone CDR recorder > master CDR > CDR clone (Johnny Vidacovich's copy) > CDR clone (my copy)
 
Transfer: CDR (TAO) > MATSHITA CW-8121 (*) > Macintosh Powerbook G4 > X Audio Compression Toolkit 1.5b1 (Cdda2wav rip function) > Bias Peak 4.14 (TAO gaps removed; recording retracked and split into individual songs at sector boundary points) >  xACT 1.5b1 > flac (level 8 compression)

Disc 2 same details, except CDR (TAO) > PIONEER DVR-106D > Macintosh Powerbook G4

Note: Show is apparently incomplete. This appears to be the first 80 minutes.

Lineage: fm>SoundBlaster>wav>Nero WaveEditor (+6db only)>flac 

Conducted by Michael Tilson Thomas

Disk 1
Announcer 3:16
Copland: Suite from Our Town 11:34

Announcer 2:22
Tilson Thomas Introduction 4:36
Copland: Symphonic Ode 18:33
Total Time: 40:24

Disk 2
Announcer 1:09
Beethoven: Symphony No. 3 in E flat Op. 55 "Eroica" 	

Allegro con brio 14:11
Marcia funebre. Adagio assai 15:46
Scherzo. Allegro vivace 6:05
Finale. Allegro molto 11:49
Total Time: 49:01

Source: Cable TV broadcast > MD > CD-R > FLAC

Politik
Shiver
Spies
Daylight
Trouble
One I Love
Don't Panic
Everything's Not Lost
I See You Soon
God Put a Smile Upon Your Face
Yellow
The Scientist

Clocks
In My Place
Life Is for Living
Lips Like Sugar
Amsterdam

Sound: A
Show: A

FM >> Adobe Audition >> Flac Quality 8

Tracklisting

01 - Intro
02 - Square One
03 - Politik
04 - Yellow
05 - Low
06 - Speed of Sound
07 - God Put A Smile Upon Your Face
08 - A Warning Sign
09 - Everything's Not Lost
10 - White Shadows
11 - The Scientist
12 - The Best Band In Camden Speech
13 - 'Til Kingdom Come
14 - Right Said Fred (Band Introduction)
15 - Don't Panic
16 - Clocks
17 - What If
18 - DJ Chat
19 - In My Place
20 - Goodbye Chat
21 - Fix You

Colorado State University Symphony
Colorado State University combined Choruses
Teens In Harmony Chorus
Cynthia Vaughn, Soprano
Todd Queen, Tenor
Lynn Dixon, Baritone

Artistic
We attended this electrifying presentation of Carl Orff's (1895-1982) popular, "Carmina Burana", to see our nephew who is one of singers in the CSU Concert Chorus.  As my brother-in-law surmised after the performance, where else, other than in a university setting, could you see this rousing piece performed in its entirety by a full ensemble of instruments and voices?  Not very many places to say the least.  And they did not disappoint. One could not desire a more professional production in a state-of-the-art concert hall.  

According to the concert program, the piece was initially "condemned by local critics" when it premiered in Frankfurt in 1937 only later to be embraced by the Nazi regime as a celebration of early Aryan culture.  The music has great manipulative power and has been used and misused over the decades.  In reference to Leon Botstein's warning on the power of the music, CSU musicologist Jane Pollack writes, "the same emotional responses that Carmina Burana triggers in us today were part of the cultural fabric of an abhorrent regime.  We must not give in to cultural amnesia, for to do so would be to ignore the complexity of the music, to falsify its history, and to reduce the brilliant Carmina Burana to so many soundtracks characterized by the cliché's of mass culture, passivity and uniformity".  Very well said.  

Technical
There were no microphones on stage for the benefit of the musicians or singers.  All sound recorded was produced naturally in the beautiful Griffin Concert Hall.  I was sitting stage right just off center in row 7.  Lineage appears, below.  I did not edit the reproduction other than setting tracks according to the program.  In the concert program, the tracks were listed in Latin, High Middle German and English.  At slightly more than 62 minutes, the performance will fit nicely on one CD should you choose to burn it.  

Lineage 

AT 831s (SP CMC 2 Cardioids) > Reactive Sounds SPA-2 Boost Box Pre-Amp > Sony MZ RH10 > Linear PCM WAV files uploaded USB2 through Sony SonicStage > Minor editing in Cool Edit 2000 included only tracking, sector boundary alignment, conversion FLAC Frontend 4.1.1.

Original HI-MD audience recording by Poor_Yorick.  Lavalier mics on my lapel in an xy cross pointed at the stage.
         
Lastly, thank you for not selling this music or reproducing and distributing it in a lossy format such as MP3. 

Carmina Burana

01. Orchestra Tuning, Fortune, O Empress of the World
02. I Bemoan The Wounds of Fortune
03. The Merry Face of Spring
04. The Sun Warms Everything
05. Behold The Pleasant Spring
06. Dance
07. The Woods Are Burgeoning
08. Shopkeeper, Give Me Color
09. Round Dance
10. Were All The World Mine
11. Burning Inside
12. The Roast Swan
13. I Am The Abbot
14. When We Are In The Tavern
15. Cupid Flies Everywhere
16. Day, Night and Everything
17. A Girl Stood
18. In My Heart
19. If A Boy With A Girl
20. Come, Come, Oh Come
21. In The Balance
22. This Is The Joyful Time
23. Sweetest One
24. Hail, Most Beautiful One
25. O, Fortune
26. Applause, calls

Total Time: 62:17

Cheers, 
Bob (P_Y) 

SBD>Flac>Dime>YOU

Setlist:
  
01. Instrumental Intro
02. Good Rockin' Tonight
03. What's the Matter Now?
04. Truck Driving Man_ (Official Track Deleted)
05. Four or Five Times
06. Down and Out
07. Mama Hated Diesels
08. Little Sally Walker
09. Ain't Nothin' Shakin'
10. Daddy's Drinkin' Up Our Christmas
11. Beat Me Daddy Eight to the Bar
12. HRL intro
13. Hot Rod Lincoln
14. Rave On
15. Rock That Boogie
16. Jailhouse Rock
17. Mean Woman Blues
18. Lost In the Ozone Again

A very great show from CCAHLPA,with a wonderfull setlist.
Sorry Folks ,one track must be deleted.

Thanks for the first seeder.

Enjoy

lolita

Misguided Angel
Dragging Hooks
I Don't Get It
Cause Cheap is How I Feel
Bread & Wine
A Common Disaster
Dreaming My Dreams With You
No Birds Today
Come Calling (His Song)
Seven Years
Talking
Anniversary Song
Tired Eyes
Black-Eyed Man
Leaving Normal
Highway Kind
Miles From Our Home
Encore:
Helpless
Sweet Jane

Sound: A
Show: A

Miles From Our Home
Cause Cheap is How I Feel
I Don't Get It
Hunted
This Street That Man This Life
A Common Disaster
Dreaming My Dreams With You
Me and The Devil
Come Calling (His Song)
Seven Years
Talking
Good Friday
Leaving Normal
Tired Eyes
Black-Eyed Man
Dragging Hooks
Talking
Misguided Angel
Encore:
Helpless
Sweet Jane

Sound: A
Show: A

Schoeps CCM4's > PCM-M1 DAT
Recorded from 15th Row Left of Center, FOB

Disc One 
1 I'm So Glad 
2 Spoonful 
3 Outside Woman Blues 
4 Pressed Rat and Warthog 
5 Sleepy Time Time 
6 Tales of Brave Ulysses 
7 N.S.U. 
8 Badge 
9 Politician 
10 Sweet Wine 
11 Rollin' & Tumblin' 
12 Stormy Monday 
 

Disc Two 
1 Deserted Cities of the Heart
2 Born Under A Bad Sign 
3 We're Going Wrong 
4 Crossroads 
5 Sitting On Top Of The World 
6 White Room 
7 Toad 
encore 
8 Sunshine of Your Love 

Disc 1 
01. Senior Ballz Intro
02. ??
03. ??
04. Shag
05. T-Ski
06. A Love Supreme
07. BH Goes To A Freak
08. Red Eyed Wonder
09. Chatter
10. ??
11. ??

Disc 2
01. Orbatron Intro>
02. Orbatron
03. Security Scuffle
04. Orbatron
05. Sr Ballz Releases "The Claypool">Jam>
06. Crazy Train Tease (Ozzy Osbourne)>
08. Immigrant Song (Led Zeppelin)>
09. Thela Hun Ginjeet tease (King Crimson)>
10. Immigrant Song (Led Zeppelin)>
11. Jerry Was A Race Car Driver (Primus)>
12. ...???>
13. Yellow Submarine (Beatles)>
14. When Johnny Comes Marching Home (Traditional)>
15. Crazy Train Tease (Ozzy Osbourne)>
16. Immigrant Song Reprise (Led Zeppelin)
17. Flouride
18. ??>
19. bass jam>
20. Winona's Big Brown Beaver Tease (Primus)>
21. ??
22. The Family And The Fishing Net (Peter Gabriel)

Disc 3
01. Chatter
02. Tomorrow Never Knows (Beatles)
03. Chatter
04. Don't Fear the Reaper (Blue Oyster Cult tease)
05. Whole Lotta Rosie (AC/DC tease)
06. Mount Blasta
07. Introduction of Maurice "The Leopard" Caldwell, Jr
08. Maurice's Rap "I know You Hate my 98"/Mike's Rap Everybody's Gonna Get Small
09. Iron Man Tease (Black Sabbath - lyrics only)
10. My Name Is Mud (Primus tease - lyrics only)
11. ??
12. Burundi
13. Goodnight Now (Cheap Trick)

Source: SBD>DAT + Shure VP88 (onstage)>DAT + Neuman TLM 103 (room mics)>DAT (all at 48k)> Digidesign 888|24 I/O > Pro Tools (for edit & sync)> CDR. Les Claypool on 2nd Set

Northern Cross
Fall On Me
Shades of Gray
I Know What Kind of Love This Is
Ten Year Night
February
Are You Happy Now
Speaking with the Angel
Cold Missouri Waters
Ballad of Mary Magdalene
Auld Lang Syne
Cry Cry Cry

Sound Professional BMC6-mics (AT803b, omni-directional) -> SP batterybox -> Nomad JB3 (48.0kHz WAV, line-in, zero gain) -> USB -> Bias Peak -> few edits -> SHNTool -> SHN.

CD 1:
1. Still water (8:47)
2. The maker (8:26)
3. Slow giving (5:52)
4. Fire (4:30)
5. The messenger (3:56)
6. Rockets (4:53)
7. JJ leaves LA (4:25)
8. Sometimes (2:31)
9. Jolie louise (3:59)
10. Where will i be (6:29)
11. May this be love (6:17)

CD2:
1. chat (1:09)
2. Power of one (6:25)
3. intros (0:56)
4. ?? (solo song with Daryl Johnson) (3:06)
5. The collection of marie claire > Drifting (with blood in my eyes) (7:56)
6. Transmitter (6:05)
7. ?? Cool ?? (7:05)
8. Sweet soul honey (6:34)
9. Brother L.a (6:58)
10. Sleeping in the devils bed (2:28)
11. Rocky world (2:41)
12. Space kay (4:16)

1. ?
2. Gator Strut
3. Down in the Willow Garden
4. The Big Man from Syracuse
5. Gostosinho (Tasty)
6. Fiddle Trio Medley
7. Queequeg's Big Adventure
8. ?
9. Couscous

Sound: A+
Show: A

Darol Anger - fiddle, cello
Sara Watkins - fiddle, vocals
Scott Nygaard - guitar
Tristan Clarridge - cello, fiddle

Taper:      spyboychoir (spyboychoir@gmail.com)
Source:     Peluso CEMC6/CK-4 (cards, DIN, center, 15' back, 6.5' high) > Kind Kables > Edirol UA-5 (bm2p+ mod) > Creative Nomad Jukebox 3
Conversion: JB3 > xNJB (USB) > Sound Studio 3 > WAV > xACT > FLAC (level 8)
Format:     16bit, 44.1kHz
Editing:    Sound Studio 3 (tracking, fades, applause compression 4:1 above -18dB)


DISC ONE (65:30)

SET ONE

01. (Intro)
02. Melt The Teakettle
03. When You Go (Djulaikta Waltz)
04. Lost In The Loop
05. Andre De Sabato Nuovo
06. Polska Upstairs
07. 
08. Higher Ground
09. Old Dangerfield

DISC TWO (40:45)

SET TWO

01. (Intro)
02. Death Be Mine
03. Angel's Waltz
04. Runaway Fiddle
05. Maurice
06. Father Adieu
07. 
08. 

ENCORE

09. Darling Corey

NOTES:

Level adjustments in d1t01

Sound: B

1.  Penelope (Douglas)  18:50
2.  Caterwaul (Douglas)  6:09
3.  The Frisell Dream (Douglas)  6:02
4.  Unison (Björk)  38:47
5.  The Infinite (Douglas)  6:33

Total   76:21

Dave Douglas: tr
Rick Margitza: ts
Uri Caine: e-p
Jame Genus: b
Clarence Penn: dr

Source:  BBC FM broadcast > CD-R recorder (Pioneer 609)
Editing: None other than Fade in / out
Transfer: >EAC > Flac Frontend (level 6) > you
Quality: A++ with very little FM hiss

This set was originally posted last February by member 'dirdel', with whose agreement and
help this BBC Jazz on 3 recording, FM direct to CD-R, is posted as a sonic upgrade.

To my ears at least, this is a really varied and enjoyable performance with more muscular
and energetic playing than some of his own more recent straight ahead groups.

Quality of recording is one of my very best, made on a night with very low FM hiss, so this
should be of interest both to listeners new as well as those who would appreciate a sonic
upgrade.

Dave Douglas - trumpet 
Seamus Blake - saxophone 
Jamie Saft - keyboards 
David Gilmore - guitar 
Ikue Mori - electronics 
Brad Jones - bass 
Derek Philips - drums 

09.53 Freak In
16.16 Culver City Park
08:28 November
15:53 Black Rock Park 
10:53 Eastern Parkway
07:52 The Great Schism
00:25 Applause > station announcer

FM>???>CDR>EAC>FLAC 6 (w/sector align)

 
1 7/4 Kids Zoo (MJ,b) 9:20 
2 Love Theme From Spartacus (MJ,b) 4:00 
3 Homecoming (DH,b) 5:30 
4 Vassarlean (DH,b) 6:30 
5 Jumpin' In (DH,b) 3:40 
6 Walkaway 4:40 
7 C17 5:00 
8 Sunrise / Chanson Pour La Nuit 8:00 
9 Mr PC 5:35

Dave Holland,b  
Marc Johnson,b

Dave Holland (double bass,cello)

FM>Cass>CDR>EAC>FLAC6(w/sector align)

1 Combination
2 Under Redwoods
3 Hooveling
4 Flurries
5 Derwish Dance
6 Last Moments
7 Solar

Dave Holland (b, cello)
FM>Cass>CDR>EAC>FLAC6(w/sector align)

1 Combination
2 Under Redwoods
3 Hooveling
4 Flurries
5 Derwish Dance
6 Last Moments
7 Solar

DAVE HOLLAND BAS
BILLY KILSON  DRUMS
CHRIS POTTER  ALT TENOR SAX
ROBIN EUBANKS  TROMBONE
STEVE NELSON VIBRAPHONE

AIRED LIVE ON THE RADIO
FMRADIO  MDRECORDER  HD OF PC   CDR
THIS IS MY MASTERRECORDING

SETLIST
1 GLOBAL CITIZEN
2 HIGHWIRE
3 MAKE BELIEVE
4 WHAT GOES AROUND
5 FRAME THE RECTIVE

analog sat > pc > nero wave editor > shn tool > cdr

a sampler broadcast featuring Dave Holland & E.S.T. (separately)

01 Looking Up - DHQ
02 Juggler's Parade - DHQ
03 Serenade For The Renegade - EST
04 Car Crash - EST
05 Dodge The Dodo - EST
06 Dave talking about Miles Davis - DHY

Robin Eubanks - trombone
Chris Potter - saxophones
Steve Nelson - vibes
Dave Holland - bass
Billy Kilson - drums

1. Prime Directive (Holland) 7:20
2. Herbacious (Holland) 9:07
3. Metamorphose (Eubanks) 14:35
4. Looking Up (Holland) 16:48

TT: 47:51

Sound: A/A-

Lineage: FM > Minidisc > analogue to HD > 
GoldWave > FLAC (8)(asb)

Source: DLF Broadcast / prob. 2000

Dave Holland: contrabasso 
Chris Potter: sax
Robin Eubanks: trombone
Steve Nelson: vibrafono
Billy Kilson: batteria

CD1/ 73:35


01 band introduction 01:34
o2 Unknown title 11:47
03 The Blues 13:56
04 unknown title 19:15
05 Shifting sands 09:03
06 Full circle 17:46

CD2/ 32:19


01 Amotor silenti 08:53
02 Free for all 13:53
03 Unknown title 09:25

TT: 105:54

Pro-Shot DVD
Broadcast date: 7 August 2007 on Spanish TVE2

Lineage: dvb program stream -> TMPGenc DVD author -> Dimeadozen

Video Attributes:
  Video compression mode: MPEG-2
  TV system: 625/50 (PAL)
  Aspect Ratio: 4:3
  Display Mode: reserved
  Source picture resolution: 720x576 (625/50)
  Frame Rate: 25.00
  Source picture letterboxed: Not letterboxed
  Bitrate: 3.7Mbps

Audio Attributes: 
  Audio Coding mode: MPEG-1 or MPEG-2 without extension bitstream
  Sampling Rate: 48kHz
  Audio application mode: Not Specified
  Number of Audio channels: 2.0
  Number of Audio streams: 1


Dave Holland Quintet:
Chris Potter, sax
Robin Eubanks, trombone
Steve Nelson, vibraphone
Dave Holland, bass
Nate Smith, drums

No menu.
Setlist unknown. Chapters at every song break.

SOURCE: FM>AUDIO MASTER TAPE>CD TRANSFER>TRADE>AUDIO CD>EAC Secure Modus>Flac Frontend Level 6>Flac

SOUND: A+ (perfect FM, listen to mp3 sample)

Lineup:
Dave Holland: bass
Kevin Eubanks: guitar
Mino Cinelo: percussion

Tracks.
1. 13.53
2. 07.44
3. 17.30
4. 07.26
5. 01.22
6. 15.07
7. 11.54
8. 10.39

Only You & I Know
Searchin' for a Feelin'
Pearly Queen
Every Woman
So Good to be Home
We Just Disagree
So High (Rock Me Baby & Roll Me Away)
Let it Go, Let it Flow
No Doubt About It
Takin' the Time to Find
All Along the Watchtower
Share Your Love
Warm & Tender Love > Will You Still Love Me Tomorrow

WLIR Pre-FM #38

Taper: Ned Ryerson
Source: Schoeps CMC5(modified)/MK41 > Apogee MiniMe (@16/44.1, Soft Limit On) > Sony D8
mods on CMC5 bodies: capacitors, transistors, and jfet changed. caps=Wima MKP2, transistors=2SA1085, jfet=j305.
Location: FOB, DFC
Conversion: Fostex D5 > Audiophile 2496 > Sound Forge 7.0 > CD Wave > MKWact

Disc 1

01 Intro.. 03:03.16
02 Dodo 07:33.63
03 Trouble 07:27.69
04 Up and Away 05:43.29
05 Solsbury Hill 05:00.61
06 Intro to.. 01:48.10
07 Stay or Leave 04:37.19
08 Save Me 05:32.43
09 Oh 03:43.73
10 Up On Cripple Creek 06:19.19
11 Some Devil * 06:32.11
12 Dancing Nancies + 07:48.45
13 Thing ~ 06:57.03
14 Tell Me Something Good 07:46.68

Disc 2

01 Gravedigger 04:45.27
02 Grey Blue Eyes 03:50.18
03 So Damn Lucky 06:50.55
04 Too High 07:35.00
05 Fire 04:25.10
06 Hey Bulldog 09:38.73
Encore:
07 Waste Ä 06:01.31
08 Everyday Ä -> 03:47.46
09 Bathtub Gin Ä -> 05:48.00
10 Thank You 20:20.49

* Dave Solo
+ Dave And Tim
~ Dave, Tim and Brady
Ä Dave And Trey

Source: ASBD>CD?

CD>WAV>FLAC: Mike Belkin <MJBelkin@Uwm.edu>
 All songs encoded using EAC Secure Mode, All tracks 
 ripped had 100% quality.

Disc One:

01: Dancing Nancies * 03:53.35
02: I'll Back You Up * 03:21.12
03: The Maker * 03:40.12
04: Cry Freedom * 04:13.38
05: Song That Jane Likes * 03:03.68
 SET BREAK
06: Warehouse ^ 06:12.52
07: Jimi Thing 09:03.30
08: One Sweet World (Instrumental intro) 06:05.44
09: Lover Lay Down 05:45.74
10: True Reflections 05:05.28

Disc Two:

01: Angel From Montgomery 04:10.12
02: Tripping Billies 06:05.49
03: Recently 08:14.51
04: People People 06:45.26
05: Satellite # 04:59.38
06: Exodus $ 11:36.62
07: Typical Situation @ $ 06:44.22

^ - Mostly Jibberish type lyrics, no real form to them
$ - Featuring Daryl Rhodes on Percussion
# - Earliest known recording
'* - Dave Solo
@ - Extended Boyd and Leroi Intro

NOTES:
'*Most of the info from this show is unkown but safely assumed. It was found in a recording
 studio in Charlottesville Va by a college student recording with her college a capella group.
 She asked the studio guy if she could have it and he said yes. The Original was in the form of
 2 discs and were labeled with the date 11.27.1991 and they said they were recorded at Trax. 
 The current disc 1 was also labeled disc two and visa versa however it is obvious that they were 
 accidently switched or mislabeled. She gave the CDs to Marcus Graham who is responsible for helping
 us get this excellent show out.

Intro
Don't Drink the Water
Dreamgirl
American Baby
Anyone Seen the Bridge
Too Much

The Stone *
Best of Whats Around *
Raven *
Crush *
Pig *
The Idea Of You [Live Debut] *
Bartender *
When The World Ends *
JTR *
Hunger For The Great Light *
What Would You Say 
Lie In Our Graves *
Too Much *
Pantala Naga Pampa *
Rapunzel *
Sister +
40[Tease] *
Ants Marching *

Show Notes:
(*) Rashawn Ross on Trumpet
+ Dave Solo

Disc 1

01 Intro 01:43.33
02 (Proudest Monkey) 00:28.46
03 Satellite * 06:03.04
04 JTR * 07:43.09
05 Pig * 07:52.35
06 Where Are You Going 04:27.43
07 Hunger For The Great Light * 04:35.28
08 Everyday * 09:01.36
09 Bartender * 21:02.13

Disc 2

01 Grey Street * 06:16.16
02 Grace Is Gone 15:10.52
03 Kill The King * 05:28.24
04 Raven * 07:08.06
05 Tripping Billies * 07:45.09
06 The Idea Of You * 05:17.34

Disc 3

01 Crash 06:54.40
02 Louisiana Bayou * 08:26.00
03 Encore Break 08:02.44
04 Sister + 05:19.55
05 Dreaming Tree * 13:50.29
06 Ants Marching * 07:35.01

Notes:
* Rashawn Ross on Trumpet
+ Dave Solo

Taper: Crumbo
Location: Lower Pavillion Left, Row E, Seats 11 & 12
Source: AKG 480/ck63 (DIN, ~13') > V3 (analog out) > SD 722
Conversion: SD 722 > CDWav 1.94.4 > Wavelab 5.01b (resample, dither w/MegaBitMax) > xACT 0.5.7 (Level 6) > foobar2000 

Taper: Timothy Brown (timothydavidbrown@gmail.com)
Location: 5th Row, Right Stack
Source: SP-C4's (Cardioids, X/Y,  ~13')->PS2-AD20->JB3(Optical In)
Transfer: JB3->Firewire->Sony VAIO
Processing: Fade in and fade out applied using SoundForge 8.0
Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5

Disc 1 
01. Intro
02. One Sweet World *
03. Pig *
04. Grey Street *
05. Where Are You Going
06. Joy Ride *
07. Big Eyed Fish * ->
08. Bartender *

Disc 2
01. So Much To Say * ->
02. Anyone Seen The Bridge? * ->
03. Too Much *
04. Dancing Nancies * ->
05. Drive In Drive Out *
06. Hunger For The Great Light *
07. Break Free *

Disc 3
01. Louisiana Bayou *
02. Stay *
Encore 
03. Sister +
04. American Baby Intro * ->
05. Two Step *

Notes:
(*) with Rashawn Ross on Trumpet
+ Dave solo

Thanks to Drew M. for the tickets.
Thanks to Chris H. for driving and for the use of his stand.

Compiled on 6/22/06 on 95 North

Taper: Timothy Brown (timothydavidbrown@gmail.com)
Location: 5th Row, Just inside the Right Stack
Source: SP-C4's (Cardioids,-10db pad,A/B,~13')->PS2-AD20->JB3(Optical In)
Transfer: JB3->Firewire->Sony Vaio
Processing: Normalized to -1.0db (SF8.0), fade in and fade out applied (SF8.0)
Conversion: CDWav 1.93.3 for track splitting; FLAC frontend 1.7.1 for Flac16 Conversion @ level 5

Disc 1
01. Intro
02. Intro to...
03. Don't Drink the Water *
04. When The World Ends *
05. Pig *
06. Proudest Monkey *
07. Satellite *
08. Crash Into Me

Disc 2
01. Lie In Our Graves *
02. Hunger For The Great Light *
03. So Right *
04. Jimi Thing *
05. Grey Street *
06. Break Free *
07. So Much To Say * ->
08. Anyone Seen The Bridge? * ->
09. Too Much *

Disc 3
01. The Idea Of You *
02. Louisiana Bayou *
Encore:
03. Sister [Dave Solo]
04. Dreaming Tree * ->
05. Ants Marching *

Notes:
(*) with Rashawn Ross on Trumpet

Thanks to Allan Lee for the tickets.
Thanks to Erin for driving.
Thanks to Chris Howell for use of the stand.
Thanks to Jeff Mewbourn for use of the C4's.

Compiled on 6/28/06

Source: AKG 393s (DINa @ 10') > Segue Dogstars > Oade digi-modded UA-5 > optical > JB3 (> Segue Dogstars > SVU-2)
Location: Section 206 Row P Seat 27
Transfer: JB3 > 2.0 USB > Audacity > CD Wave > Flac Frontend > Flac (level 5)
Taped, Transfered, and Uploaded by: Kush

Disc 1				Length
01. Naga Pampa* ~> Rapunzel*	09:06
02. Granny			06:00
03. American Baby*		06:00
04. Where Are You Going		04:52
05. The Idea of You*		06:09
06. Grey Street*			05:08
07. Lover Lay Down* ~>		07:22
08. Lie In Our Graves*		15:29
			Total:	60:12

Disc 2
01. When the World Ends*		04:09
02. Hunger for the Great Light*	04:35
03. Grace Is Gone			15:37
04. Last Stop*			11:27
05. Digging A Ditch*		06:43
06. Everyday* ~>			09:00
07. Ants Marching*			07:41
08. Encore Break			05:38
09. Can't Stop			04:52
10. Louisiana Bayou*		07:58
			Total:	77:47

(* - w/ Rashawn Ross on Trumpet

Even though it consists of two CDs and a DVD, the latest live album by Dave Matthews is actually a teaser in a sense. Not that that's a bad thing. The Gorge, recorded over three nights in 2002, is easily Matthews' finest officially released live outing, even if you can get the entire run in a six-disc set for a very reasonable price through the band's website. This baby just whets the appetite. But does it ever. Matthews and company lay out 14 tracks, many of them less obvious choices than on previous outings. The music here comes from Before These Crowded Streets (a beautiful opening medley of "Pantala Naga Pampa" and "Rapunzel"; "Ants Marching" doesn't appear on the CDs at all, just the DVD footage!), "The Song Jane Likes" from Remember Two Things, and tracks from Busted Stuff, Crash, Everyday, and even Some Devil. The jams are tighter and rowdier; there's less hippie stuff and more honest to goodness musicianship and groove. And the version of "Gravedigger" here is as moving as it is on the studio outing. The singalong at the beginning of "Everyday," featured in a medley with "No. 36," is quite beautiful, not annoying like some similar moments on live records are. The more song-oriented first disc juxtaposes nicely with the more jam-oriented second, which features a smoking version of "Kit Kat Jam" and "Lie in Our Graves." The DVD showcases not only concert footage, but the "Grace Is Gone" music video and a documentary on the making of it, as well as an intimate look at the Gorge itself, a piece of environmental architecture that is an astonishing music venue and makes Red Rocks look paltry in comparison. Fans will have to have it, to be sure, but this might serve to turn others on to that particular brand of Matthews magic as well.

Doinker's notes:

David Bromberg and John Sebastian Soundstage in Chicago ca 1975, reel-to-reel audio from live TV broadcast 24 Bit Mastering at 48Khz *the best performance of Nobody's*

With some of the nice John Sebastian recordings now floating around, I thought I would include this one with David Bromberg. Tracks 1-7 are Bromberg with Sebastian, the rest are Sebastian with Bromberg.

Setlist

Introduction
Horrible John
Don't Put That Thing On Me
She Beg And She Mourn
Nobody's
I'm A Hog For Ya Baby
Stealin'
Guitar and Harmonica Duet
Friends Again
Instrumental With Harmonica
Did You Ever Have To Make Up Your Mind
You Didn't Have To Be So Nice
Do You Believe In Magic
Summer In The City (very end cut)

Lineage: First Generation Sony Trinitron TV -> Reel to Reel through stereo headphone jack ->Akai GX-400D SS ->Sound Forge 6.0 lite noise reduction and hum removal ->Flac Frontend level 6.

Enjoy!

A DoinkerTape

Intro/Fiddle Medley
Introductions
Sharon
Roll On John
Fiddle Jam
Jugband Blues
Instrumental
Long Afternoons
Mr. Bojangles

Six Days on the Road
Louise
Wheelhoss
Tennessee Waltz
Mississippi Blues
Pink Snake Blues
Statesboro Blues
Introductions
A Little Tenderness
Mr. Blue
Diamond Lil
When First Unto this Country

Intro/Da Doo Ron Ron
Stealin' 
Key to the Highway
Viper
Motorin'
I Like It Like That
One Good Man
Fiddle Medley
I'll Keep Movin' On
Rock and Roll Millionaire
As the Years Go Passing Passing By
Send Me to the 'Lectric Chair
Danger Man
Yankee's Revenge Medley
Helpless Blues
Hit the Road Jack

Dennis McNamara announces that this is the last WLIR live broadcast of David Bromberg.  In fact, Bromberg was broadcast a few days later, August 23, 1980, at the Belmont Party In the Park (to be released separately).  

David Bromberg - Guitar
Jeff Wisor - Fiddle
Andy Stein - Fiddle
Rachel Gladstone - Vocals
Paula Lockhart - Vocals
John Firmin - Saxaphone
Peter Ecklund - Trumpet, Coronet
Curt Linberg - Trombone
Lance Dickerson - Drums
Danny Count - Bass

Party in the Park II

1. [07.32] Dennis McNamera Intro
2. [02.32] Cocaine Blues (Luke Jordan)
3. [06.30] Statesboro Blues/Churchbell Blues
4. [07.57] Travelin' Man

Sound: A
Show: A

Get Up and Go
Fiddle Tune
Demon in Disguise
Framed
First I Look at the Purse
Dying Crapshooter's Blues
Hey Hey Mama
Long Tall Mama
I'm a Fool for You
Sharon
Will Not Be Your Fool
It's Over
Statesboro Blues

CASSETTE SB MASTER > REEL > M-AUDIO TRANSIT >
COOL EDIT > CD WAVE EDITOR > FLAC

schoeps mk4's(ortf)>kcy>schoeps vms02>v3>dat
sony r300>spdif>terratec ews88mt>samplitude>cdwav>cdr/flac
normalized to 95% in samplitude 5.20

Disc 1:
01  Introduction
02  Don't Let Your Deal Go Down > Fiddle Tune Medley
03  I'll Take You Back
04  Sloppy Drunk
05  Make Me Down A Pallet On Your Floor
06  Fiddle Tune Medley

Disc 2:
01  If You Don't Want Me Baby  
02  Driving Wheel  
03  Statesboro Blues
04  Summer Wages  
05  New Song? > New Lee Highway Blues
 (E)
06  Helpless Blues 
07  I'll Rise Again

Guests:

Nancy Josephson, Gillian Welch, Emmylou Harris - Vocals
Jerry Douglas - Dobro
Sam Bush - Mandolin, Fiddle
Tim O'Brien - Mandolin

===RECORDING/MASTERING: NASHPHIL===
(2) Schoeps CCM5 > Lunatec V3 > Digigram VX-Pocket > Sony Vaio > 24bit/48k WAV

-mics run ORTF/FOB center on 7'stand and 25' in front of SBD area 
-source files resampled, dithered, edited and converted to 16bit/44.1k FLAC

WXRT broadcast

FM > low gen tape > wavelab > flac

Setlist:
01 Once in a lifetime
02 Making flippy floppy
03 The gates of paradise
04 Take me to the river
05 Fuzzy freaky
06 The listening wind
07 Dance on vaseline
08 A soft seduction
09 Miss America
10 Back in the box
11 Road to nowhere
12 Psycho killer
13 I zimbra

Title : Dreamer On An Island (from master DAT)[recorder 5]

Recorded by Dreamer
Extracted and mastered by Fresh
Artwork by Sir "Dali" Flying Pig

Lineage : Source : SONY DAT TCD-D100 > SOUNDMAN OKM-IIr

	 Capture : TASCAM DAT (DA30 MKII) > TC ELECTRONIC FINALYZER PLUS 
		     [Resampled via Motorola converter//EQ//Tube Simul//Multiband Compressor//Normalize]
	  	   > Protools 7 > WavLab [ EQ Waves //L2] > Wav > Audition 2 EQ for bass > TLH Flac 8 (ASoB) 
		   > Flac



Disc 1 :

	101 - Castellorizon.flac ( 3"44 )
	102 - On an Island.flac ( 7"55 )
	103 - The Blue .flac ( 5"55 )
	104 - The Great Gig In The Sky.flac ( 5"18 )
	105 - Happy Birthday.flac ( 0"46 )
	106 - Red Sky At Night.flac ( 3"29 )
	107 - This Heaven.flac ( 4"31 )
	108 - Then I Close My Eyes.flac ( 7"32 )
	109 - Smile.flac ( 5"00 )
	110 - Take A Breath.flac ( 6"40 )
	111 - A Pocketful Of Stones.flac ( 6"36 )
	112 - Where We Start.flac ( 7"43 )
		Total duration : 1'05"09

Disc 2 : 

	201 - Shine on You Crazy Diamond (interrupted).flac ( 8"48 )
	202 - Shine on You Crazy Diamond.flac ( 8"24 )
	203 - Band Introduction.flac ( 2"11 )
	204 - Wot's... Uh The Deal.flac ( 5"36 )
	205 - Wearing The Inside Out.flac ( 7"48 )
	206 - Fat Old Sun.flac ( 6"06 )
	207 - Breathe.flac ( 2"59 )
	208 - Time.flac ( 5"22 )
	209 - Breathe Reprise.flac (1"24 )
	210 - High Hopes.flac ( 9"10 )
		Total duration : 0'57"48

Disc 3 :

	301 - Echoes.flac ( 23"16 )
	302 - Wish You Were Here.flac ( 5"42 )
	303 - Comfortably Numb.flac ( 8"31 )
		Total duration : 37"29


Comments : 

	First of all many many thanks to Dreamer himself. This recorder made a preview release of his
recording two days after the show in lossy format. After having grabbed his lossy set, I decided to look for 
this taper on the internet because his original TXT mentioned the recording source was a DAT recorder. After 
a few hours of searching, I finally found him on a forum he used to go. This guy just did this recording for 
his own pleasure, as he's basically not a Pink Floyd geek like us. However, after a nice first contact chat 
on a messenger, he accepted to share the wav files. The extraction included a few problems because the DAT 
extraction was made a bit in a hurry, with the DAT plugged directly in an integrated soundboard. The 
recurrent problem was a big out of phase problem which created a sort of overhelming echoes around DG's 
vocals, keyboards and deep bass sounds. He sent me first his own extraction in wav form but the problem was 
the same as for the MP3, always that big out of phase problem.

	Explaining him the problem, Dreamer finally sent me directly the DAT itself, so I could proceed to 
another extraction with some dedicated hardware. This step of the making of was a rich experience for me, as 
I learn a lot too for my own. I would like to thanks a lot my friend Franck for everything he explained to 
me during that process too. As soon as that new transfer was done, I immediatly understood that Dreamer's 
first capture was bad, as the out of phase problem nearly completly disappeared. No more of that sort of 
numerical echo surrounding the recording, I was amazed and happy.

	I was present at this show, and I know there was a really annoying problem with the Olympia sound 
mastering: the bass was omnipresent during all the shows, and so was the main goal of a slight mastering. As 
you may have noticed in the lineage, the extraction hardware and filtering was outstanding and the rendering 
in the studio was nearly perfect. But as we are few to have such an audio hardware to correctly play this 
recording, the bass level remains too high for an enjoyable listening experience. Using Audition 2, I just 
Eq it a little more to drop down the bass level and cut the tracks. Mastering could have been deeper, since 
there are still light clicks remaining here and there, and near distorting sounds on the outstanding Echoes, 
but one of my first aims was to leave Dreamer's boot as raw as possible. Dreamer himself did not want me to 
make some changes in the spirit of his job, and was reluctant just for the bass drop. Being not that 
familiar with audio editing tools, I'd like to thanks all guys down the hubs and other places who give me a 
hand to understand basics of those tools.

	I totally have respected all the numerical chain with this mastering, and no lossy form was used 
during the process. I really hope all of you will enjoy it as much as I enjoy the fact to give something to 
this fabulous Pink Floyd community which made and still makes me discover such PF materials day after day. 
Thank you all for supporting me during that period (cheers to all "beta-listeners" for their advices).

	Fresh

	  	1 	  	Until We Sleep 	Gilmour 	 
  	  	2 	  	All Lovers Are Deranged 	Gilmour, Townshend 	 
  	  	3 	  	There's No Way Out of Here 	Baker 	 
  	  	4 	  	Short and Sweet 	Gilmour, Harper 	 
  	  	5 	  	Run Like Hell 	Gilmour, Waters 	 
  	  	6 	  	Out of the Blue 	Gilmour 	 
  	  	7 	  	Blue Light 	Gilmour 	 
  	  	8 	  	Murder 	Gilmour 	 
  	  	9 	  	Comfortably Numb 	Gilmour, Waters 	 

http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:hifuxqqkld0e

1.1 Until We Sleep 7:03
1.2 All Lovers Are Deranged 6:28
1.3 Love On The Air 6:11
1.4 Mihalis 10:19
1.5 Cruise 8:34
1.6 Short And Sweet 8:00
1.7 Money 12:07

2.1 Out Of The Blue 4:05
2.2 Let's Get Metaphysical 6:32
2.3 You Know I'm Right 8:27
2.4 Run Like Hell 7:24
2.5 Blue Light 9:32
2.6 Band Introductions 2:27
2.7 Murder 9:49
2.8 Comfortably Numb 10:20

David Gilmour - Lead Guitars and Vocals
Mick Ralphs - Guitars and Backing Vocals
Mickey Feat - Bass Guitars and Backing Vocals
Gregg Dechart - Keyboards and Backing Vocals
Raff Ravenscroft - Saxophones
Jodi Linscott - Percussion
Chris Slade - Drums

PRRP029

David Gilmour began the About Face tour with a brief appearance on British Television on March 30th, 1984, playing just two songs from his new 
album. This was followed the next day by the first full concert in Dublin, Ireland, at the National Stadium. Gilmour’s set consisted of a collection of the best songs from his two solo albums and, inevitably, a few Pink Floyd songs as well. The European leg of the tour consisted of 23 performances including 4 nights at the Hammersmith Odeon in London during which a concert video was recorded featuring a surprise guest appearance by Pink Floyd drummer Nick Mason. The group then went to North America where 48 more shows were played. Beginning in Quebec on May 9th, this part of the tour took the troop across the United States to California, back East to Florida and ended with a final performance on July 16th in New York City.

The show we bring you here was recorded in San Diego on June 20th, 1984, their first day in California. With an open air venue the sound will be a 
bit different than most audience recordings presented by PRRP. However, we feel that this performance shows David Gilmour and his solo band to be polished, versatile and a musical force in its own right; no small feat given the reputation of a band like Pink Floyd. The taper of this show remembers it well and provided us with the following details of that performance, “As for the mix, the way I taped that show was with a stereo Sony that had built in microphones. I used to hang it around my neck and let it hang around my chest area to get good lines with the speaker. If security would arrive, I would slightly lean one way or the other to keep the recorder out of view. You can hear the sound shift when I did that, but it is only brief and occasional. Since I was in the second row, I most likely got a bad mix anyway, monitors mostly, the PA system was too far on the sides to get the full blast of the mix. I remember that I had a great time. The show was phenomenal. Jody Linscott was just starting to show her pregnancy and Mick Ralphs just tore up his solos. My buddy went up and placed a one dollar bill on the stage right in front of David Gilmour as he was wailing away on (the song) Money, he broke his concentration briefly, looking up at our group and smiling with the head nod, it was a hi-five all around. To stand in front of Gilmour, 3 feet away, and watch this guy for two hours was a dream come true”.

There were those who were concerned that the departure of Roger Waters from Pink Floyd would leave that band without a stable musical driving
 force. With this year of solo work, David Gilmour answered those concerns and showed that even without Waters, Pink Floyd was still well endowed with musical talent and that they could carry on despite the loss of one of their most noted members. 

Notes from the Re-master

This show comes to us as a master cassette tape. It was digitized using 32-bit format and 24-bit resolution. Analysis revealed music signal up to 
11,000Hz. The complete show is here so no patches were necessary but the tape flips and change from tape 1 to tape 2 needed to be mixed. The taper provided us with the details regarding his location in the audience as noted above. Hiss was a moderate problem that was reduced using selective techniques. Crackle was also present throughout the show and needed separate techniques to be reduced. Given the frequency response of the recorder, the midrange was too harsh so filters were applied to reduce this excess. An imbalance between the two channels was present and a 12% correction was necessary. The mix does change through the show. During the first few songs the sound, and in particular the vocals are a bit distant even though we know the taper was in the second row. This improves by the time Cruise is played. Applause was attenuated where necessary and other noises such as feedback, clicks and pops were removed. The show was then tracked, converted to 16-bit and placed in audio format. 

-PRRP Staff

HRV CDR 025

David Gilmour  	a01  	Until We Sleep  	0  	 	 	 	Lyrics
	David Gilmour 	a02 	All Lovers Are Deranged 	0 				Lyrics
	David Gilmour 	a03 	Love On The Air 	0 				Lyrics
	David Gilmour 	a04 	Mihalis 	0 				Lyrics
	David Gilmour 	a05 	Cruise 	0 				Lyrics
	David Gilmour 	a06 	Short and Sweet 	0 				Lyrics
	David Gilmour 	a07 	Money 	0 				Lyrics
	David Gilmour 	a08 	Out Of The Blue 	0 				Lyrics
	David Gilmour 	a09 	You Know I'm Right 	0 				Lyrics
	David Gilmour 	a10 	Run Like Hell 	0 				Lyrics
	David Gilmour 	a11 	Blue Light 	0 				Lyrics
	David Gilmour 	a12 	Murder 	0 				Lyrics
	David Gilmour 	a13 	Near The End 	0 				Lyrics
	David Gilmour 	a14 	Comfortably Numb 	0 				Lyrics
	David Gilmour 	b01 	Deep in the Blues 	0 				Lyrics
	David Gilmour 	b02 	Ah Robertson, Its You 	0 				Lyrics
	David Gilmour 	b03 	Why Do Fools Fall In Love? 	0 				Lyrics
	David Gilmour 	b04 	Walk Like A Man 	0 				Lyrics
	David Gilmour 	b05 	Dont Ask Me 	0 				Lyrics
	David Gilmour 	b06 	Big Girls Dont Cry 	0 				Lyrics
	David Gilmour 	b07 	Beutilful Delilah 	0 				Lyrics
                  

Excellent FM stereo broadcast

1. Bob Harris intro
2. Castellorizon
3. On An Island
4. The Blue
5. Take A Breath
6. Smile
7. Shine On You Crazy Diamond
8. Wearing The Inside Out
9. Comfortably Numb
10. Bob Harris outro
11. Intro
12. Smile
13. Where We Start

David Gilmour - guitar, Phil Manzanera - guitar, Rick Wright - keyboards, Dick Parry - saxophone, Jon Carlin - keyboards, Guy Pratt - bass, Steve DiStanislao - drums

Tracks 11-13: Gilmour & Manzanerra, BBC 2, March 4, 2006

With special thanks to Dan Lynch who graciously permitted me to use his fine recording as a
patch for the first four songs that I missed when the box office kept me waiting over an hour to
locate my "missing" but paid for tickets.  I like the sound of Dan's recording as do some 1500+
of you.  I have not edited these tracks, nor played with their sound in any way.  I did this so you
will notice the difference when the recording switches at the start of track 5 from Dan's core
sound mic's to my Schoeps.  You will note some noise within the first ten seconds of Track 5 ...
that is me setting up my mic's as I arrived at my seat ... you are going to have to remember this
was a "stealth" recording, but you will not hear much hiss or crowd noise on my recording.

My second special thank you to my friend (who will remain nameless here, but he knows who he
is) who set me up with excellent seats 9 rows in front of the soundboard, directly on the center
line. You will definitely hear the stereo separation of channels on my recording.  Moreover, the
crowd was extremely mature and cooperative where I was sitting, thus there are very few unruly
disturbances in this recording.

This is a whole new world for me, thus the delay in getting this uploaded here at the Dime.  I've
invested in a whole bunch of new equipment, making the best sound I knew even better.  I've
moved up to the Sound Devices 744T hard drive recorder.  For those who don't know this is a
four track hard drive machine that records in 24 bit at 96 KHz.  What this means is that I have a
master recording that captures far more sound and quality than standard 16 bit recordings which
we are all accustomed to.  The downside is, that the quality of my new recordings exceed the
capacity of my old studio's computer, so I had to acquire a whole new computer for the studio
with which to process the recording.  This in turn led to a whole new learning process with
updated versions of software I had used for years ... (why can't they leave things somewhat
similar when you upgrade) ... anyway, after about two weeks of playing around, I have finally
figured out most of it and can now take the 24/96 recording and mix it down to a 16/44.1
recording for use in almost all consumer CD players, and most importantly, for upload here at the
Dime. 

(What I still don't know is how to make use of the 24/96 recording, other than to save it as data
on a DVD for my archive, as a backup.  My computer will not burn a 24/96 DVD, though I am
told it will make a 24/48 DVD that can play high quality sound on a consumer DVD player or a
computers DVD drive.  For those tech people still reading I need advice/suggestions on software
that will index/track & burn 24/96 or 24/48, for DVD listening, and so that I may also upload
such 24 bit tracks for those capable of using it  - please PM me with your ideas, suggestions, etc.)


Anyway here's the lineage:

CD1, Tracks 1-4:  Core Sound Cardiods > M-Audio Microtrack 24/96 > 16bit 44.1 .wav file >
Soundforge > CDWave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac 

Recorded, Extracted and Edited by danlynch 2006-04-04 & downloaded by taperadvocat from
the Dime.

CD1, Tracks 5-11 & CD2: Schoeps CCM4's > SD744T > firewire to hard drive of dedicated
music only computer > Bit Conversion and re-sampled with Sound Forge 7.0 > indexed in Sound
Forge 4.5 > CD set up with CD Architect 4.5 > CD burned with CD Architect 5.0 onto 
Mitsui Gold CD > Extracted to Internet Capable Computer with EAC > FLAC

Recorded 9 rows FOB & DFC.

Recorded, Extracted and Edited by TaperAdvocat, uploaded to the Dime on April 15, 2006.

Hope you all enjoy this recording as much as I do.  Please let me know what you think.  And
most importantly, share it freely with your loved ones and friends. 

May those who try to sell or otherwise profit from my recording be cursed with all the bad karma
that you justly deserve.  This means you Middle Valley, VGP & all you other scum sucking
bootleggers who profit from my recordings.  We will find you and we will put you out of
business.

TA


Setlist: 
CD1:
Set One: 
01 Castellorizon 
02 This Heaven 
03 Smile 
04 Red Sky at Night 
05 Take a Breath 
06 Then I Close My Eyes 
07 On An Island* 
08 The Blue* 
09 A Pocketful of Stones 
10 Where We Start 
Set Two: 
11 Shine on You Crazy Diamond* 

CD2
12 Wearing the Inside Out 
13 Dominoes 
14 Fat Old Sun 
15 Breathe 
16 Time 
17 Breathe (Reprise) 
18 High Hopes 
19 Echoes 
Encores: 
20 Wish You Were Here 
21 Find the Cost of Freedom# 
22 Comfortably Numb 

Castellorizon
This Heaven
Smile
Red Sky at Night
Take a Breath
Then I Close My Eyes
On an Island
The Blue
A Pocketful of Stones
Where We Start

Shine On You Crazy Diamond
Wearing the Inside Out
Dominoes
Fat Old Sun
Breathe
Time/Breathe reprise
High Hopes
Echoes

Wish You Were Here
Find the Cost of Freedom
Comfortably Numb

PinkRoioShn - CDR-001 (PRS-CDR-001)

Master Audience Recording
Orchestra Row G Seat 707
Recorder1

Core Sound Cardiods > M-Audio Microtrack 24/96 > 16bit
44.1 .wav file > Soundforge > CDWave (tracking) > Flac 
Frontend (level 7, align sector boundaries) > flac

This recording is dedicated to the members of the Pinkroioshn direct connect hub.  
These collectors represent the most knowledgeable and generous fans of the music 
of the Pink Floyd.  They share their precious time, energy and experience to bring 
the free share of live audio and video to collectors worldwide.  Of special note are the 
three excellent hosts that Pinkroioshn has had in its 5 years of existence: madcapjv, 
orangemaze, and Arnold_Layne.  Among the many valuable members of this Hub are 
the producers of the following fan labels:  Household Objects, Pigs On the Wing, 
Antmoon5, FurryAnimal [FA], Highest Hopes, CS Productions, Wojtek's Page Of 
Bootlegs, MB-DVD, beerlover, LS, Relics Records, FOP, The AK Revision Series, 
buffalofloyd releases, The Fireman's Tapes, and many others.

Pinkroioshn is also the home base of the founder of the primary Pink Floyd bit torrent 
tracker on the web: yeeshkul.com

Special Thanks also to the generous members of the In Floyd We Trust Hub 
(IFWT) - pinkfloydhub.no-ip.org, for their share of all the Europe shows of this tour.


Recorded, Extracted and Edited by
danlynch 2006-04-04

David Gilmour
Core Sound Cardiods > Sound Pro. Preamp > Gmini 402 > Pc

Soundforge 7 & cdwav for editing and fades etc...

Disc 1 - Set 1:

01. Castellorizon [4:00]
02. On An Island [7:57]
03. The Blue [6:02]
04. Red Sky at Night [3:37]
05. This Heaven [4:35]
06. Then I Close My Eyes [11:35]
07. Take a Breath [7:14]
08. Smile [4:35]
09. A Pocketful of Stones [6:41]
10. Where We Start [7:53]

Set 2:

01. Shine On You Crazy Diamond Pt.1-5 [12:07]

Disc 2:

02. Wearing the Inside Out [8:57]
03. Coming Back to Life [7:04]
04. Dominoes [5:27]
05. Breathe [3:17]
06. Time [5:25]
07. Breathe (Reprise) [1:29]
08. High Hopes [9:55]
09. Echoes [25:03]

Disc 3 - Encores:

01. Wish You Were Here [5:42]
02. Comfortably Numb [9:33]


I removed some of the audience noise before the encores to fit on 2 Discs.

Taped/Transferred/Seeded By:
gotfob

Source:
FOB > ROW HH Center > Neumann Ak40/lc3/Km 100's (DIN) > 
Sound Devices MP 2 w/80khz Bass Rolloff > Sony M1 @ 48k

Transfer:
Sony M1 > Vx Pocket 440 > Toshiba 3480ct > 
Wavelab 4.0 (Resampled to 44.1) > Cd Wave > FLAC

Disc 1/Set I:
1. Breathe >
2. Time >
3. Breathe Reprise
4. Castellorizon
5. On An Island 
6. The Blue
7. Red Sky At Night
8. This Heaven
9. Then I Close My Eyes
10. Smile
11. Take A Breath
12. A Pocketful Of Stones
13. Where We Start

Disc 2/Set II:
1. Shine On You Crazy Diamond pt.I-V
2. Wearing The Inside Out
3. Fat Old Sun
4. Arnold Layne  
5. Coming Back To Life
6. High Hopes
7. Echoes

Disc 3
-Encore-
1. Wish You were Here
2. Comfortably Numb

set1/cd1:

01. Speak To Me >
02. Breathe >
03. Time > Breathe Reprise
04. Castellorizon
05. On An Island
06. The Blue
07. Red Sky At Night
08. This Heaven
08. Then I Close My Eyes
10. Smile
11. Take A Breath
12. A Pocketful Of Stones
13. Where We Start

cd2:

01. Shine On You Crazy Diamond
02. Wearing the Inside Out
03. Fat Old Sun
04. Arnold Layne
05. Coming Back to Life
06. High Hopes
07. Echoes

cd3:

01. Wish You Were Here
02. Comfortably Numb

Nuemann KM140s (fob/floor) > Sound Devices MP2 > Sony SBM1 (48k) > Sony D7
DAT master > HHb CDR830 > EAC/wavlab > FLAC

SOURCE: Schoeps MK41 > actives > NBox > (Oade mod) SBM-1 > D100
TRANSFER: D100 > Teac RW-CD22 > hard drive > Sound Forge 8.0 > CD Wave > FLAC Frontend
LOCATION: Center Mezzanine, Row D
RECORDED BY: "Josephine" 

Photographs taken and kindly provided by my buddy "boots4me" (Copyright Eddie Spinelli).

DISC 1

01. Breathe
02. Time
03. Breathe (reprise)
04. Castellorizon
05. On an Island (w/ David Crosby & Graham Nash on backing vocals)
06. The Blue
07. Red Sky at Night
08. This Heaven
09. Then I Close My Eyes
10. Band Introduction
11. Smile
12. Take a Breath
13. A Pocketful of Stones
14. Where We Start


*Intermission*


DISC 2

01. Shine On You Crazy Diamond (I-V) (w/ David Crosby & Graham Nash on backing vocals)
02. Wearing the Inside Out (w/ Richard Wright on vocals)
03. Fat Old Sun
04. Arnold Layne
05. Coming Back To Life
06. High Hopes
07. Echoes


DISC 3

Encore:

01. Wish You Were Here
02. Find the Cost of Freedom (Capella version with David Crosby, Graham Nash & David)
03. Comfortably Numb

~ Dedicated to my son Jack ~

Sonic Studios DSM-6>PA6-XP>Microtrack>Sound Forge>CD Wave Editor>FLAC Level 8

CD1
1. Breathe>
2. Time>
3. Breathe (Reprise)
4. Castellorizon
5. On An Island (with David Crosby & Graham Nash)
6. The Blue (with David Crosby & Graham Nash)
7. Red Sky At Night
8. This Heaven
9. Then I Close My Eyes (with Robert Wyatt)
10. Smile
11. Take A Breath
12. A Pocketful Of Stones
13. Where We Start

CD2
1. Shine On 1-5 (with David Crosby & Graham Nash)
2. Wot's...Uh The Deal
3. Intros
4. Wearing The Inside Out
5. Coming Back To Life
6. High Hopes
7. Echoes

CD3
1. Wish You Were Here
2. Find The Cost Of Freedom (with David Crosby & Graham Nash)
3. Arnold Layne (with David Bowie)
4. Comfortably Numb (with David Bowie)

Lineage:
Sound Professionals CMC4 - battery box - SB Audigy 2 ZS - CDwave 48khz, 24 bit

Set 1:

01.	Breathe
02.	Time
03. Breathe reprise
04. Castellorizon
05. On An Island
06. The Blue
07. Red Sky at Night
08. This Heaven
09. Then I Close My Eyes
10. Smile
11. Take a Breath
12. A Pocketful of Stones
13. Where We Start

SET 2:

01. Shine On You Crazy Diamond
02. Astronomy Domine
03. Dark Globe
04. Fat Old Sun 
05. Coming Back to Life
06. High Hopes 
07. Echoes
08. Wish You Were Here 
09. Comfortably Numb

It was an excellent concert and here is an excellent recording for you.

Unfortunatelly I was busted during the first set by security. I had to take off my mics at the end of "Then I Close My Eyes", but
the recording was not stopped. I moved to an another position during the begining of Smile and positioned again my mics.

This release was first shared simultaneously on YEESHKUL tracker and PINKROIOSHN hub. 
Thanks to those communities that share the live PF sound for free!
http://pf-db.com/signup.php (pinkroioshn)
http://www.yeeshkul.com

A collection of live performances and concept videos around the time of the 1984 solo album release of David Gilmour. Quality varies a bit, but overall is excellent for material of this vintage. Running time is 75 minutes, and features the following tracks:

There’s no way out of here
So far away
No way
I can’t breathe anymore
Mihalis
Rockestra rehearsal
Dave’s ski trip
The Tube ‘84
ET Tour ‘84
Love in the air outtakes ‘84
Les Paul tribute
Lie for a lie promo clip

This region-free DVD-R is in NTSC format and will play on most PS2 systems and DVD Players made since 2000, and comes in a FULL SIZE DVD case, with cover art and track listing.

http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:39fixqqaldje

	1 	  	Shine on You Crazy Diamond, Pts. 1-5 	Gilmour, Waters, Wright 	 
  	  	2 	  	Terrapin 	Barrett 	 
  	  	3 	  	Fat Old Sun 	Gilmour 	 
  	  	4 	  	Coming Back to Life 	Gilmour 	 
  	  	5 	  	High Hopes 	Gilmour, Samson 	 
  	  	6 	  	Je Crois Entendre Encore 	Bizet 	 
  	  	7 	  	Smile 	Gilmour 	 
  	  	8 	  	Wish You Were Here 	Gilmour, Waters 	 
  	  	9 	  	Comfortably Numb 	Gilmour, Waters 	 
  	  	10 	  	Dimming of the Day 	Thompson 	 
  	  	11 	  	Shine on You Crazy Diamond, Pts. 6-8 	Gilmour, Waters, Wright 	 
  	  	12 	  	A Great Day for Freedom 	Gilmour, Wright 	 
  	  	13 	  	Hushabye Mountain 	Sherman 	 
  	  	14 	  	Dominoes 	Barrett 	 
  	  	15 	  	Breakthrough 		 
  	  	16 	  	Comfortably Numb 	Gilmour, Waters 	 

David Gilmour
Live From Abbey Road PAL DVD

Abbey Road Studio
London
England

Recorded 29th August 2006
Broadcast 6th March 2007

Setlist

Interview #1
Take A Breath
Interview #2
Smile
Interview #3
On An Island

Lineage: DVB Digital Terrestrial TV -> PC DVB-T Card -> HD -> DVD 

Hauppauge Nova-T DVB-T Card 
MyTheatre Record Stream
PVAStrumento to demux original stream
Cuttermaran 1.66 To Edit
DVD Lab Pro To Author

Video: 2.8Mbit/s (avg) 704x576 16:9 PAL MPEG-2 (original broadcast bitstream) 
Audio: 192kbps/48Khz Stereo MPEG-1, Layer II (original broadcast bitstream) 

Pro-Shot or Audience shot : Audience
Stand Alone or PC : PC
NTSC or PAL : NTSC
Aspect Ratio: 16:9
Sample Rate: 8 MBps VBR
Audio: LPCM
Menus : PC Authored
Artwork: n/a
Video Quality: 6
Audio Quality: 7

To launch his new 'David Myers Plays MORE Genesis' CD, David Myers
(keyboard player for The Musical Box) and Martin Levac (drummer for
The Musical Box until 2007 and back with his band Turn It On Again)
performed a wonderful evening of Genesis music in this intimate
setting. Please show your appreciation by supporting these artists
through their performances and products.

davidmyers.ca turnitonagain. com themusicalbox. net

A BTN (Better Than Nothing) Production. The first minute was affected
by dirty heads (?). Low light and obstruction gave auto-focus
continual grief; fortunately I was able to adjust as the show
progressed. Rev A: filter out the noise during the first minute.

DVD 1

Medley (Lamb/Cage/Battle/ Colony
/Anyway/ TMB/ Back in NYC/ Squonk/ Seven
Stones/ Grand Parade/ Hogweed/ Anyway 2/ Supper's/ Supper's 2/ Get Em
Out/
Colony 2/ Behind The Lines/ Hogweed 2/ Where The Sour/ Lamia/ time
Table/
Apocalypse/ Can Utility)
Firth Of Fifth
Blood On The Rooftops
Robbery, Assault and Battery
Burning Rope
Follow You, Follow Me
One For The Vine

DVD 2

Watcher Of The Skies
After The Ordeal
Horizons
Fountain Of Salmacis
Mad Man Moon
Trick Of The Tail
Cinema Show
Evidence Of Autumn

John Ramsey Signature Series Binaural Microphones (audioreality. com)
+ Canon Elura 100 (SP, 16:9, 16-bit audio) -> Firewire -> Nero Vision
4 capture (DV Type 1 AVI) & export (8 mbps VBR, LPCM) -> Sonic DVDit 6
(8 mbps VBR, LPCM) 

David S. Ware ts
Matthew Shipp p
William Parker b
Whit Dickey dr

1) 32:02
2) 19:01
3) 05:48
4) 13:37 Aquarian Sound
5) 31:536
6) 13:56 Autumn Leaves

Lineage/Source: Sony ECM155 – Sony DAT – Denon CDR 1000 – HD – flac - dime 

David S. Ware- (Tenor Sax), 
Matthew Shipp (piano), 
William Parker- (Bass), 
Susie Tbarra- (Drums)

01. Into 2:27,  
02. Preseulation 36:49, 
03. Autumn Leaves 23:48, 
03. The Liberaba 7:03

70:08

SDB>FM>C>D>CDR>EAC>FLAC(8)

6 TRACKS IMPROVISED IN THE STUDIO

Great sound, great playing.  I don't know if What Means Solid Traveler or Tripping Over God
are still in print, but if you like those you'll love this.

Disc 1
Intro
Smurfalicious
Trees
Red Beast

Disc 2
In The Flesh?
The Thin Ice
Another Brick On The Wall Pt. 1
The Happiest Days of Our Lives
Another Brick In The Wall Pt. 2
Mother
Goodbye Blue Sky
Empty Spaces
Young Lust
One Of my Turns
Don't Leave Me Now
Another Brick In The Wall Pt. 3
Goodbye Cruel World

Disc 3
Hey You
Is There Anybody Out There
Nobody Home
Vera
Bring the Boys Back Home
Comfortably Numb
The Show Must Go On
In The Flesh
Run Like Hell
Waiting For The Worms
Stop 
The Trial
Outside The Wall

Disc 4
I See You Baby (Shakin That Ass)
Daves Nightmare
Not So Sober
Burnin Down The House
SIIMBAD
L. A. Woman

Steadier Footing
A Movie Script Ending
For What Reason
We Laugh Indoors
Why You'd Want to Live Here
Photobooth
Amputations
Information Travels Faster
Company Calls
Coney Island
Pictures in an Exhibition
Here Comes the Rain Again
Blacking Out the Friction
Fake Frowns

We Have the Facts and We're Voting Yes
Company Calls Epilogue
405

Sound: A-
Show: A

Lollapalooza show

A Movie Script Ending
The New Year
Title and Registration
Soul Meets Body
We Laugh Indoors
Lightness
Photobooth
I Was a Kaleidoscope
Crooked Teeth
Expo '86
Company Calls
Styrofoam Plates
The Sound of Settling
encore break
Tiny Vessels
Transatlanticism

Taped by Richard Simms. There is some bleedthrough from the Widespread Panic show on the other end of the park. There is moderate crowd noise, and a crappy mix from the board.

HiThere
[[On Ratings]]

Higher Love
Policy Of Truth
Walking In My Shoes
Halo
Stripped
Condemnation
Judas
I Feel You
Never Let Me Down Again
In Your Room
Personal Jesus
Enjoy The Silence
Everything Counts

Either FM or Soundboard

Sound: A
Show: A-

Got to Get Better in a Little While
Key to the Highway
Tell the Truth
Why Does Love Got to Be So Sad?
Blues Power
Have You Ever Loved a Woman
 
Bottle of Red Wine
Presence of the Lord
Little Wing
Let It Rain
Crossroads

Eric Clapton ~ guitar, vocals
Bobby Whitlock ~ keyboards, vocals
Carl Radle ~ bass
Jim Gordon ~ drums

Lineage: bootleg CD-R > EAC > xACT(flac  compression level 8, verification, fingerprint creation) > flac

Introduction
Seventh Wave
Regulator
Truth
War
Bad Devil
Christeen
Hide Nowhere
Introduction
Velvet Kevorkian
All Hail the New Flesh
Home Nucleonics
Oh My Fucking God
SYL
In the Rainy Season
Far Beyond Metal
Detox
Fake Punk
Happy Camper

additional track - Suckerpunch w/ the Wildhearts at Akasaka Blitz, Tokyo on Oct. 22, 1988

Unknown venue & tracklist

Received in trade

Source: Soundboard > Denecke AD-20 > Marantz PMD670 > Compactflash Card

Transfer: Compactflash Card > Audacity > CD Wave Editor > Flac Frontend

Setlist

01. New 1 (no title yet)
02. Qunnl
03. The Smallest Chilean
04. Plankton and Krill
05. What is Your Landmass?
06. Song You Hate
07. Maria, Which Has Had Her Heart Completely Fucked Up
08. Colby
09. Lone Tree Point
10. New 2 (no title yet)
11. Puma
12. Antars Beauty Supply

Encore

13. Building a Playpen
14. At the Mercy of the Mustang

Sound: A
Show:

Swedish FM broadcast > Philips CDR765 > Adobe Audition > dBpowerAMP Music Converter 11.0

Personnel:
Guest:
Didier Lockwood (violin)

Mads Vinding Trio;
Olivier Antunes (piano)
Mads Vinding (bass)
Morten Lund (drums)

Tracklist:
1. unknown tune by John Abercrombie  12:16
2. Someday my prince will come  15:13
3. What is this thing called love  11:19
4. (Song dedicated to NHOP)  12:45
5. Flat blues  12:48

TT 64:23

Dino Saluzzi, bandoneon
Anders Jormin, b

setlist:

1. And He Loves His Brother Till The End
2. Alfoncina y el Mar
3. Gorrión
4. Lustrin
5. Rado de Nube

TT: 43:07

Source: Digital Satellite -> raw data to HDD -> ProjectX -> TMPGEnc DVD Author -> Video_ts;
two audio tracks:
primary: 2 channel MP2@256, secondary: AC3@384

No conversion of any kind - this is the actual very hq broadcast signal! 

Wakarusa Music & Camping Festival - Sun Down Stage
Source: DPA 4011 > V3 > D8 (FOB-DFC-DIN) Lineage: Conner CTD8000 > DAT2WAV > SoundForge > Samplitude > CDWave > FLAC16 Taped by: Steven Propp Transfered by: Eric Foelske; 

Charlie Dee 
It Ain't Whatcha Think
Remember When
We Got Robbed
Use Your Brain
Pet De Kat
Big Chief
Feet Don't Fail Me Now 
Superstition

Taped By: George Ewing (gewing@tapers.org)

Source: Sansom c02 > M-Audio Pre > Dell D800 > Sound Forge

Set I (Disc 1)

1. Banter
2. Commercical Amen
3. Jigsaw >
4. 42
5. Crystal Ball
6. Home Again

Set II (Disc 2)

1. Banter
2. Overture
3. Vassilios >
4. The Great Abyss >
5. Jigsaw
6. Spacebird
7. Reactor

(disc 3)

1. Encore Break
2. Have a Cigar * (Encore)
3. Bernstein and Chasnoff (Encore)

* Pink Floyd cover
Reviewed by Jerimiah33

Taper: John Dewey (hammerhorror)
Uploader: John Dewey (hammerhorror)

Source: Neumann SKM140's DIN  > LC3 Active Cables > KM100's  > Sound Devices 702 @ 24/48 (dithered to 16/44.1 in Adobe Audition for this upload) 

Conversion: Sandisk Ultra II 8GB Compactflash Card > Sound Devices 702 firewire out > Adobe Audition > CD Wave Editor > Flac Frontend

01. Introduction
02. 
03. I Agree..... No!..... I Disagree
04. Mmmmm Acting, I Love Me Some Good Acting
05. And And And, He Lowered The Twin Down 
06. New Song
07. June Is Finally Here
08. New Song
09. Palm Trees In The Fecking Bahamas
10. Cold Knees (In April) 

Enjoy the show...

Florida Vacation
Murdering Oscar
Whiskey And You
Rob Me Blind
The Range War
I'll Play Angel
Back In The Woods
Uncle Disney
[unknown]
Long Black Veil
Heavy And Hanging
Gastonia
The 4:05
Grandaddy
Soothe Me
Black Creek Water
Nine Bullets
Why Do Lonely Men And Women Want To Break Each Other's Hearts?
Uncle Raymond
Back Of A Bible
Cocaine Parties
Moonshiner
[unknown]
Goddamn Lonely Love
Only Daddy That'll Walk The Line
[unknown]
I'm In Love With A Girl
Strange Faith
My Sweet Annette
Both Our Towns
Tornadoes
Werewolf Moon
Heathens
TVA
Goat
Puttin' People On The Moon
White Lies, Blue Tears
Bulldozers And Dirt

Tsunami Relief Benefit
Don Chambers - banjo, guitar, vocals
Patterson Hood - guitar, vocals
Dave Marr - guitar, vocals
John Neff - pedal steel guitar, vocals
Brad "The EZB" Morgan - snare drum

with

Philip McArdle - guitar
Jason Isbell - guitar, vocals
Mike Dillon - vocals
Shonna Tucker - guitar, vocals

Source: SBD > D8
Transfer: D8 > Edirol UA1D > SF50 > CDWAV >FLAC

Taped, transferred by Jason Espie

DISC 1

01 Way Back When
02 Living in Babylon
03 Funkyside
04 Diamond in the Rough
05 Love and Gasoline
06 40 Days & 40 Nights
07 I Don't Need a Riddle
08 Positive Friction
09 Family Picture
10 Everyday
11 Rock of Ages
12 Killing a Man

DISC 2

01 Blue Sky
02 Rocking Horse
03 Broken Record
04 These Are Better Days
05 Pancho & Lefty
06 New Tara (Debut) (I'll Move On or I'll Get By?)
07 Mystic Water
08 No Place Like the Right Time
09 On Our Way On (Jeb, Tara, Kathy)
10 Part Time Lover
11 If You Only Could

Movin' On
Living In Babylon
Positive Friction
Tides Of Time
Push Comes To Shove
Rock Of Ages
Pretty Boy Floyd
Don't Leave Me Behind->
Family Picture
Big Parade
The Mill
This Goes
Blue Skies
40 Days & 40 Nights
No Place Like The Right Time
Me & Depression
Two More Bottles Of Wine
Life's A Ride
Conscious Evolution
Encore:
Like The Coming Sun
Part Time Lover

In This Life
Tides Of Time
These Are Better Days
Ancient Arms
Conscious Evolution
Blue Skies
Tonight The Bottle Let Me Down
Tee Black
Positive Friction
No Place Like The Right Time
40 Days & 40 Nights
Sailing
Senor
Pancho & Lefty
Zydeco
Family Picture
Greatest Love Of All
Voice In My Head
Rock Of Ages
Funky Side

Mother
Give Me Just A Little Time 

Sound: A-
Show: A-

01) Zip City
02) Lookout Mountain
03) Decoration Day
04) Winter Wonderland
05) Love Like This
06) Too Much Sex, Too Little Jesus
07) Outfit
08) Where The Devil Don't Stay

01) Murdering Oscar
02) When The Pin Hits The Shell
03) Do It Yourself
04) Danko/Manuel
05) George Jones Talkin' Cellphone Blues
06) Uncle Frank
07) Goddamned Lonely Love
08) The Company I Keep
09) Little Pony And The Great Big Horse
10) Never Gonna Change
11) The Day John Henry Died
12) Tales Facing Up
13) Bulldozers And Dirt

Private show for DBT family and friends (acoustic)
Taped and transferred by Chris Pennington

Where the Devil Don't Stay, Sinkhole, Decoration Day, Give Pretty Soon, Careless, Sounds Better in the Song, Daddy's Cup, Lookout Mountain, Lonely Love, Day John Henry Died, Sweet Annette, Demonic Possession
Set 2 

Marry Me, Carl Perkins Cadillac, Dead Drunk and Naked, Guitar Man Upstairs, Never Gonna Change, Boys from Alabama, Cotton Seed, Outfit, Women w/o Whiskey, Let there Be Rock
Set 3 

Encore: Wrong for all these Years, Zip City, Play it All Night Long, Plastic Flowers, Buttholeville, Sandwiches for the Road, Putting People on the Moon
Comment 

SBD + AKG c2000 > MP2 > DA-P1 (Roy Shuler) 

Disc One:
Cottonseed
Buford Stick
Never Gonna Change
The Tough Sell
Sounds Better In The Song
Sink Hole
Decoration Day
Goddamn Lonely Love
Tornados
Heathens
Marry Me
Carl Perkin's Cadillac
Sands Of Iwo Jima

Puttin' People On The Moon
Daddy's Cup
Company I Keep
The Day John Henry Died
Living Bubba
Lookout Mountain
Crowd
Encore:
Grandaddy (New Song, Patterson alone)
(full band back onstage) Play It All Night Long
The Outfit
Zip City
Let There Be Rock

source: SBD > [matrix XLR outs] > Apogee Mini-Me (16-bit/48 kHz) > Sony PCM-M1
transfer: Sony 59ES > M-Audio USB > Dell Inspiron 5100 > Wavelab 4.01 > CD wave 1.91 > flac 1.1.2

Set I:
01. tuning..intro...
02. Sink Hole
03. The Buford Stick
04. Where the Devil Don't Stay
05. Dead Drunk and Naked
06. Guitar Man Upstairs
07. Decoration Day
08. Putting People On the Moon
09. Pizza Deliverance
10. Goddamn Lonely Love
11. Outfit
set II:
12. Daddy's Cup
13. Zip City
14.Life In the Factory
15. Lookout Mountain
16. Bulldozers and Dirt
17. Tails Facing Up
18. Women Without Whiskey
19. crowd
Encores:
01. crowd
02. The Living Bubba
03. Never Gonna Change
04. Marry Me
05. Nine Bullets
06. Carl Perkins' Cadillac
07. Let there Be Rock
08. Shut Up and Get On the Plane

Source: schoeps mk2s>kc5>oade m118>mme>da-p1 
Location: front of TS/DFC split 5'
Transfer: dap1>stand alone>eac>cd wave>flac
Taped by: Ricky Skaggs
Transferred by: Craig Davis

One Set
Disc 1:
01 Intro/tuning
02 Lookout Mountain
03 Gravity's Gone
04 Never Gonna Change
05 Tales Facing Up
06 Daddy's Cup
07 Feb. 14
08 Decoration Day
09 Putting People on the Moon


Disc 2:
01 Space City
02 Bpx of Spiders
03 Easy on Yourself
04 Aftermath USA
05 Women Without Whiskey
06 Outfit
07 World of Hurt
08 Shut Up and Get on the Plane
09 Let There Be Rock

(clamped to the balcony rail) Neumann U89i (subcard, split 4ft, -80h)>
V2> Minime> ODL-312> JB3.

JB3> (firewire) Cool Edit Pro 2 (fade in/out, hard limit)> CD Wave 
(tracked)> Flac.

Recorded by Ed Guidry 

Help I'm a Rock
Hungry Freaks Daddy
Let' Make the Water Turn Black
Florentine Pogen
Pygmy Twylite
The Idiot Bastard Son
Cheepnis
King Kong Variations
Don't Eate that Yellow Snow
St. Alphonzo's Pancake Breakfast
Father O'Blivion
Inca Roads
The Black Page

Peaches en Regalia
Montana
Village of the Sun
Echinda's Arf
Zomby Woof
Sofa No. 2
Camarillo Brillo
The Orange County Lumber Truck
More Trouble Every Day
A Token of His Extreme
Cosmic Debris

possibly the best-sounding audience recording i've ever heard. beats a lot of broadcast and soundboard sources. incredible.

Disc 1 
01. Imaginary Diseases
02. Hungry Freaks Daddy 
03. Let’s Make the Water turn Black 
04. Florentine Pogen 
05. Pygmy Twylite 
06. The Idiot Bastard Son 
07. Cheepnis 
08. King Kong Variations 
09. Don’t Eat that Yellow Snow 
10. St. Alphonzo's Pancake Breakfast 
11. Father O'Blivion 
12. Inca Roads 
13. Eat That Question 

Disc 2 (62'36") 
01. The Black Page # 2
02. Peaches En Regalia 
03. Montana 
04. Village of the Sun 
05. Echinda’s Arf 
06. Zomby Woof 
07. Chunga’s Revenge 
08. Oh No 
09. Son Of Orange County 
10. More Trouble Every Day /A Token of His Extreme 
11. Sofa #2

Audience recording: Sennheiser MKE2>Sharp MT290>Soundforge>Flac

AM5OBCDR004

Source:  M[DAT] > FLAC
Length:  164  minutes   

Recording Information:  Sony ECM-719 > Sony TCD-D7
Location:  Section A, Row L, Seat 3  
Transfer:  Sony DTC-A7 > Digital Coax > M-Audio Audiophile > Firewire > CEP 2.1 > WAV

Recorded at 16/48.  Downsampled to 16/44.1 using CEP 2.1

FLAC Conversion:  WAV > TLH FLAC 8  > FLAC

Mastering and editing performed using CEP 2.1 and CDWAVE 1.95


Recorded by sydb

DAT transfer, mastering, and FLAC conversion by sydb


101  Improvisation
102  My Guitar Wants To Kill Your Mama
103  City Of Tiny Lights
104  Montana
105  Carolina Hardcore Ecstasy
106  I Am The Slime
107  Advance Romance
108  Dumb All Over
109  What's New In Baltimore?
110  Pygmy Twylyght


201  Dupree's Paradise
202  Rudy's Going To A Concert
203  Uncle Remus
204  Willie The Pimp
205  Joe's Garage
206  Wind Up Working In A Gas Station
207  San Ber'dino
208  Illinois Enema Bandit
209  Wild Love
210  Yo Mama

301  Cosmik Debris
302  G-Spot Tornado
303  Muffin Man


Having now seen this band twice in the past year, and hopefully again on Halloween, I can now say I have become a fan of Frank's music.  Dweezil and his band do a fantastic job of representing Frank's compositions.

The show it self was fantasic.  Highlights for me were 'Pygmy Twylyght' and all of the songs where the effortlessly synched up with audio and video footage of Frank playng and singing along with the band.  But to be honest this show is worth it for just 'Pygmy Twylyght.'  Dweezil absolutly does an amazing job with his solo for this, lasting nearly seven minutes.  He would have made his dad proud.

The band played on a slowly rotating stage which is referenced a few times during the show.  Thankfully there were speakers placed all around the top of the stage and my mics were pointed almost directly at them.  The recording turned out great, perhaps my best ever.  The crowd was very quiet and cooperative around me.  A few drunkards can be heard in between songs from other areas of the theatre, but they do not ruin this recording in any way.

Enjoy the show!


Special Guest Ray White on tracks 103-110, 201-208, 301-302

Frank Zappa on vocals and lead guitar on tracks 104, 108, 301, and 303


Artwork courtesy of my friend beerlover


Sound:  EX+
Overall:  9/10 

    

SOURCE: SBD MASTER>Reel Machine>Master Reel>trade>CD>EAC Secure Modus>Flac Frontend Level 6>Flac
SOUND: A (overall hiss is present…otherwise great sound, listen to mp3 sample)

Lineup:
Eberhard Weber: bass
Rainer Brüninghaus: piano, synth
Charlie Mariano: ss, as, fl
John Marshall: drums

Tracks
1. Eyes That Can See In the Dark (Weber) 20.11
2. Seriously Deep (Weber) 16.52
3. Bali (Brüninghaus) 12.37
4. Sandglass (Weber) 20.34

ENJOY!!

01. Often In The Open (aka "Workshop I") [24.17]
02. Maurizius (aka "Kotulla") [14.53]
03. Death In The Carwash (aka "Workshop II") [20.06]

Eberhard Weber: bass
Bill Frisell: guitar
Paul McCandless: reeds
Lyle Mays: piano
Michael DiPasqua: drums


Circulates as 03/26/83, but this date is correct.

Studio 10, Funkhaus des NDR, Hamburg, Germany. 
This concert and broadcast was held at the conclusion of several days of workshops, 
part of the series (no. 168) held by Norddeutscher Rundfunk. 
The concert concluded with 3 more pieces not on this recording: 
Sand, Tod In Der Waschstrasse & Yellow Fields. 

Titles are declared by Eberhard Weber as "St?cke, die noch keinen Titel haben." ("Compositions without titles")

The compositions were performed and recorded one month later again, for 'Later That Evening' on ECM (ECM 1231).

(NDR Jazz Workshop)
 
SOURCE: FM BROADCAST (NDR 4)>TRADE - unknown recording lineage>CD>EAC SECURE MODUS>FLAC FRONTEND, LEVEL 6>FLAC
 
SOUND: A+ (Excellent FM, listen to mp3 samples)

Lineup:
Eberhard Weber: bass
Paul McCandless: ob, fl, ss, eH, bcl
Bill Frisell: el-guitar
Lyle Mays: piano
Michael DiPasqua: drums
Mario Castronari: perc
 
Tracks:
1. Workshop 1: 23.10
2. Mauritius: 14.32
3. Workshop 2: 19.50 (fade out by Radio Announcer Michael Naura)

Enjoy!!

1.  0:00:00  Track 1
2.  0:12:41  Track 2
3.  0:24:25  Interview E.Weber/R.Brüninghaus (german)
4.  0:31:48  Track 3
5.  0:53:02  Track 4
6.  1:00:35  Interview H.Robertson/D.Bargeron (english w.german voice-over)
7.  1:04:25  Track 5
8.  1:10:46  Track 6

Eberhard Weber - b
Rainer Brüninghaus - keyb
Herb Robertson - tp
David Bargeron - euphonium

TV (Cable) -> VHS (1.gen.) -> DVD-Burner (HDD->DVD)
good, sometimes very good quality - no major faults

No title menu

This show was b/c live on french radio at the time. Bernard Lenoir  (now famous for his 'black sessions') 
hosted the show called 'feedback'.
I have not removed all the french comments...although it's quite annoying...i got that tape circa 1993 / 1994 
and made quite few copies to people i was trading with...
It's a good show probably featuring the first french Echo performance...??

Lineage info
Master tape (LVN taped this program) > my tape (tdk sa) > analog cables > soudforge 6.0 > wav > flac

Tracks
01 Pride
02 Over The Wall
03 Rescue
04 Zimbo
05 Heaven Up Here
06 Pictures On My Wall
07 Villiers Terrace
08 All That Jazz
09 Happy Death Men
10 Crocodiles

overall lenght = 42m

67 degrees
Brittany
Suffocating the Bloom
As the World
The Cheese Stands Alone
Sweet Thing
Never the Same
Carpe Diem
Mei

Were opening act for Transatlantic

SETLIST:
1.  Intro - Mr. Oxy Moron - Brittany
2.  Gray Flannel Suits
3.  Human Lottery
4.  The Cheese Stands Alone
5.  Swingin' The Axe
6.  Texas Dust
7.  American Vacation Tune
8.  A Little Nonsense

A SwissBird , SimplexSimplicissimus & superMAX release: 

Soundboard > DAT > 1st copy > eac > wave > flac frontend 
(align on sector boundaries Level 8) > 
torrent on www.dimeadozen.com


Size : 527 MB 
(incl. artwork)


Setlist :
...as you can see...you see not much !
We need your kind help to fullfil the back artwork.

Disc 1 :

01. Piano Intro       (1:28) *
02. ?                (13:28)
03. ?                (20:00)
04. ?                (16:40)
05. Listen Here       (8:38)


Disc 2 :

01. ?                (10:11)
02. ?                (14:39)
03. ?                 (9:24)
04. ?                 (6:01)




Eddie Palmieri - Piano, Lead
Joe Santiago - Bass
Craig Handy - Tenor Saxophone
Conrad Herwig - Trombone
Giovanni Hidalgo - Congas
Horacio "El Negro" Hernandez - Drums
Brian Lynch - Trumpet


(* on the first track (Piano Intro) are some minor noise,
  sounds like a mobilephone searching for satellite connection.

Dark Moisture
Porcupine Night Walk
Lost and Found I
Superstrings
Lost and Found II

Eivind Aarset - Guitar, electronics
Nils Petter Molvaer - Trumpet, electronics
Audun Erlien - Bass
Run Arnesen - Drums 

received in trade

1. Dark Moisture
2. Porcupine Night Walk
3. Lost and Found I
4. Superstrings
5. Lost and Found II

Eivind Aaset - Guitar, electronics
Nils Petter Molvaer - Trumpet, electronics
Audun Erlien - Bass
Run Arnesen - Drums

Szene 74 German TV Show

PAL
mono
42 Minutes
VHS/DVD Shrink/Hardrive
No Artwork
No Menu but Chapters at each song


setlist:

01   Day Breaker                       (4'10'')
02   Interview with Band               (5'15)
03   Show Down                         (4'25'')
04   Day Tripper                       (6'20'')
05   Orange Special Blossom            (3'10'')
06   Ma Ma Ma Belle                    (4'30'')
07   In The Hall Of The Mountain King/
     Great Balls Of Fire               (7'50'')
08   Roll Over Beethoven               (5'00'')

Band Members:
    * Jeff Lynne - Vocals, lead guitar
    * Bev Bevan - drums, percussion
    * Richard Tandy - keyboards, moog, mellotron
    * Mike de Albuquerque - bass guitar, backing vocals
    * Mik Kaminski - violin
    * Mike Edwards - cello
    * Hugh McDowell - cello

01 - Poker
02 - Nightrider
03 - Showdown
04 - Can't Get it Out of My Head
05 - Poorboy (The Greenwood)
06 - Illusions in G Major
07 - Strange Magic
08 - 10538 Overture
09 - Do Ya
10 - Evil Woman
11 - Ma Ma Ma Belle
12 - Roll Over Beethoven

(Audio only archived on LLD_056)

JEMS Master
Advent Dynamic Mics>Sony 153SD Cassette Deck(Dolby B)>
Advent CRO2 Cassettes>Nakamichi Playback deck>
Nakamichi outboard Dolby B Unit>Wavelab>Flac

Disc One:
 1 Fire On High
 2 Poker 
 3 Nightrider
 4 Ocean Breakup/King Of The Universe 
 5 Bluebird Is Not Dead  
 6 New World Rising/Ocean Breakup Reprise  
 7 Hugh McDowell's Cello Solo W/Flight Of The Bumble Bee
 8 Showdown 
 9 Eldorado Overture
10 Can't Get It Out Of My Head
11 Poor Boy (The Greenwood)
12 Illusions In G Minor 
13 Eldorado  
14 Mik Kaminski's Violin Solo/Orange Blossom Special

Disc Two:
 1 Bev Bevan's Intro
 2 Strange Magic 
 3 10538 Overture
 4 Do Ya
 5 Evil Woman  
 6 Ma-Ma-Ma Belle
Encores:
 7 Let's Spend The Night Together/The End
 8 Roll Over Beethoven

JEMS blows the dust off more cassettes in the basement and we come up 
with a great ELO Show from Cobo Arena in Detroit.   This may have 
been ELO's first arena show judging from their onstage comments.   
Certainly it was their biggest show in Detoit up to that point.   
This features a rarely played cover of The Rolling Stones "Let's 
Spend the Night Together" and "The End" from The Beatles.    

Fire On High
Night In The City
Turn To Stone
Eldorado Overture
Can't Get It Out Of My Head
Cello Solo
Tightrope
Telephone Line
Rockaria
Strange Magic
Showdown
Sweet Talkin' Woman
Evil Woman
Livin' Thing
Do Ya
Ma Ma Ma Belle
Roll Over Beethoven

Source: Unknown audience cassette > DAT@44.1kHz> CD Wave>Samplitude>CD>FLAC

Sound: A-/B+
Show: A- (Dude, YOU try recreating that sound live on stage!)

1. Granada TV Studio 1972 - "Set At Six" - (cool to see Roy Wood on this one)
a. Queen Of The Hours
b. Jeff's Boogie No. 2
c. Whisper in the Night
d. Great Balls of Fire

2. Live on US TV 1973 (This Clip Has Been Shown On UK VH-1)
a. Roll Over Beethoven

3. Midnight Special 1973
a. Roll Over Beethoven

4. Top Of The Pops 1973 (As Shown On Top Of the Pops 2)
a. Showdown

5. Midnight Special 1973
a. Showdown

6. Midnight Special 1975
a. Strange Magic
b. Evil Woman

7. Midnight Special 1976
a. Rockaria!
b. Livin' Thing
c. Do Ya
d. Telephone Line

8. Various Promo Videos:
a. Wild West Hero. (Animated Version) 1977
b. It's Over. 1977
c. American Commercial For - The Big Night Concert
d. Twilight. 1981
e. Shine A Little Love. (Studio Version) 1979
f. Shine A Little Love. (Stage Set With Shades Version)1979
g. Here Is The News. 1981
h. Last Train To London. 1979

   1. Poker
   2. Nightrider
   3. Showdown
   4. Can't Get It Out Of My Head
   5. Poorboy (The Greenwood)
   6. Illusions in G Major
   7. Strange Magic
   8. 10538 Overture
   9. Evil Woman
  10. Ma-Ma-Ma-Belle
  11. Roll Over Beethoven

transferred from VHS

1) Introduction
2) Standin’ In The Rain
3) Night In The City
4) Turn To Stone
5) Tightrope
6) Telephone Line
7) Rockaria!
8) Wild West Hero
9) Showdown
10) Sweet Talkin’ Woman
11) Mr. Blue Sky
12) Do Ya
13) Livin’ Thing
14) Roll Over Beethoven

not for trade - commercial release (2006 remaster)

Elvin Jones - drums
Sonny Fortune - alto/tenor/sop sax
Pat Labarbera - tenor sax
James Williams - piano
Chip Jackson - acoustic bass

setlist:
1. announcer (0:29)
2. Is There a Jackson in the House? (14:00)
3. Doll of the Bride (22:59)
4. George 'n Me (11:32)
5. Elvin Jone's Blues# (5:20)

Total Time: 54:22 

CBC-CBOF fm "Jazz Sur le Vif" airdate 03/02/91

Lineage/source: 
FM> TDK-HS 120> JVC-D830-U Stereo Hifi VCR> RealtekAC'97 soundcard> Polderbits sound recorder> Polderbits sound editor> wav> flac(7)(asb) 

360 MB flac 

Armed Funk Tour - Soundboard

1. Goon Squad (fades in)
2. Opportunity
3. Oliver's Army
4. Busy Bodies
5. Two Little Hitlers
6. (I Don't Want To Go To) Chelsea
7. Green Shirt
8. Moods For Moderns
9. No Dancing
10. Sad About Girls
11. Big Tears
12. Motel Matches
13. Accidents Will Happen
14. Big Boys
15. Party Girl
16. Lipstick Vogue
17. Watching The Detectives
18. Pump It Up
19. (What's So Funny 'Bout) Peace, Love & Understanding
20. Radio, Radio 

Txt file:

Source:  Soundboard > Unknown > cdr trade > EAC > Sound Forge 6.0 > CD Wave > 1flac/1cd-da

Editing Comments:  Normalized volume after tape flip at beginning of T16.  Smoothed transitions
between T18/T19 and T19/T20.

Sound Quality:  Very good to excellent stereo soundboard although there is some tape hiss,
which is most noticeable during the (relatively few) quiet moments.  Overall, I'd give this 
show an "A-/A" for sound quality.

Performance:  Terrific.  20 songs in 65 minutes.  10 songs from "Armed Forces."  Several rarely 
played songs including "Busy Bodies," "Moods for Moderns," and "Sad About Girls."    

ALS, August 2005

 The Mystery Dance
The Angels Wear Red Shoes
The Beat
Radio, Radio
Less Than Zero
Waiting For The End Of The World >
No Action
Chelsea
Pump It Up
You Belong To Me
Lipstick Vogue >
Watching The Detectives
I'm Not Angry *
Miracle Man

This show was performed in a lecture hall or small theater at the C.W. Post Campus, because "The Dome" had recently
collapsed in a snowstorm. It was not held in the Tilles Center (which probably didn't exist then).

According to Peter Hedeman, who recorded the show for WLIR, the band arrived late due to snow, and ran into the building, following the microphone snake. They followed it the wrong way and burst into the area where the WLIR truck was located. "It was pretty funny, the shocked look on their faces." At the end of track 4, EC apologizes for being late, and explains that the door fell off their bus, so they arrived by car and had no time to do a soundcheck.

The encore is dedicated to the band's driver, the "Miracle Man."

This version was taped off the radio, and is not a pre-FM

Goon Squad
Opportunity
Oliver's Army
Busy Bodies
Two Little Hitlers
I Don't Want to Go to Chelsea
Green Shirt
Moods for Moderns
No Dancing
Sad About Girls
Big Tears
Motel Matches
Accidents Will Happen
Big Boys
Party Girl
Lipstick Vogue
Watching the Detectives
Pump It Up
(What's So Funny 'Bout) Peace, Love & Understanding
Radio Radio

(Spinning Songbook Night)

source : aiwa cm-30 > sony wm-d3 
transfer from master cassettes
taper  : little guy
transfer : markp

Disc One:
Watching The Detectives (I)
Ferry Cross the Mersey > Tiny Steps > Ferry Cross the Mersey
Less Than Zero
You Belong To Me
Everyday I Write The Book
Honey Are You Straight Or Are You Blind
Hi Fidelity
Blue Chair
The Only Flame In Town
Radio Sweetheart
King Midas In Reverse
American Without Tears

Disc Two:
Pretty In Pink
Red Is The Color
Miracle Man
Strict Time
Watching The Detectives (II)
Clubland
Radio Radio
Help Me
Uncomplicated
(What's So Funny 'Bout) Peace Love & Understanding
Pump It Up

In 2002/2003 Elvis Costello was given the title "Artist in Residence" at UCLA.  For whatever reason, he apparently ended up not doing a whole lot,  but repaid the honor with two stand alone shows at Royce Hall on March 28 and 29, 2003 with the Imposters.  Two great, interesting, and very unique shows.  Both opened with Everybody's Cryin' Mercy - an apparent comment George Bush's nine day old Iraq War - and continued on an eclectic and subdued path.  Lots of obscure tunes.  Few hits.

Excellent sound.  Excellent mix with clear vocals.  A (mostly) respectful crowd.  Taped from the 10th row center.  In 2003, I made a few discs and sent them to only handful of people, but the show could have made it around a bit.  This is a complete remastering from the original DAT, and in my opinion a major improvement.  So it you have the old one, get this one and throw your old one away.  I'll post the March 29th show in a few days.

Sonics>Sony D7 DAT>ProTools (for level adjustment, compression, eq, and song separation)>flac

Taped and mastered by JB.  Please don't sell or convert to lossy format.


CD 1 (69:37)

01. Everybody's Crying Mercy
02. My Dark Life
03. In The Darkest Place
04. Clubland
05. So Like Candy
06. Spooky Girlfriend
07. Dust
08. I Wanna Be Loved
09. Love Field
10. High Fidelity
11. Man Out Of Time
12. Still Too Soon To Know - EC does the off-mic thing
13. Indoor Fireworks
14. All This Useless Beauty

CD 2 (63:42)

15. The Long Honeymoon
16. Toledo
17. Tart
18. Deep Dark Truthful Mirror / You Really Got A Hold On Me
19. Favourite Hour - EC on piano
20. That Day Is Done - EC on piano

Encore 1
21. Watching The Detectives
22. Almost Blue
23. God Give Me Strength

Encore 2
24. Shipbuilding
25. (What's So Funny 'Bout) Peace, Love And Understanding?
26. I Want To Vanish

LINEAGE:
Core Sound Stealth Cardoids > Sony PCM-M1 DAT > Philips CDR 870 >
EAC > WAV > Nero Wave Editor (fades) > CD Wave (track splitting) > FLAC

TRANSFERRED BY: jfb
FILESIZE: 636 MB
SETLIST:

Disc 1
01. 45
02. Green Shirt
03. Brilliant Mistake
04. Shot With His Own Gun
05. This House Is Empty Now
06. You Left Me In The Dark
07. Someone Took The Words Away
08. Home Truth
09. Little Triggers
10. No Wonder
11. Unwanted Number
12. You Turned To Me
13. Fallen
14. God's Comic
15. Sleep Of The Just
16. Girls Talk
17. (What's So Funny 'Bout) Peace, Love And Understanding?

Disc 2
Encore 1
01. Either Side Of The Same Town
02. When It Sings
03. Still
04. Can You Be True?
05. Inch By Inch / Fever
06. Watching The Detectives
Encore 2
07. The Delivery Man
08. Country Darkness
09. Needle Time
Encore 3
10. Almost Blue
11. Let Me Tell You About Her - EC on piano
12. The Scarlet Tide - EC on ukelele
13. You'll Never Walk Alone
14. Pump It Up
15. The Dark End Of The Street


NOTES:
A very nice audience recording of a great show.

CD1  (78:56)

1)    Temptation 
2)    Clown Strike 
3)    Every Day I Write the Book 
4)    Monkey to Man 
5)    Country Darkness 
6)    Needle Time 
enter Larry Campbell 
7)    Waiting for the End of the World 
8)    There's A Story in Your Voice 
enter Emmylou Harris 
9)    I Still Miss Someone         
10)  Sleepless Nights              
11)  One of These Days        
12)  Indoor Fireworks         
13)  My Baby's Gone                
14) Tonight the Bottle Let Me Down 
15)  Nothing Clings Like Ivy 
16)  Red Dirt Girl 
17)  Heart Shaped Bruise
18)  Luxury Liner 

CD 2  (69:21)

exit Larry and Emmy 
1)  The Delivery Man/The Butcher's Boy  
2)  Chelsea              
3)  Clubland w/I Feel Pretty       
enter Larry Campbell                                              
4)  Alison/Suspicious Minds        
5)  Mystery Dance             
6)  Why Don't You Love Me 
7)  Pump it Up w/Ain't That a Lot of Love
Encore 1 
w/Emmylou and Larry 
8)  Wheels 
9)  Wild Horses 
10) Pancho & Lefty 
11) Gathering Flowers for Her Masters Bouquet 
12) Love Hurts 
13) When I Paint My Masterpiece
14) (What's So Funny About) Peace Love & Understanding?
Encore 2
15) The Scarlet Tide 

Sound: B
Show: A

Doc's notes:
Hey friends, here´s something unusual, an amazing recording from ELP, off a superrare Double Vinyl Boot
from the early German "Palms" label!
I´m not too familiar with the ELP scene, but side one of this Vinyl set, is just plain beautiful !
Be sure that the whole show is a great performance!
The overall sound quality of this recording is  one of the best vinyl boot recordings from that period!

The strange thing with this Show is, that the "Palms" release is definitely the first issue, 
in great stereo sound, but all crowd noise between songs cut out,
but a few years later another Boot company released  a second Bootleg vinyl set consisting of 3  single LP´s, in MONO only, and overall worse sound and very likely  from different tape, but complete.......
Unfortunately I have only Vol. 1 & 2 of this Mono Set, but in really bad shape, but I will see what I can do after the record fair season started here in September!

In any case, the "Palms" release which I´m posting here, is so much better in Quality than the second release, that anybody will be glad to have it anyway!

The Gnome
Promenade > The Sage
The Old Castle > Blues Variation (fades out)
Blues Variation (conclusion)> Promenade > The Hut of Baba Yaga > The Curse of Baba Yaga (fades out)
Tarkus (fades out)
Rondo > Drums > Rondo (fades out)

Time ca. 65 mins

Lineage:
Vinyl-Thorens TD 126 MK3-Goldring 1042 pickup-
Dynavektor 505 Tonearm-Restek Vektor Preamp
-Pioneer PDR05 CD Recorder-Eac-CoolEdit Pro-Flac

T's notes:
This CD-r release is from a cassette tape that I got in trade many years ago.  It is an audience recording.  There is a radio interivew with the band at the end

Mics and Recorder unknown >
Cassette generation unknown >
Playback Deck: Tascam 130 >
Nikko 32 Band EQ >
Akai DR16 Digital Hard Disk Recorder >
HHB CDR-800 Compact Disc Recorder >
CDR  > WAV >CD Wave Editor > FLAC

 
I removed a gap which was a result of tape flip and made a slight speed correction.  I also removed a few other bad edits, gaps and a short repeated segment.  Some of the songs are incomplete.


  1.  Hoedown
  2.  Tarkus (including Epitaph and In The Hall Of The Mountain King)
  3.  Take A Pebble  (part 1)
  4.  Lucky Man
  5.  improvisation / Take A Pebble  (part 2)
  6.  Raindrops Keep Falling On My Head
  7.  Pictures At An Exhibition
  8.  Rondo
  9.  (interview)

Works Orchestra and Choir conducted by Godfrey Salmon

Unknown mics>Uher Cr 34 Cassette Master>DAT   110 min. 
Transfer:  Nak BX2>Tascam Da-P1>Pioneer PRD555>EAC (Xact)>aiff>.flac

From the Collection of orangeboy
Transfer by orangeboy
Released on thetradersden, August 10, 2006

CD #1
Karn Evil 9, 1st Impression, Part 2
The Enemy God
From the Beginning
C'est La Vie
Pictures At An Exhibition
tape flip
Piano Concerto #1 1st Movement
Piano Concerto #1 3rd Movement
Closer To Believing
Lucky Man
Tank

CD #2
Knife Edge
Pirates

Fanfare For The Common Man incl. Rondo

After the massive Brain Salad Surgery tour of 1974, ELP took almost 3 years off from performing live. Keith recorded a piano concerto and Greg did a bunch of songs with an orchestra, as did Carl. At some point, they decided that instead of putting out 3 solo albums, that they would put out a double album with a solo side each and a group side, which also featured an orchestra. Works Vol. 1.

They decided to go out on tour with a 57 piece orchestra and a 6 person choir, each instrument individually mic'd. The whole thing was a massive undertaking with a tremendous overhead. From the beginning, they knew that it could be financially disastrous. Because of union contracts with the classical musicians, they could only play 3 or 4 shows a week and couldn't travel more than 100 miles a day. Everything had to go right for them to merely break even. But they so believed in what they were doing that they went ahead anyway. They knew it was mad but they didn't care, to them it was all about art, not finance.

As it turned out, things didn't end up going so well. They were relying on 3 massive outdoor shows to cover the costs of the rest of the dates of the first leg of the Works tour. The concert in Chicago was a great success, but another was cancelled because of a Led Zeppelin riot and the other because of poor ticket sales. They were bleeding money. I guess they were losing millions, in 1977 money.

The entire tour with the orchestra lasted only 12 dates. This is the final date. This is the day that the dream died. Before orangeboy shared this with us, there were only 4 recordings of this first part of the tour that have surfaced, and one of those is incomplete. This is by far the best recording of any of them.  You can really tell that the sound of this concert in the auditorium was fabulous.

ELP took a week off from touring in Fort Wayne, Indiana and rehearsed intensely as a three piece again, then went back out on the road for the rest of the summer.  They did keep paying the classical musicians during the time they were out recouping their losses (quite successfully) and they did bring the orchestra  back for 3 shows in July in New York and a final triumphant concert in Montreal at the end of August, but this night in Des Moines Iowa is really the end of the orchestra tour.

This concert is extremely important not only in the history of ELP, but in the history of rock.

This is massive.  Thanks orangeboy!!  You are a complete star!

By the way, the classic ELP song From the Beginning (from 1972) was only ever performed in the 70's at these 12 concerts.

T's notes:
This release is from cassette tapes that I got in trade many years ago.  It is an audience recording. 

Mics and Recorder unknown >
Cassette generation unknown >
Playback Deck: Tascam 130 >
Nikko 32 Band EQ >
Akai DR16 Digital Hard Disk Recorder >
HHB CDR-800 Compact Disc Recorder >
CDR  > WAV >CD Wave Editor > FLAC

 
I removed the gaps caused by tape flip and change.


disc 1

1. Karn Evil 9 (1st Impression, Part 2)
2. Hoedown
3. Tarkus
4. Take A Pebble /  Piano Concerto / Take A Pebble
5. Still, You Turn Me On
6. Knife Edge
7. Pictures At An Exhibition

disc 2

1. C'est La Vie
2. Lucky Man (cut)
3. Tank
4. Nutrocker
5. Pirates
6. Fanfare For The Common Man / Rondo / Fanfare
7. outro

disc 1

1. Karn Evil 9, First Impression, Pt. 2
2. Hoedown
3. Tarkus
4. Take a Pebble
5. Piano Concerto
6. Take a Pebble II
7. Still....You Turn Me On
8. Knife Edge
9. Pictures at an Exhibition

disc 2

1. C'est La Vie
2. Lucky Man
3. Tank
4. Nutrocker
5. Pirates
6. Fanfare/Rondo

Sound: B+
Show: A+ Killer version of Nutrocker

ELP
Keith Emerson - Keyboards
Greg Lake - Bass Guitars-Guitars and Vocals
Carl Palmer - Drums and Percussion
Fanfare For An Uncommon Band

   1977 was a year of huge change for Emerson, Lake and Palmer, change that would, sadly, signal the beginning of the end for the celebrated trio.  After the groundbreaking 1973 album ‘Brain Salad Surgery’, considered by many to be the band’s crowning achievement, the colossal world tour that followed, taking in 75 shows, left the band drained of all energy.  They elected to take a well-deserved break and spend time with their families. Eventually, the three musicians began working on solo projects which, coincidentally, all involved the use of orchestral arrangements.  The band, it seemed, were about to embrace an entirely new musical direction, filled with new challenges and great expectations. But this new and so-called ‘orchestral crusade’ would also bring more than its fair share of problems for ELP.
   Carl Palmer remembers: “Originally, what happened is we all went off and recorded the pieces of music we each wanted to do. And after about six months we got together and played through the individual stuff and suddenly it all clicked. Everybody had used an orchestra, had something with brass and strings and woodwinds.” At first, the project would see all three musicians releasing separate solo albums which would be followed by an album of band material but this idea was soon deemed to be an unwise move, as Palmer recalls: “We knew the problems about releasing individual albums. If you release them too close to each other, one takes the sales from the other.” Finally, band manager Stewart Young came up with the idea of packaging the whole thing as a double album with each of the first three sides separately dedicated to each musician’s best solo music and the fourth side featuring brand new band-written ELP material.
   The band adjourned to Montreux, Switzerland, and set about recording this vast amount of new material. The decision to record in Montreux was, in Keith Emerson’s words “…the worst we’ve ever made! It was like living in a padded coffin. There was nothing to do and nowhere to go to rave it up. Being there made us feel so isolated!” Carl Palmer: “The thing that kept us going in Montreux was the quality of the studio.” Yet the band stuck to it and out of these difficult recording sessions came the album ‘Works’, the like of which had never been heard in popular music before or since. The album was presented in a lavish three-way gatefold, with one of the discs at each end. As a visual sign of the change in the musical approach, the entire artwork was designed in black and white, very distant in concept from the colourful layouts of earlier albums such as ‘Tarkus’, ‘Trilogy’ or ‘Brain Salad Surgery’.
   The new album was released in March 1977 and, after the initial shock of hearing the band’s new orchestral approach, it soon gained rave reviews from the press and fans alike. Much to everyone’s surprise, the album was marked as ‘Volume One’, which evidently led the fans to believe that a second album of similar magnitude and power was waiting in the wings for release at a later date. As will be explained later, the fate of ‘Works – Volume Two’ would take quite a different turn.
   The next step was to bring the new album to the stage. This would be the biggest challenge of all and would, in the end, precipitate the downfall of ELP. From the start, all three band members were convinced that the ambition inherent in ‘Works – Volume One’ was worth the risk. The album was proving to be a huge success worldwide but taking the mammoth show on the road, complete with orchestra and the necessary back-up crew – a touring party of over 160 people – ruined the band financially.  Although they would later recuperate some of their losses, this was the first sign of ELP’s imminent disintegration.  The band had spent part of the winter and spring of 1977 rehearsing their demanding set at the Olympic Velodrome in Montreal.  By that point they had been away from the stage for nearly three years so they really needed a quiet rehearsal space, away from the mob of British reporters intent on following their every move. Rehearsals went well and the band regained much of its usual confidence but the upcoming live dates still worried them.
   The tour started with an aura of good will but the enormous cost of keeping so many people on the road soon proved too much of a strain. For a tour of such magnitude to work financially, ELP would have had to perform to full houses at every venue, which was simply impossible to guarantee.  Too many shows were scheduled in too little time for it to work. The orchestra had to go.
   Keith Emerson recalls: “There were a lot of unforeseen things that made us jettison the orchestra. One was a ruling by the union that musicians can’t travel more than about 100 miles every day. But the thing is that people travel that far these days to see concerts. So we were packing places one night and then we’d travel 100 miles to the next place and we’d only have half the house filled. And a lot of other things started piling up to put us behind. From then on, it was impossible to catch up with the finances so we just had to stop and go out as a three-piece.” ELP’s reluctant decision to only use the orchestra in the very large venues also brought financial disaster. After two final appearances at Olympic Stadium in Montreal, the first of which was both recorded and filmed for posterity, the orchestra was dropped for good and the tour limped on without it.
   Ultimately, only 14 concerts were performed with the orchestra.  By the end of the tour, ELP were physically exhausted, approaching bankruptcy and completely disillusioned about the whole thing. Still they had to pick up the pieces and try to recoup some of the financial losses. It became apparent that only a full tour as a three-piece could help accomplish that.
   As the fans had surmised, the original idea behind the ‘Works – Volume One’ album was that there would be a second volume of the same kind.  The disastrous outcome of the orchestral tour had changed the band’s plans entirely.  From then on, everything that ELP would do or release was done with only one goal in mind: to set the ELP ship afloat again. The band needed to pull themselves out of a very deep financial hole and taking extravagant risks would surely not do that.  Hoping to bring in some fresh money to finance the much needed new tour, the band released the hastily assembled ‘Works – Volume Two’ album, a single LP that featured earlier singles, B-sides and rejects. The result, a very bland album unworthy of the band’s past accomplishments and reputation, proved a dismal failure and a huge disappointment for ELP fans. The band was walking along a tightrope and nothing, it seemed, could prevent them from taking that last fatal step.
   But no matter what has been said or written about the infamous ‘Works’ tour, and despite the huge amount of problems that surrounded it, Emerson, Lake and Palmer still very much enjoyed performing together and the extensive amount of official and unofficial recordings from that particular period stands as staggering evidence to that effect.  ELP were at the peak of their performing skills and to see them perform live was to remember them forever.
   From 16th January 16 until 13th March 1978, ELP once again toured North America as a three-piece band. But even if the tour was successful enough to save the band from the financial anarchy of the orchestral tour, this would be the end of an era. The advent of punk rock and disco music had brought on a general reaction against progressive rock and the ‘dinosaur’ bands of the seventies had to either adapt or simply disappear into oblivion. 1978’s ‘Love Beach’ album was ELP’s attempt at a compromise between the two musical worlds.  There were still some interesting avenues to explore but their heart wasn’t in it anymore. The band didn’t even tour in support of the new album, deciding instead to call it a day. Fans would have to wait another 14 years to see Emerson, Lake and Palmer together again on a live stage.
   But even if the ‘Works’ era signalled the start of ELP’s downfall, the difficult 1977 tour was by no means a total waste. Audiences who attended either the orchestral or the three-piece concerts were treated to some of ELP’s most stellar live performances ever. Such was the case with the show which we now bring you, recorded on the first of two nights at the Boston Garden in July 1977. This was one of the many nights where ELP performed without the orchestra but, as you will hear, the band was on fire that night, each song as energetic and spectacular as the next. The absence of the orchestra forced the exclusion of some songs such as ‘Abaddon’s Bolero’, ‘The Enemy God’ and ‘Closer To Believing’ but the incredible performance of all the other numbers more than makes up for that. Enjoy ! 

PRRP Staff 

Notes from the Re-Master 

            This show was sourced from a CD version of a 1st generation cassette tape. The man who provided photographs of the event was sitting right near the taper and recalls the set-up:

“I wasn't taping that time but I sat behind a guy (from Providence I think) who had a Nak 550 (recorder) with Nak CM-100's and CP4 shotgun mike capsules, so there's a good chance that he was the source. He was up front and had to be stealthy, so he kept his shotgun mikes well below head level, aimed almost straight up at the PA. I never liked that setup. I thought the CP1 cardioid capsules sounded better and I always kept them above head level in order to get sound from the stage monitors. It was worth the risk of getting shut down. I would have traded backward several rows to get a better position. “

            In any event, the quality of the sound is outstanding with clear signal up to 17,000Hz. The most obvious problem with the show was the tonality. The sub-bass components were very excessive. Additional adjustments to the bass section were also needed to balance the tone. Small adjustments in the mid-range and treble sections were made to enhance detail. Hiss was also a problem and its reduction allowed more subtle sections of the music to be better appreciated.
            Audience noise was a big problem. Applause was excessively loud and whistlers seemed to congregate around the taper. Permanent hearing loss could be the result of listening to the raw version of this show through headphones due to the volume of these whistles. Lots of time was taken to reduce the whistles and other audience noises. Cuts in the recording did occur but were only found during applause sections. Mix-pasting fixed this minor flaw and allowed a continuous listening experience. Finally, the discs were re-balanced to roughly equalize the amount of music on each disc.

Disc 1

01 Introductory Fanfare
02 Hoedown
03 Tarkus
04 Take a Pebble
05 Piano Concerto No. 1: 1st Movement
06 Maple Leaf Rag
07 Take a Pebble
08 C'est La Vie
09 Lucky Man
10 Pictures at an Exhibition

Disc 2

01 Tiger in a Spotlight
02 Watching Over You
03 Tank
04 Drum Solo
05 The Enemy God
06 Nutrocker
07 Pirates
08 Fanfare for the Common Man 

best. ELP. show.

ever.

 Tarkus/ Knife Edge
Paper Blood
Romeo & Juliet
Piano Improvisation
Creole Dance
Still...You Turn Me On
C'est La Vie
Maple Leaf Rag
Touch & Go
Pirates (Slight cut at end)
Set II
Hoedown
Pictures at an Exhibition
Lucky Man
Fanfare for the Common Man

Quality: B

Opening
Tarkus
Knife Edge
Paper Blood
Black Moon
Piano solo
Creole Dance
From the Beginning
C'est la Vie
Lucky Man
Honky Tonk Train Blues

Touch and Go
Pirates
Hoedown
Jam
Pictures at an Exhibition
Fanfare for the Common Man/America/Rondo

http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:j9fexq8sldhe

not for trade

http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:dzfwxqysldhe

not for trade

Opening set of the 1996 Jethro Tull tour.  Unfortunately missing the first 3 songs (I only remember one was Touch And Go) because the stupid venue made them start early.  Show time was 7 PM but they began as I was in line at 6:45.  I started taping mid way through the third song, but omitted half a song from the final product.  Still a great set.  Enjoy!


Files Included:

01 Take A Pebble 
02 Hammered Out
03 Still You Turn Me On
04 Tarkus - Eruption
05 Tarkus - Stones Of Years
06 Tarkus - Iconoclast
07 Tarkus - Mass
08 The Great Gates Of Kiev
09 Lucky Man
10 Bitches Crystal
11 Rondo

With Spyboy

Source : AKG mics > Sony DAT recorder D-8 > Pioneer CD recorder > EAC > Wav > Mkw ACT > SHN

Disc 01   -   55.24 minutes

01. Where will i be
02. Orphan girl
03. Wrecking ball
04. Pancho & Lefty
05. Ain't living long like this
06. Get up John
07. Love hurts
08. Goodbye
09. Green pastures
10. Goin' back to Harlan
11. Deeper well

Disc 02    -    48.41minutes 

01. Prayer in open D
02. Abraham , Martin & John
03. Sweet old world
04. Every grain of sand
05. Wheels
06. Born to run
07. The maker
08. Boulder to Birmingham
09. Indian red

With Spyboy

Where Will I Be
Orphan Girl
Pancho & Lefty
Red Dirt Girl
I Don't Wanna Talk About It Now
I Ain't Living Long Like This
Sweet Dreams
Boulder to Birmingham
Goin' Back to Harlan
Deeper Well
Bang the Drum Slowly
Calling My Children Home
The Pearl
Michelangelo
Hickory Wind
Wheels
Get up John
The Maker

Enrico Rava tp
Roswell Rudd tb
J.F. Jenny-Clark b
Aldo Romano dr

 NOTE: This concert is played as a suite ! 

1)	53:58 King in Yellow / Lavori Gasalinghi / Out of Nowhere/Maranjao

FM - Revox A 77 (7 1/2 in/s highest domestic speed)- Denon CDR 1000 – CDR-R – flac - dime

Zigzag - SB 6

January 10, 1987:
Disc 1:
1) White Room
2) I Shot the Sheriff
3) Hung Up On Your Love
4) Wonderful Tonight
5) Miss You
6) Same Old Blues

Disc 2:
1) Tearing Us Apart
2) Holy Mother
3) Badge / Let it Rain
4) Cocaine
5) Layla
6) Money For Nothing
7) Sunshine of Your Love

January 11, 1987:
Disc 1:
1) Crossroads
2) White Room
3) I Shot the Sheriff
4) Hung Up On Your Love
4) Wonderful Tonight
5) Miss You
6) Same Old Blues

Disc 2:
1) Tearing Us Apart
2) Holy Mother
3) Badge / Let it Rain
4) Cocaine
5) Layla
6) Money For Nothing
7) Sunshine of Your Love

January 12, 1987:
Disc 1:
1) Crossroads
2) White Room
3) I Shot the Sheriff
4) Hung Up On Your Love
4) Wonderful Tonight
5) Miss You
6) Same Old Blues

Disc 2:
1) Tearing Us Apart
2) Holy Mother
3) Badge / Let it Rain
4) Cocaine
5) Layla
6) Money For Nothing
7) Sunshine of Your Love

Geetarz Comments: Great soundboard set from the folks at ZigZag who also brought you ECEC and Monotheistic Stages. Features Mark Knopfler on guitar!

Visitor Comments:
"Eric's solo on the first night during Holy Mother simply got my hair stand on end, probably the best version I've heard. Highly recommended, but the whole set is just incredible. Only shortcoming, maybe the guitar volume is a bit low on the second night recording. Overall supreme quality, check it out !!" - G.

with the National Philharmonic Orchestra, Michael Kamen cond.

Disc 1
01. Layla (orchestral intro)
02. Crossroads
03. Bell Bottom Blues
04. Lay Down Sally
05. Holy Mother
06. I Shot the Sheriff
07. Hard Times
08. Can't Find My Way Home
09. Old Love
10. Wonderful Tonight

Disc 2
01. White Room
02. Concerto for Electric Guitar and Orchestra, mvts 1 & 2
03. Layla
04. Sunshine of Your Love
05. Tears in Heaven (from MTV Video Awards, Pauley Pavillion, Los Angeles, CA 1992-09-09)

Silvers > EAC > WAV > MKW > SHN

Disc 1
Key to the Highway
Reptile
Tears in Heaven
Bell Bottom Blues
Change the World
My Father's Eyes
River of Tears
Going Slow Down
She's Gone
It's Alright
Finally Got Myself Together

Disc 2
Got You On My Mind
Don't Let Me Be Lonely Tonight
Travelin' Light
Hoochie Coochie Man
Five Long Years
Cocaine
Wonderful Tonight
Layla
Sunshine of Your Love
Somewhere Over the Rainbow

Eric Clapton - CBE at RAH Part One

London, England - May 4, 2004 - Hoochie Coochie - TBA
Disc 1:

   1. Let it Rain
   2. Hoochie Coochie Man
   3. Walk Out in the Rain
   4. I Want a Little Girl
   5. I Shot the Sheriff
   6. Me and the Devil Blues
   7. They're Red Hot
   8. Milkcow's Calf BLues
   9. If I Had Posession (Over Judgment Day)
  10. Kind Hearted Woman Blues

Disc 2:

   1. Got to Get Better in a Little While
   2. Have You Ever Loved a Woman
   3. Badge
   4. Wonderful Tonight
   5. Layla
   6. Cocaine
   7. Sunshine of Your Love
   8. Got My Mojo Working

Lineage
=======

CDR>EAC(secure)>WAV>Flac Frontend Level 8,align on sbe, verify>FLAC

Eric Clapton - CBE at RAH Part Two

London, England - May 5, 2004 - Hoochie Coochie - TBA
Disc 3:

   1. Let it Rain
   2. Hoochie Coochie Man
   3. Walk Out in the Rain
   4. I Want a Little Girl
   5. I Shot the Sheriff
   6. Me and the Devil Blues
   7. They're Red Hot
   8. Milkcow's Calf BLues
   9. If I Had Posession (Over Judgment Day)
  10. Kind Hearted Woman Blues
Disc 4:

   1. Got to Get Better in a Little While
   2. Have You Ever Loved a Woman
   3. Badge
   4. Wonderful Tonight
   5. Layla
   6. Cocaine
   7. Sunshine of Your Love
   8. Got My Mojo Working
   9. Hey Man (*)
  10. Wonderful World (*)

Geetarz Comments:

(*) Bonus tracks recordd on EC's "Day Off" with Zucchero at the Royal Albert Hall on May 6, 2004.


Lineage
=======

CDR>EAC(secure)>WAV>Flac Frontend Level 8,align on sbe, verify>FLAC

Eric Clapton - CBE at RAH Part Three

London, England - May 7, 2004 - Hoochie Coochie - TBA
Disc 5:

   1. Let it Rain
   2. Hoochie Coochie Man
   3. Walk Out in the Rain
   4. I Want a Little Girl
   5. I Shot the Sheriff
   6. Me and the Devil Blues
   7. They're Red Hot
   8. Milkcow's Calf BLues
   9. If I Had Posession (Over Judgment Day)
  10. Kind Hearted Woman Blues

Disc 6:

   1. Got to Get Better in a Little While
   2. Have You Ever Loved a Woman
   3. Badge
   4. Wonderful Tonight
   5. Layla
   6. Cocaine
   7. Sunshine of Your Love
   8. Got My Mojo Working

Lineage
=======

CDREAC(secure)WAVFlac Frontend Level 8,align on sbe, verifyFLAC

Eric Clapton - CBE at RAH Part Four

London, England - May 8, 2004 - Hoochie Coochie - TBA

Setlist
=======


Disc 7:

   1. Let it Rain
   2. Hoochie Coochie Man
   3. Walk Out in the Rain
   4. I Want a Little Girl
   5. I Shot the Sheriff
   6. Me and the Devil Blues
   7. They're Red Hot
   8. Milkcow's Calf BLues
   9. If I Had Posession (Over Judgment Day)
  10. Kind Hearted Woman Blues

Disc 8:

   1. Got to Get Better in a Little While
   2. Have You Ever Loved a Woman
   3. Badge
   4. Wonderful Tonight
   5. Layla
   6. Cocaine
   7. Sunshine of Your Love


Lineage
=======

CDR>EAC(secure)>WAV>Flac Frontend Level 8,align on sbe, verify>FLAC

Eric Clapton - CBE at RAH Part Five

London, England - May 10, 2004 - Hoochie Coochie - TBA

Setlist

Disc 9:

   1. Let it Rain
   2. Hoochie Coochie Man
   3. Walk Out in the Rain
   4. I Want a Little Girl
   5. I Shot the Sheriff
   6. Me and the Devil Blues
   7. They're Red Hot
   8. Milkcow's Calf BLues
   9. If I Had Posession (Over Judgment Day)
  10. Kind Hearted Woman Blues


Disc 10:

   1. Got to Get Better in a Little While
   2. Have You Ever Loved a Woman
   3. Badge
   4. Wonderful Tonight
   5. Layla
   6. Cocaine
   7. Sunshine of Your Love
   8. Got My Mojo Working

Lineage

CDR>EAC(secure)>WAV>Flac Frontend Level 8>FLAC

Show Comments
Courtesy of http://www.geetarz.org/reviews/clapton/no-retiring-at-rah.htm

Easily one of the finest performances of both "Let it Rain" and "Hoochie Coochie Man" of the tour. "Walk out in the Rain" is certainly not EC's finest work on this particular tune, but Doyle really takes it into the stratosphere with his outro solo. Doyle also contributes some really standout slide work to "Milk Cow Blues". Show finishes with a unique performance of "Sunshine of Your Love" for this tour, at the end going back into four more bars of the "Sunshine" vamp.

Let It Rain
Hoochie Coochie Man
Walk Out In The Rain
I Want A Little Girl
I Shot The Sheriff
Me & The Devil Blues
They're Red Hot
Milkcow's Calf Blues
If I Had Possession Over Judgement Day
Kind Hearted Woman Blues
Got To Get Better In A Little While
Have You Ever Loved A Woman
Badge
Wonderful Tonight
Layla
Cocaine
Sunshine Of Your Love

Discs 11 & 12 of "C.B.E. at R.A.H."

Sound: B
Show: A

DIME June 2006
CDR>EAC(secure)>WAV>Flac Frontend Level 8, verify, align on SB>FLAC

Eric Clapton - Double Image 2 (Mid Valley Records)

CDR>EAC(Secure Mode)>FLAC Frontend (Level 6, verify)>DIME

Disc 1

1) My Father's Eyes 
2) Pilgrim 
3) One Chance 
4) River of Tears 
5) Going Down Slow 
6) She's Gone 
7) Driftin' 
8) Tears in Heaven 
9) Layla 
10) Change the World 

Disc 2

1) Old Love 
2) Crossroads 
3) Have You Ever Loved a Woman 
4) I Shot the Sheriff 
5) Wonderful Tonight 
6) Cocaine 
7) Before You Accuse Me (Featuring Bonnie Raitt) 
8) You Were There 

 The Rube Thing
Good Morning Susie Soho
The Chapel
The Wraith

From Gagarin's Point of View
Dating
Bowling
Dodge the Dodo
Hands Off

The Rube Thing
Good Morning Susie Soho
The Chapel
The Wraith
From Gagarin's Point of View
Dating
Bowling
Dodge the Dodo
Hands Off
 
Comment
Esbjorn Svensson piano
Dan Berglund bass
Magnus Ostrom drums

"The Rube Thing" is missing from my copy. This was apparently done to allow the show to fit on 1 CD-R.
Corrected version on LLD_493

The Message
When God Created the Coffeebreak
Serenade for the Renegade
Strange Place for Snow
Years of Yearning
Behind the Yashmak
Dodge the Dodo

analog sat > pc > nero wave editor > shn tool > cdr

a sampler broadcast featuring Dave Holland & E.S.T. (separately)

01 Looking Up - DHQ
02 Juggler's Parade - DHQ
03 Serenade For The Renegade - EST
04 Car Crash - EST
05 Dodge The Dodo - EST
06 Dave talking about Miles Davis - DHY

FM > Trade CD > EAC > Flac (6)

Seven Days Of Falling
Eighty-Eight Days In My Veins
Mingle In The Mincing-Machine
Band Introduction
In The Tail Of Her Eyes
The Unstable Table And The Infamous Fable
Viaticum
When God Created The Coffeebreak
Behind The Yashmak
Believe Beleft Below
A Picture Of Doris Travelling With Boris
Spunky Sprawl

Esbjörn Svensson, p
Don Berglund, b
Magnus Oestroem, dr

CD1 - 54:24

1. A Picture Of Doris Traveling With Boris
2. Viaticum
3. Mingle In The Mincing Machine
4. Carcrash
5. The Unstable Table And The Infamous Fable


CD2: - 49:47

1. When God Created The Coffeebreak
2. The Second Page
3. Behind The Yashmak
4. The Face Of Love
5. Round Midnight

source: ADR > CD-RW > Feurio > CDR > CDEX > Flac Frontend > Flac 

Note that this comes from ADR (Astra Digital Radio) which uses MPEG1 Layer 2/192 kbps.
To my knowledge there's no better recording available. 
Sound's pretty good, though.

Esbörn Svensson: Piano
Dan Berglund: Bass
Magnus Öström: Drums

Janne Hansson: Sound engineer

Recording: Two Sound professionals microphones > Bass filter 95 Hz > Archos Gmini 402 (Stereo WAV PCM 44.1 kHz)
Editing: Cool Edit Pro 2.0 (WAV PCM) > dBpowerAMP 11.5 > FLAC

Track listing 


1- Viaticum
2- A Picture of Doris Travelling with Boris
3- Definition of a Dog
4- When God Created the Coffeebreak
5- In the Tail of her Eye
6- The Unstable Table and the Infamous Fable
7- Seven Days of Falling
8- Spunky Sprawl

The first track of the concert was "I mean you" [T.Monk] but it's been omitted due to technical issues.

FM - pc - editing - cue sheet - cuesplitter -  flac8 - md5 - you - 

Removed: Station ID, mod - faded: no - cut in/out: no

Total Time...			(90:15)

01. Tuesday Wonderland  		(16:01)
02. The Rube Thing  		(12:17)
03. Definition Of A Dog   		(18:23)
04. Dolores In A Shoestand  		(16:12)
05. Sipping On The Solid Ground  	(07:55)
06. Goldwrap  			(04:25)
07. Behind The Yashmack  		(14:59)
incomplete filler aired but not included here -

Esbjörn Svensson... Piano
Dan Berglund... Bass
Magnus Öström... Drums

Esbjörn Svensson Trio (Esbjörn Svensson: p, Dan Berglund: cb, Magnus Öström: d)
recorded on the 2nd of December 2006 at Festival "Il volo del jazz", Teatro Zancanaro, Sacile
broadcasted by Italian radio station Radio 3 on the 29th of May 2007

FM -> MD -> CD-R -> flac (Level 8)

Any help with the setlist very much appreciated.

1. ??? 22:06
2. ??? 6:59
3. ??? 16:32
TT: 45:37

Intro
First Breath After Coma
Greet Death
Six Days at the Bottom of the Ocean
Have You Passed Through This Night?
Memorial

Your Hand in Mine
Greet Death
Yasmin the Light
Have You Passed Through This Night?
Memorial
The Only Moment We Were Alone

Soundboard > Unknown Cassette trade (1990's) > MacBook Pro > Peak Pro XT > xACT 1.59 > Flac > Dime

Disc One

01 Slip Jigs & Reels (in progress)
02 Woodworm Swing
03 Crazy Man Michael
04 There Once Was Love
05 Naked Highwayman
06 Portmeirion
07 Foolish You

Disc Two

01 The Deserter
02 A Surfeit Of Lampreys
03 Frozen Man
04 Lahha Rookh
05 Walk Awhile
06 The Hiring Fair
07 John O'Casey Jig > Tripping Up The Stairs
08 A Hard Day's Night
09 No Particular Place To Go (Snippet) 

Hadn't listened to this one in a while and broke it out today, just a great acoustic set.  Fairport's normal flawless playing...qaulity is excellent.

Enjoy!
Mjk5510

This tag denotes a recording that is sourced from official material but been transferred, upmixed, or otherwise "mastered" by fans.

SBD > Sony D100 > D100 > Waveterminal 2496 > Cool Edit 2000 > CD-Wave

traded by JK

Lineage : Master md Sharp/Sony ECM-TS125-microphone -> Sound Forge 6.0 -> CD-rwin burn/rip -> FLAC

Tracklist : 
cd1
1. Big wedge
2. Moving targets
3. Goldfish & clowns
4. Numbers
5. The pilgrim´s adress
6. Innocent party
7. Long cold day
8. Credo

cd2
1. Intro : La gazza ladra
2. Pseudo silk kimono
3. Kayleigh
4. Lavender
5. Bitter suite i) Brief encounter
6. ii) Lost weekend
7. iii) Blue angel
8. iv) Misplaced rendezvous
9. v) Windswept thumb
10. Heart of Lothian i) Wide boy
11. ii) Curtain call
12. Waterhole (Express bongo)
13. Lords of the backstage
14. Blind curve i) Vocal under a bloodlight
15. ii) Passing strangers
16. iii) Mylo
17. iv) Perimeter walk
18. v) Threshold
19. Childhoods end?
20. White feather
21. Fugazi

Party in the Park II

1. [02.43] Eleanor
2. [04.07] Happy Together

Sound: A
Show: B

Source: Ex- Stereo Audience Recording
Lineage: PRIVATE MASTERS BOOTLEG CD > WAV > FLAC

Disc.1 
01: Opening
02: Focus ‡V
03: Answers ? Questions ! Question ? Answers !
04: Focus ‡U
05: Sylvia
06: Harem Scarem
07: House Of The King
08: Birth
09: Tommy

Disc.2
01: Hamburger Concerto
02: Hocus Pocus
03: Hamburger Concerto Jam
04: No Hang UPS
05: Hocus Pocus(reprise)

Jan Akkeman: Guitar
Bert Ruiter: Bass, Vocals
Colin Allen: Drums
Thijs Van Leer: Keyboards, Flute , Vocals

2 hours of TV footage. No menu. 

Available Recordings, according JN:
90 min, SBD, A-  

Source: 82 min, SBD, A-
Lineage: Lower ?? Gen Cassette > CD-r > EAC offset corrected > Sonic Foundry Batch Converter (Channel Converter 
L/R Channel Swap, Waves Q-10 EQ [4db added at 8k High Shelf], Waves L3 Maximizer [ -1.5 reduction @ -3.5 db ARC]
 > Flac level 8, align on sector boundaries
Taped by: N/A
Transfered by: N/A
Edited by: erroneous
File Size: 442 MB (FLAC)

MOI '68 Nov. - '69 Aug.:

Frank Zappa
Jimmy Carl Black
Roy Estrada
Bunk Gardener
Buzz Gardener
Lowell George
Euclid James "Motorhead" Sherwood
Art Tripp
Ian Underwood

Setlist:

Intro
Some Ballet Music
Uncle Meat
Eye Of Agamotto
My Guitar Wants To Kill Your Mama
Clap + Vomit (with audience participation)
The Jelly
Eric Dolphy Memorial Barbecue (q: Teddy Bears' Picnic; Tea For Two; It Had To Be You; Octandres)
Hungry Freaks Daddy
Little House I Used To Live In
Aybe Sea
Transylvania Boogie
Help I Am A Rock
King Kong
Igors Boogie~Little Doo-Wop

SBD> 3rd Gen Maxell XLII 90min tape> Kenwood KX-W8020 Cassette Deck> Sound Blaster Awe32 PC Soundcard> Recorded To WAV And Edited With Cool Edit Pro> WAV Files Split with CDWave> FLAC

01 - Cosmik Debris
02 - Inca Roads
03 - Pygmy Twylyte
04 - Idiot Bastard Son
05 - Cheepnis
06 - Big Swifty
07 - Dickie's Such An Asshole (includes tape flip)
08 - Farther O'blivion
09 - Son Of Mr Green Genes/King Kong/Chunga's Revenge

Source: 129:01 min, A-/B+
Taped and Transfered by Arid: Aud > tape (master) > AIFF (Peak4) > CDR
Flaced and Seeded by Cosmikd: CDR > WAV (EAC) > FLAC >
Fills and Patches by Yojimbo: for 10 City Of Tiny Lights II, 18 Keep It Greasey and 23 Village Of The Sun
edited by walk: downloaded & fills from Yojimbo > Adobe Audition 1.5 (tapeside 2+3 normalized and delay of 0.3 ms on right channel of all tracks) > shntool > flac frontend (lvl 7 / 825 MB FLAC)

Frank Zappa's Band:
Arthur Barrow - bass
Vinnie Colaiuta - drums
Warren Cucurullo - guitar
Ed Mann - percussion
Tommy Mars - keyboards
Denny Walley - guitar
Ike Willis - guitar, vocals
Peter Wolf - keyboards
Frank Zappa - guitar, vocals

Setlist:
01 Intro Guitar Solo
02 Presentation
03 Dead Girls Of London
04 I Ain't Got No Heart
05 Brown Shoes Don't Make It
06 Cosmik Debris
07 Tryin' To Grow A Chin
08 City Of Tiny Lights I
09 Outside Now
10 City Of Tiny Lights II °°° tf1 & insert1 from ~ 2:03.6 to 2:38.3
11 Dancin' Fool
12 Easy Meat
13 Jumbo Go Away
14 Andy
15 Inca Roads
16 Florentine Pogen
17 Honey Don't You Want A Man Like Me?
18 Keep It Greasey °°° tf2 & insert2 from 0:29.1 to 0:58.4
19 The Meek Shall Inherit Nothing
20 Peaches En Regalia
21 Bobby Brown
22 Conehead
23 Village Of The Sun °°° yowling Ike replaced by rapping Ike by insert3 from 2:11.4 to 2:34.2
24 Treacherous Cretins

for dessert: Orchestra Spaziale - 2005 12 29 Cagli (PU) Italy
http://www.zappateers.com/bb/viewtopic.php?t=3861


°°° walks additions

Notes:
last time played: 
Brown Shoes Dont Make It (FZ)

credits:
thanks to arid for taping and transfering
thanks to cosmikd for seeding
thanks to Yojimbo for the fills and patches

from the zappateers vault
a walk edit
enjoy !!!

111 min, SB, A+

FZ, Ike Willis, Ray White, Arthur Barrow, David Logeman, Tommy Mars.

Chunga's Revenge, Keep It Greasey, Outside Now, City Of Tiny Lights, Pound For A Brown, Cosmik Debris, You Didn't Try To Call Me, Ain't Got No Heart, Love Of My Life, You Are What You Is, Easy Meat, Mudd Club, The Meek Shall Inherit Nothing, Joe's Garage, Why Does It Hurt When I Pee?, Dancin' Fool, Bobby Brown, Miss Pinky, Stick It Out, I Don't Wanna Get Drafted, The Illinois Enema Bandit.

Transfered and edited by arid, February 2005
(infos en français plus bas)
Soundboard -> Studer reel-to-reel 38 cm/s -> Studer reel-to-reel 19 cm/s -> DAT -> Mac G4 aiff - normalized & edited w/Peak -> CDR

Flac by cosmikd
CDR > WAV (EAC with secure) > FLAC (Frontend level 8 with verify)

This is an uncirculated version, I think there are others in circulation. An edited version has been played on FM radio (without the songs that were not yet released at the time), and the master may have been stolen at the radio station. I don't know about the other versions, but this one is very good !

Some work has been done on the first track's level. The original recording started out much too loud, then went to low, so I worked on the gain to make it sound right (there's still a little distorsion in the beginning, but I think it is unavoidable).

Tracks 18 & 25 * are two pretty long sections of enthusiastic crowd noise. I left them so you get the whole concert exactly as it has been recorded. For your listening pleasure, you may want to burn a CD without these two tracks.
Tracks 11 & 12 ** (fade-out & fade-in) were added to make a more pleasurable listening experience at the end of the first CD and at the start of the second one. When listening on a computer or any media that can accomodate more than 75 minutes of music, you can simply leave these two tracks out, so you get the whole concert in one go.

Disc 01

01 Chunga's Revenge                    06:25
02 Keep It Greasey                     03:06
03 Outside Now                         08:31
04 City Of Tiny Lights                 09:56
05 A Pound For A Brown                 14:34
06 Cosmik Debris                       04:10
07 You Didn't Try To Call Me           03:40
08 Ain't Got No Heart                  02:02
09 Love Of My Life                     01:56
10 You Are What You Is                 03:22
11 fade-out                            00:27 **

Disc 02

12 fade-in                             00:26 **
13 Easy Meat                           11:49
14 Mudd Club                           02:57
15 The Meek Shall Inherit Nothing      03:08
16 Joe's Garage                        02:23
17 Why Does It Hurt When I Pee?        02:26
18 Applause                            01:40 *
19 1st Encore                          00:35
20 Dancin' Fool                        03:21
21 Bobby Brown                         02:38
22 Miss Pinky                          03:29
23 2nd Encore                          00:41
24 Stick It Out                        04:01
25 Applause                            01:26 *
26 3rd Encore                          00:44
27 I Don't Wanna Get Drafted           02:35
28 The Illinois Enema Bandit           09:44

Introduction
Teenage Wind
Harder Than Your Husband
Bamboozled By Love
Pick Me I'm Clean
Society Pages
I'm a Beautiful Guy
Beauty Knows No Pain
Charlie's Enormous Mouth
Any Downers?
Conehead
Easy Meat
Mudd Club
The Meek Shall Inherit Nothing
Heavenly Bank Account
Suicide Chump
Jumbo Go Away
If Only She Woulda

According to FZShows:

3-Nov 1984, State University, Stony Brook, NY 
Early Show: 90 min, SBD, A/A- 

King Kong
Bamboozled By Love
In France
Drowning Witch (incl Sleep Napkins)
Ride My Face To Chicago
Deathless Horsie
Cocaine Decisions
Nig Biz
Alien Orifice
Lucille Has Messed My Mind Up
City Of Tiny Lights
You Are What You Is
Mudd Club
The Meek Shall Inherit Nothing
Joe's Garage
Why Does It Hurt When I Pee?
WPLJ
Sharleena
Cocksuckers' Ball
Dinah-Moe Humm
The Illinois Enema Bandit (q: Lohengrin) 

This version 93:14 SBD A+/A (subjective rating). File size 591 MB.
[*lineage unknown: CDR --> soundForge extraction --> WaveLab tracking --> FLAC Frontend level 7

[*this was selling on eBay a few years ago as a set of 3 discs combining both early and late shows, not a bad combination given that not a single song was repeated twice in the course of the evening. I've managed to get a copy through a trade. The two put together offer some 190 minutes of the 1984 material in pristine sound quality. I've split them back into early and late, and would like to seed the late show as well, pending some additional checkups and fills (as I am still missing the encore of the late). Some small tracking adjustments have been made, but no other changes. 

Here's the info file:
1984/11/03 (E) [93:14 SBD A+/A]: State University, Stonybrook, NY

01 Soundcheck 					1:04
02 King Kong 					5:26
03 Bamboozled By Love 				6:08
04 In France 					4:01
05 Drowning Witch (incl Sleep Napkins) 		9:17
06 Ride My Face To Chicago 			3:13
07 Deathless Horsie 				3:48
08 Cocaine Decisions 				2:51
09 Nig Biz 					6:39
10 Alien Orifice 				4:11
11 Lucille Has Messed My Mind Up 		2:45 (tf @ 00:09; small portion missing)
12 City Of Tiny Lights 				8:49
13 You Are What You Is 				3:57
14 Mudd Club 					2:50
15 The Meek Shall Inherit Nothing 		3:14
16 Joe's Garage 				2:23
17 Why Does It Hurt When I Pee? 		3:49
18 WPLJ 					1:39
19 Sharleena 					6:41
20 Cocksuckers' Ball 				1:57
21 Dinah-Moe Humm 				3:57
22 The Illinois Enema Bandit (q: Lohengrin)	4:35 (incomplete)

(times according to iTunes)

Skydive
Misty
One Of A Kind
Just A Ballad For Woody (b)
I'll Remember April (a,b)
Bernie's Tune (a,b)
Thermo

Freddie Hubbard - Trumpet, Flugelhorn
Kenny Garrett - Alto Saxophone, Flute
Donald Brown - Grand Piano
Ira Coleman - Double Bass
Carl Allen - Drums

a - w/ Dizzy Gillespie - Trumpet
b - w/ Woody Shaw - Trumpet, Flugelhorn

Source: audience
Lineage: Core Sound Binaurals> Archos Gmini 120> usb> Wave Lab> CD Wave> Flac frontend
Taper: PT
Transferred by: newspaper

Please do not remaster or convert to mp3 except for personal use. Thanks.

Disc One
1- intro
2- Passage to Bangkok Jam
3- Fortunate Observer of Time
4- All This Time
5- King Kong
6- Abyss of Dissension
7- You're Still Sleeping

Disc Two
1- The Happy Ending Shuffle
2- Reluctant Observer

3- soundcheck

Andy Sussman- bass, vocals
James Guarnieri- drums
Nick Lieto- vocals, keys, trumpet
Bill Ayasse- violin, mandolin, vocals, triangle
Steve Uh- guitar, vocals, keys
John Lieto- trombone

Taper nycsteve
Sharp MT770 ,Soundpro mics>Goldwave> CDWave Editor

Abyss of Dissention
Fortunate Observer of Time
Creatures/Jam
You're Still Sleeping
Candy Korn
Waterfall Cities
Peaches in Regalia

CD1
1-INTRO
2-?
3-JUPITER
4-LITTLE KNOWLEDGE IS A DANGEROUS THING
5-DOWN TO THE NIGHT CLUB
6-YOU GOT THE LOVE
7-?
8-WHAT IS HIP?

CD2
1-THE SKUNK,THE GOOSE AND THE FLY
2-IN THE STONE
3-I'M A WOMAN I'M A BACKBONE
4-CAN'T YOU SEE YOU DOIN'ME WRONG
5-DON'T CHANGE HORSES
6-YOU ARE A WINNER >
7-SOUL VACCINATION >
8-YOU GOT TO FUNKIFIZE

SONY D-7 DAT SB MASTER DENON K-90DS > M-AUDIO TRANSIT >
COOL EDIT > CD WAVE EDITOR > FLAC

WWW.FUNKFILHARMONIK.COM

Pug
Gypsy Hymn
Fire Lotus
Transit
Cease Fire
P-B-n-J
Dragonfly
Suckapunch

Pair of cm50 cardoid condenser mics -> korg d1600 recorder

Taper: Unknown 
Source: Audience
Transfer: CD-R from trade > EAC > FLAC Level 8 > you 
Sound Quality: A- in my rating and ears.... 

Disc 1
1 The Journey/Blood On The Rooftops/Black Light 
2 Cuckoo Cocoon/Two vamps As Guests/Calmaria 
3 Cavalcanti/Andante In C 
4 Bouree/Horizons 
5 Surface Tension   
6 Mood For A Day 
7 Ram 
8 Second Initial
9 Country Mix 
10 The Clap  
11 From A Place Where Time Runs Slow
12 Jekyll & Hyde  
13 Here I Wait  
14 Prizefighters
15 Imagining 

Disc 2 
1 Hackett To Bits 
2 Spectral Mornings/After The Ordeal 
3 In That Quiet Earth
4 I Know What I Like 
5 Toe The Line 
6 Sketches In The Sun 
7 Pennants 
8 Roundabout 
9 The Hunter 
10 You Can Still Get Through 
11 Reach Out  
12 When The Heart Rules The Mind 

Steve Hackett - Guitars & Backing Vocals (ex Genesis)
Steve Howe - Guitars & Backing Vocals (ex Yes & Asia)
Max Bacon - Vocals (ex Nightwing & Phenomena 2)
Phil Spalding - Bass
Jonathan Mover - Drums & Percussion (ex Marillion for a short time)
Matt Clifford - Keyboards 

Notes:
One the most famous so-called "supergroups" from the 80's (also Asia and Phenomena) 
including some great musicians. Their selftitled studioalbum is a good piece of work.
From their short tour, here is a nice concert from Birmingham. 

Since I got this in a trade I dont have any info
about lineage, taping equipment etc. 

Enjoy!! 
Hanshcv

1-Jekyll And Hyde
2-Here I Wait
3-Prizefighters
4-Hackett To Bits
5-Reach Out (Never Say No)
6-When The Heart Rules The Mind
7-Roundabout
8-The Hunter

Total Time = 46:13

FM (unknown lineage) > CDR > EAC > FLAC

Stanton Moore
Charlie Hunter
Skerik

Stanton Moore, Charlie Hunter, Skerik and Mike Dillon

Taped and transferred by Ethan Alpert (ethan@audio-crusade.com)

Source: AKG 393 (DIN) > V2 > AD1K > DA-P1
Transfer: R500 > AP2496 > CDWave > flac

SOURCE: FM Broadcast>unknown Recording Equipment>CD transfer>trade??>EAC SECORE MODUS>FLAC FRONTEND, LEVEL6>FLAC

SOUND: A(A+ (few FM hiss present, listen to mp3 sample)

Tracks
1. Desert Air
2. Crystal Silence
3. Falling Grace
4. The Raven Speaks
5. Song for a Friend
6. Icarus

Lineup:
Gary Burton: vibes; 
Mick Goodrick: el-guitar; 
Steve Swallow: bass; 
Ted Siebs: drums; 
+ Ralph Towner: ac-guitar

Enjoy!!

Lineage: dpa 4060 {HEB} > mod sbm-1 > jb3
sound forge 8 > flac

Gary Burton - Vibes
Pat Metheny - Guitars
Steve Swallow - Bass
Antonio Sanchez - Drums

01. Sea Journey - Chick Corea
02. B and G - Pat Metheny
03. Blue Comedy - Michael Gibbs
04. Fortune Smiles - Keith Jarrett
05. I'm Your Pal - Steve Swallow
06. Las Vegas Tango - Gil Evans
07. Hello Bolinas - Steve Swallow
08. Como En Vietnam - Steve Swallow
09. Unquity Road - Pat Metheny

Gary Burton ~ Vibraphone
Pat Metheny ~ Guitars
Steve Swallow ~ Bass
Antonio Sanchez ~ Drums

Disc 1
01. Introduction > Gary's Remarks
02. Open Your Eyes, You Can Fly (Chick Corea)
03. Gary's Remarks
04. Ojos De Gato (Carla Bley)
05. Falling Grace (Steve Swallow)
06. Gary's Remarks
07. Question & Answer (Pat Metheny)
08. Coral (Keith Jarrett)
09. Gary's Remarks
10. African Flower (Duke Ellington)
11. Missouri Uncompromised (Pat Metheny)

Disc 2
01. B & G (Pat Metheny)
02. Gary's Remarks
03. Walter L. (Gary Burton)
04. Hullo Bolinas (Steve Swallow)
05. I'm Your Pal (Steve Swallow)
06. Como En Vietnam (Keith Jarrett)
07. Encore Applause
08. Unquity Road (Pat Metheny)


Core Sound Stealth Binaural Microphones > Sharp MD-DR480H(S) >
Sound Forge 8.0 (transfer & mastering) > CDWave > flac (level 6)

Not For Commercial Use
This Recording Is To Be Traded Freely
**** NEVER FOR SALE ****

******************************************************************
SHOW NOTES
This is the last gig of the tour.  It is also the first music concert
to be performed at "The Church" - a restored church designed by John
Selkirk in 1871, construction was completed in 1876.  The church fell
into disrepair in the 1980s, was slated for demolition in the mid 1990s,
saved by community activism, and subsequently purchased and restored by
Buffalo based artist Ani DiFranco.

There was a lot of confusion regarding both the start time and the "door"
time of this general admission show.  The majority of the crowd was under
the impression that the show was to begin at 7pm, it actually started at
8pm.  Within moments Burton, the charmer, immediately put the frustrated
crowd in good spirits.

"The Church" sounds like a church and as such is in need of an acoustic
engineering firm to dampen the lively reverb of the hall and generally
tune the sound of the room.  That said, a generous application of EQ was
required to improve the overall sound of the recording and bring out
Swallow's bass.  Being the last show of the tour, the performance of the
quartet is, in my opinion, tight and well polished.

Enjoy ~ T

SOURCE: ORF FM BROADCAST>REEL MASTER>REVOX MACHINE>CD transfer>private trade>EAC SECURE MODUS>FLAC FRONTEND, LEVEL6>FLAC

SOUND: A/A- (listen to mp3 samples)

1. Sunset Bell (G.Burton)* 08.14
2. Vox Humana(Carla Bley) 09.51
3. Colors of Chloe (Eberhard Weber)>Drum Solo> Doin the Pig (Steve Swallow) 18.00
4. Las Vegas Tango (G.Evans) 06.56
5. Como en Vietnam (Swallow) 08.48
6. Syndrome (C.Bley) 07.02
7. Desert Air (Chick Corea)* 05.25
8. Turn of the Century (Michael Gibbs) 09.04
9. Sing me Softly of the Blues (C.Bley) 07.32
10. Moonchild/In Your Quiet Place (Keith Jarrett)* (RADIO FADE OUT) 03.46

Genesis live, Brussels TV Studios - 20th March 1972. 

Tracks:

1. Fountain of Salmacis
2. Twilight Alehouse
3. The Musical Box
4. Return of the Giant Hogweed 
   (amusingly captioned as 'Return of the Geant Hogweed'!

Taken from a master PAL VHS recording off UK ITV broadcast, 
circa late 80s/early 90s.


Bonus footage (Black and White with timecode):

Piper Club, Rome - 18th April 1972: 
Interview (starts silent) / Stagnation (small clip)

Palasport, Torino - 3rd February 1974: 
"Shoes" Interview / Various live clips

Italian newsreel footage taken from master pre-broadcast VHS tapes.

EFDVDG04

The Musical Box / Interview / Supper's Ready / Interview / Return Of The Giant Hogweed / The Knife

PRRP020

Disc 1 
Jan 20, 1973 (Palazzo Dello Sport - Reggio Emilia, Italy)
1-1. Watcher of the Skies 8:30 
1-2. Story of Henry and Cynthia 1:59
1-3. The Musical Box 11:32
1-4. The Fountain of Salmacis 8:43
1-5. Story of Two Ladies 1:04
1-6. Get 'Em Out by Friday 9:01
Disc 2 
Jan 20, 1973 (Palazzo Dello Sport - Reggio Emilia, Italy)
2.1. Inspiration Story 1:31
2-2. Supper's Ready 23:48
2-3. A Humorous Sketch 1:56
2-4. The Return of the Giant Hogweed 8:42
2-5. The Knife 9:34
Disc 3 
Jan 22, 1973 (Palasport - Roma, Italy)
3-1. Watcher Of The Skies 7:58
3-2. Story of Henry and Cynthia (cut) 0:42
3-3. The Musical Box 11:21
3-4. The Fountain Of Salmacis 8:09
3-5. Supper's Ready Intro 1:50
3-6. Supper's Ready 23:54
3-7. The Return Of The Giant Hogweed 8:27
3-8. The Knife 9:14

Genesis 
Peter Gabriel- Lead Vocals- Flute and Percussion
Tony Banks- Keyboards- Guitars and Backing Vocals
Mike Rutherford- Bass Guitars- Guitars and Backing Vocals
Steve Hackett- Lead Guitars and Effects
Phil Collins- Drums- Percussion and Backing Vocals

The Charisma Festival
 
If anything, Tony Stratton-Smith was a firm believer that if a band was good enough to sign, it 
was good enough to promote.  At the start of 1972, he and Charisma Records had contracted with 
three up and coming bands: Lindisfarne, Van der Graaf Generator and Genesis.  All had been 
successful that year, particularly in Italy where Van der Graaf’s “Pawn Hearts” had reached #1 
in the charts while the 1971 Genesis album “Nursery Cryme” had climbed to #4.  All three bands 
were booked for a thirteen day tour of Italy. Since they already had a major hit with the album 
“Fog On The Tyne”, Lindisfarne were chosen as the headliner for this tour, but it was one of the
 warm-up bands, Genesis, that stole the show. We were in April 1972.
                Thus began the amazing love story between the Italian fans and Genesis, a much 
privileged relationship that has lasted to this day.  This tour was only the beginning ! In 
Armando Gallo’s book, “I Know What I Like”, published in 1980, Phil, Tony, Mike and Steve all 
testified as to the importance of that very first Italian visit.  Phil, on the album “Nursery 
Cryme” being a hit in Italy – “When we heard, we were amazed !  It was strange that it should 
come from anywhere abroad, considering the amount of work we had put in England !”   Tony added 
– “It gave us confidence, and made us feel that we were covering some ground, tat it was worth 
continuing, because with the rather disappointing reaction to “Nursery Cryme” in England, we 
thought that maybe we had gone off the boil !”.
                Mike also agreed – “Italy really saved us, because they reacted to that album. 
England really gave us a hard time on it !”.  Steve Hackett also feels that this first tour of 
Italy was the start of something special; stating that the first concert at Reggio Emilia was 
one of the most powerful concerts that the band has ever played.  Needless to say, Reggio would 
become a favourite stop on later tours.  Steve adds – “The gigs there have always seemed like 
complete events, always spiritually there !”.  In any case, the huge success of these thirteen 
nights brought an enormous boost to the band’s morale and gave proof to Tony Stratton-Smith that
 he had not misplaced his trust.  Genesis would soon be rewarded by the Charisma office.  
Headliners they would become.
                Since Stratton-Smith was never one to rest on his laurels, another eight night 
Charisma Show tour of Italy was booked for August 1972, Lindisfarne taking only second billing 
this time.  In only a few months, Genesis had taken over as THE Charisma act to see. Again, that
 series of concerts proved an enormous success, strengthening even further the bond that had 
developed between them and the Italian fans.  As a reminder that Italy had a special place in 
the band’s heart, Genesis would often treat the Italian audiences with songs that they scarcely 
performed anywhere else.  Such was the case with “Seven Stones” and “Can-Utility And The 
Coastliners”, hardly ever performed in concert at all, Both played in Genoa on that tour.
                In any case, that new Italian sojourn was again a much needed morale-booster for
 the band, as well as a considerable confidence-builder.  In the 1991 Music Documentary 
“Genesis – A History”, Mike Rutherford added – “England was giving us a hard time and Italy was 
greeting us with open arms, so we felt the more time we spent there, the better !”.  The growing
 success of these Genesis gigs in Italy began to attract attention. Fans in France, Belgium, 
Germany and eventually even England began to take notice. With America as the next goal, 
Charisma booked two U.S. concerts late in 1972, but it was almost four months before the band 
returned for a more extensive North America tour.  Genesis would return to Italy one more time 
in the interim.
                With a new album under their belt, the superb “Foxtrot”, yet another European 
Charisma Show tour was booked for January of 1973.  Genesis would perform only two Concerts in 
Italy that time around, but these two nights would forever remain in the hearts of both the band
 and the Italian fans. The two concerts, billed as “The Charisma Festival”, took place at the 
Palasport in Rome on January 22nd and at the Palazzo Dello Sport in Reggio Emila on the 20th.  
In Rome, Genesis headlined their biggest concert ever, playing in front of 18,000 people.  
It would eventually take them another three years before they could achieve the same feat in 
England or North America.  But for these two very special nights in Italy, the stage was set 
for Genesis, and they most certainly did not disappoint.  In fact, many believe that the band 
was really ‘made’ on these shows.
                Thanks to two avid fans who recorded these two gigs, and to modern digital 
technology, which enables us to correct many of the defects inherent to early 70’s portable 
recording equipment, we can now bring you this very special 3 CD set that will allow you to 
re-live the magic of these two memorable evenings with Genesis.
                As you will hear, the set list for both shows was almost identical.  Only one 
number was added in Reggio that was not performed in Rome, “Get’Em Out By Friday”.
                We have attempted to restore these great recordings, to the best of our abilities,
 to bring you the best of what we believe to be a milestone event in the career of Genesis.  
We hope that you will enjoy them as much as we enjoyed putting them together.
 
Notes from the Re-Master

            These two shows both came to us as CD copies of the master tapes used to record the 
events. The Rome show had a great deal of hiss that needed to be reduced. Multiple techniques 
were used to achieve a satisfactory result. Multiple microphone bumps occurred and needed to be 
masked or removed. A significant asymmetry between the two channels initially existed and needed
 to be corrected. The audience was quite loud in many sections so their contribution to the 
audio was reduced where appropriate.
            Splices were probably made in the original tape because the beginning of ‘The Story 
of Henry and Cynthia’ is missing. This fact suggests that we may have a 1st generation source 
instead of the true master. We also found that the audience applause faded to zero after a few 
songs, again suggesting this was a first generation tape with components spliced out to fit on a
 cassette. Audience applause was mixed in at these points to allow for a continuous feel to the 
show.
            The bass components below 80Hz were quite overwhelming at times and therefore reduced
. Many pops and occasional episodes of feedback occurred and were removed. Finally, a (presumed)
 tape-flip gap occurred at one point in the show and needed to be patched. A segment from the 
following night’s performance was used to fill this gap. Of course I hope that you can’t tell 
where it is so I won’t spoil your listen by pointing it out.
            The Reggio show also had quite a bit of hiss that needed to be reduced. The extremes
 of low bass and high treble were both excessive and brought into line. Like the previous night’s
 show, many claps and yells were distracting and were reduced in volume. Many pops and clicks 
occurred and needed manual removal. A buzz was present in the middle of the show and was reduced
 using an inversion-cancellation technique. A brief tape stretch artefact was found at one point
 and minimized as much as possible. Track lengths from both shows were checked and no pattern 
was found to suggest inappropriate recorder speed so no speed correction was needed.

PRRP Staff

1. Opening Credits
2. Watcher of the Skies
3. Dancing with the Moonlit Knight
4. I Know What I Like
5. The Musical Box
6. Supper's Ready
7. Closing Credits

Plus Easter Egg!

Pro-shot film, footage digitised frame by frame direct from 16mm master reel to PAL 25fps. (See below for exact details!)


Credits:
Source: King Lerch and the members of MeeksGenesis

Video Transfer, Source Clean Up, DVD Authoring and other general extreme hard work : King Lerch

Audio Remastering: SAB (DanLore)

Artwork: RH Productions



Adam's Production Notes on "Genesis @ Shepperton - the 16mm film":


Summary
I originally thought I should not create an essay like this as it is rather pretentious and long-winded. I certainly don’t expect most people to read or even be interested in it. But I know that if I don’t write down the process when I am able to remember it, I most likely won’t be able to remember it at all when someone does ask something about it.


As a quick summary, this source was not perfect and suffered from some damage. Also, this is a dark 16mm film not Hollywood film quality. I did the best I could, learned a lot about the process, and never took shortcuts. A big thanks to Gunnar Thalin, the Swedish video expert who helped with great information. Several times I went back to the first step all over again to compare and get the best possible final product.


Test versions were sent to 4 testers in different parts of the world. Their suggestions were some of the best I’ve ever received and I was able to incorporate almost all of them. As one of the testers said, “This may not be the holy grail…but it is his older brother.”


Auction
It was over 6 months ago when I noticed a 16mm Genesis film was being auctioned from a NY estate sale. There was no way to be sure of the contents, quality, authenticity, or value. After discussing it with some collectors I know, I was prepared to make a high bid. But adding the costs to do a proper transfer, I didn’t know if my bid would be high enough to win.


Then I read that a small group wanted to pitch in and buy this film. Rather than bid against each other, we thought it was much better to join resources. We were able to come up with enough to make a substantial bid and help pay for the transfer as well.


It was explained that no one had any idea of the film’s condition. It could be damaged, worse than existing copies, untransferable, etc. We all took a risk in hopes we could benefit from a great film, or reduce the losses if it was not good. We won the auction, sent a huge money order, received the film, packed it up again, sent it fully insured to the lab, and hoped for the best.


Source
The source was a 16mm film shot at 25 frames per second. It is Kodak date coded with a triangle and plus which indicates 1973. This is significant in that it is not a recent production or a copy of a copy. However, there are old Kodak films that suffer from “red shift” where the organic parts of the film change over time leaving extra amounts of red. This film was no exception.


Although I don’t remember where I got this information, I remember hearing that several copies of this concert were printed on 16mm film for distribution to schools or small theatres. It is unknown how many of these films exist or where they were used. There is no doubt in my mind that these are a professional production, and a distinct “Charisma Reel One” can be heard at the very beginning of the film.


[UPDATE: I spoke with a friend about this film and he only recently mentioned that he saw this film not just on video but in the spring of 1974 on 16mm. He is the only one I have spoken to who has actually seen this film in regular use. It was at an Atlantic Records hotel suite at a national college radio convention in NYC. They dimmed the lights, wheeled out a 16mm projector, and showed the film on the wall. Everyone thought it was amazing. More amazing is that our print from "a NY estate sale of someone in the music business" is possibly the exact same print.]


Also, there are artifacts in the film like spots, marks, etc that are on all copies of the film. These are not removable or cleanable, just a clue that all of these films have the same “parent”. Another clue that these 16mm film(s) have the same source is the audio.


16mm audio is very distinct. Not only is it rather poor quality, but because of the unique 25 fps speed it is often played at the more common 24 fps speed where the sound is 4% slow. All of the sources we have seen (correct me if I am wrong) such as the Old Grey Whistle Test, Speakeasy, documentaries, etc all have this 16mm audio. If something better than a 16mm film exists, it is not easily available.


Transfer
Because the 25 frames per second film matches perfectly the PAL video standard, a 720x576 transfer was done. This has better color than NTSC, 100 more lines of resolution, and does not require any speed changes or frame blending.


The film was slowly projected 1 frame at a time directly onto the 3CCD chip of a PAL DV digital video camera. This allows corrections for brightness and color with each frame of film and gets the most detail. Instead of trying to catch 25 constantly moving frames per second, this process can examine each frame as slow as necessary.


The biggest disadvantage of the frame-by-frame transfer (other than the higher cost) is that sound cannot be captured at the same time. It must be added later. Also note that with my agreement the transfer lab did a 5% underscan of the film with a small black border around the edges. Since TVs usually overscan by 5%-10%, this keeps more of the picture viewable without zooming.


Sound
The sound from this and most 16mm films is printed along the side of the film like waveforms. This is read by a bulb in the projector so the quality is not great, somewhere around a 8.5 kHz spectrum. The sound remastering was done by SAB so I don’t know all of the specifics. I know he was able to get a great result from a mediocre 16mm source. It has a stereo simulation and increased low end which adds great depth. I corrected the sound for speed and pitch, the first time for this concert that I know of.


Color
The first major task was to correct the color. The amount of red in the film is simply ridiculous. It washed everything else away. The color red is also the most difficult for compression and encoding software to deal with. It causes unnatural lines, compression artifacts, almost all video problems show themselves in the color red (lucky us). To see just how red the original film was, look for the DVD Easter Egg.


It appears as if on previous film transfers that this red was reduced, but much of the image details reside in the red so it cannot just be turned down. I struggled with the color for a long time and did several comparisons to A History video to get it as close as possible.


Also, the film is not 100% consistant. Some parts are redder than others, some are brighter than others, etc. So certain corrections could not be applied to fix one scene without adversely affecting another scene. And as a general rule, all changes have at least one side-effect. So a happy medium had to be reached between redness, detail, noise, brightness, darkness, etc. All color was changed with TMPGEnc.


Filters
I used a few filters with VirtualDub and AVISynth. Each filter was applied with only lossless compression (averaging 10-30GB / 15 minutes of video) so more filters did not reduce image quality. I won’t go into every filter but the most major improvement was from the Temporal Smoother.


Most films are 35mm (4 times the size of 16mm) or even larger. So when this 16mm film is expanded on large TVs, the film grain can be seen in the form of dots or blobs of color. When watching the raw film, it looks as if non-moving objects are bubbling or crawling or something. The Temporal Smoother looks for these spots that show up for only one film frame and smoothes them out. The image and structure are more visible but the effects of video noise or grain is significantly reduced.


Sound Sync
Because of the slow film transfer, sound had to be added afterward. This was a long process for several reasons. One reason is that two transfers are never exactly the same. Even a small change in speed would lose total sync by the end of the film. The other problem with this film is that it was recorded over 2 days. While the sync may look good during one part of the song, it may not exactly match another part of the song from the other day.


The first sync pass was done entirely by sight. As a double check, I examined sound frames from other real-time 16mm film transfers to verify accuracy. It should also be noted that at 25 fps, each frame of film covers 40 ms of sound. While this may not seem like much, being off by only a few frames of film can be very distracting.


I used Pinnacle Studio for the syncing and also the credits. This program is great in both features and bugs. Still I really like it. Over 100 of my rare photos were scanned to create interesting credits.


Compression
In order to work with the DVD standard, the film had to be compressed into MPEG-2 format. To do this I used the trusty TMPGEnc at a constant bitrate of 8000 MBPS. This compressed the film for DVD while retaining the closest possible result to the source. Also note that the total maximum bitrate allowable for DVDs is 9800 MBPS, more than 1500 MBPS of which is taken up by the uncompressed PCM audio. So 8000 MBPS is the true maximum for the video.


As a test I ran TMPEnc see what it “thought” the ideal bitrate would be before compression would begin to alter the image. It calculated 6500 MBPS so any differences from the DVD compression should only be a result of the MPEG-2 or TMPGEnc limitations, not bitrate.


NTSC
Because many people cannot use PAL DVDs, I thought it would be best to create an NTSC version too. This will have slightly lower quality at 720x480 and a converted frame rate of about 30 frames per second, but using the source video transfer will get the best possible result, much better than converting the PAL DVD later and compressing twice.


Converting from 25 to 30 frames per second is not easy. Most hardware and software that simply duplicate frames make very stuttery video. So for the PAL -> NTSC transfer I used Canopus ProCoder. This is a highly respected transfer program that converts the frame rate, blends frames when necessary, and creates very smooth running film.


However, my personal opinion is that the MPEG-2 tools in ProCoder alter the source too much so I again sent the lossless result from ProCoder over to TMPGEnc for DVD compression at 8000 MBPS.


Authoring
There are many programs to author DVDs and although I know it is not the best, I use DVD Workshop because it is very compatible and I am used to using it. I created a great custom menu with motion buttons, film motif, and background music to go with the credits.


Conclusion
I have worked on more than 15 film transfers and countless video transfers. Honestly, this project (Genesis at Shepperton) has taken much more time than I ever expected and had many more film problems than any I have seen. But my goal was not to have a perfect DVD nor is this possible. There are 1,000 ways to do things and it would take years to explore them all.


What I wanted was a Genesis film transfer that was significantly better than any that came before and one where I didn’t say, “I wish I would have done…” So I read a lot, did everything I knew how to do, and talked to several experts. I give you the Holy Grail…’s older brother.


- King Lerch

Original Comments: (these comments were provided with the original download.
My thanks and appreciation to the individual who provided this show).
 
"This is a gem in my collection. Played at the Drury Lane Theatre in London, this 
is a very complete show from the SEBTP tour; if only it had "The Knife," it 
would have nearly every song they ever played on this tour. Not only does it 
have the valuable (valuable!) "Harold the Barrel," it also features the complete 
piano intro for "Firth of Fifth." The intro story for FoF is the Tube Train 
Story, also featured on the liner notes to the Live album; this was a rare story 
for Pete to tell. In his "Moonlit Knight" story, Pete mentions the Knights of 
the Green Shield; another thing he didn't usually do. Someone in the audience 
(probably the person recording this, as they are so audible) very prophetically 
shouts for "Harold the Barrel!" right before Pete introduces that song. Part of 
the beginning of the stories for both "Box" and "Supper" are missing; in the 
intro for "Box," Peter engages in a short dialogue with one of the audience 
members. The sound quality is fairly clear, there's not intrusive crowd, and 
there's not too much noise in the way of crackles or pops. In the intro for 
"More Fool Me," Phil quips that they are "available for weddings." He seems to 
have had a different joke ready for every introduction for this song; the oddest 
by far must be his "a little less like a painter with a jacket on" remark during 
the Rainbow Theatre show of October '73 (although had I been there it might have 
made more sense).

(http://geocities.com/bluesnaggletooth12/boot-7075.html#drury)"

Revised Comments:

This show was downloaded in shn format from SHNGenesis hub form Lechevalierdelalune 
(many thanks). The original shns were quite hissy and had gaps between the tracks.  
The shns were converted to wav using mkwACT 0.96f.  The tracks were then merged
using audio cleaning lab 3.0.  The gaps were removed using WaveLab Lite.  Dehissing 
and other slight restorations were performed using Pinnacle Clean.  The wav was recut 
to individual tracks using audio cleaning lab, and again slight modifications were 
made to individual tracks using Clean.  the wavs were then converted back to shn using 
mkwACT.

The show still sounds very MONO.  I attempted to use various "stereo expanders" and 
fiddle with different ways to seperate the channels, but these methods produced way too 
much distortion of the original sound, so modifications were very slight.

TRACK LIST:       

CD-1
1-01 Watcher of the Skies
1-02 Intro: Moonlit Knight
1-03 Dancing With the Moonlit Knight
1-04 Intro: Cinema
1-05 The Cinema Show
1-06 I Know What I Like (in Your Wardrobe)
1-07 Intro: Firth
1-08 Firth of Fifth
1-09 Intro: Harold
1-10 Harold the Barrel

CD-2
2-01 Intro: Box
2-02 The Musical Box
2-03 Horizons
2-04 Intro: Fool
2-05 More Fool Me
2-06 The Battle of Epping Forest
2-07 Intro: Supper
2-08 Supper's Ready

ENJOY!!!!!!!

PRRP014

1-1. Watcher Of The Skies 5:16
1-2. Story Of Britannia 2:05
1-3. The Nick And Michael Sketch 2:36
1-4. Dancing With The Moonlit Knight 8:55
1-5. Story Of Romeo And Juliet 2:28
1-6. The Cinema Show 11:41
1-7. I Know What I Like 6:13
1-8. Story Of Five Dead Bodies 2:12
1-9. Firth Of Fifth 10:19

2-1. Story Of Henry and Cynthia 2:11
2-2. The Musical Box 11:35
2-3. Horizons 2:26
2-4. Story Of Old Michael 4:09
2-5. Supper's Ready 24:35

Genesis
Peter Gabriel- Lead Vocals- Flute and Percussion
Tony Banks- Keyboards- Guitars and Backing Vocals
Mike Rutherford- Bass Guitars- Guitars and Backing Vocals
Steve Hackett- Lead Guitars
Phil Collins- Drums- Percussion and Backing Vocals

"An Eventful Evening"
        Genesis was on a roll. They were in the middle of the “Black Show” leg of the Selling 
England by the Pound Tour. This trip had begun on March 1st in New Jersey, taking them to 
Indianapolis, St. Louis, Kansas City and Detroit before moving on to Canada. The present 
performance features the band’s stop in Detroit, one that would be quite memorable for 
musicians and audience alike. The Motor City was always a prominent stop for all progressive 
rock bands of the time. In fact, the city had hosted the band Yes just 6 weeks earlier; a show 
that we at PRRP featured in release #013. Genesis were quite eager to make their mark there as 
well.
         Unfortunately for the band, many problems occurred during the show. Equipment failure 
for one thing became a major problem for the guys that night. But Genesis was used to equipment 
problems, so Peter Gabriel was experienced in the art of improvising and joking around with the 
audience. In fact, there is good evidence that the telling of stories between songs originated 
as a way to allow time for equipment warm ups and tuning and the correction of problems. The 
stories would reach unparalleled length that night in Detroit! Right after the telling of the 
Story of Brittania a buzz started to emanate from Mike Rutherbord’s equipment which prompted 
Peter’s improvisation narration of the “Nick the Rodie and Michael the bass guitarist sketch”
          As Nick and Mike frantically tried to remove the offending sound, Peter made their 
job even more difficult but providing the audience with a very amusing play-by-play. Gabriel 
was just about to direct Phil Collins in the renowned ‘one-handed drum solo’ to buy some more 
time but this was not necessary as the buzz was just then dismissed. Equipment failure would 
keep on plaguing the band throughout the entire show, but the most disturbing event of the 
evening came in the form of a very rude verbal attack from a member of the audience. In the 
middle of the Story of Henry and Cynthia, someone shouts out “your mother eats shit, shut the 
fuck up”. Always quick witted and unflustered, Peter calmly assures the man that his mother 
does no such thing. Then, Phil suggests that the gentleman find the nearest bar if he wants to 
continue such behavior. To this point in their career, this was probably the most inappropriate 
audience behavior the band had ever faced. 
          Fortunately for the rest of the audience, and ultimately for us, this incident, in 
addition to all the equipment problems, did not seem to disrupt the band’s concentration. 
Genesis offered a stellar performance of each and every song that night. The set was well known 
by this time in the tour and therefore the timing and cohesiveness were quite remarkable. So 
enjoy this wonderful show. It is somewhat unusual for its many problems, but certainly note 
worthy for its performance quality.

Notes from the Re-Master

This show was taken from two, second generation cassette tapes of good quality. Viable music 
signal was found up to 10,000 Hz. Highs are crisp and clear as evidenced by the tonality of the 
flute and small cymbals during Firth of Fifth as well as the small cymbals used during The 
Musical Box. A tape flip gap of over 70 seconds was found in The Musical Box. This was patched 
to provide a complete song. Another gap was found in I Know What I Like and also needed a patch. 
The first tape ended in the middle of Supper’s Ready but tape two had the complete song which 
was grafted onto the rest of the show.
            The general noise level of hiss was moderate but there was also a separate rolling 
hiss which varied in volume and also needed to be reduced. A combination of techniques was used 
to address both of these problems and reduce the level of noise to an acceptable level. 
Unfortunately for the band, the show was marred by a number of technical problems. After 
Dancing with the Moonlit Knight a buzz develops. This was left in the final version of this 
show because Peter Gabriel comments on the buzz and this leads to the “Nick and Mike Sketch” 
which we labeled Track 3. When it recurs, it was diminished as much as possible. Intermittently,
 the left channel lost volume and needed correction. Tonality within the left channel also 
needed to be corrected within these low volume sections. Occasional pops and short drop-outs 
were fixed and applause was lengthened at the end of some sections.

PRRP004

1. Watcher Of The Skies 6:35
2. Story Of Brittania 1:45
3. Dancing With The Moonlit Knight 8:47
4. Story Of Romeo & Juliet 1:53
5. Cinema Show 10:54
6. I Know What I Like 5:24
7. Horizons 1:47
8. More Fool Me 3:21
9. The Battle Of Epping Forest 12:23
10. Story of 5 Rivers 1:57
11. Firth Of Fifth (end cut) 6:03
Disc - 60:49

The Selling England by the Pound tour began in August of 1973. Already a popular group in Europe
 after the Foxtrot album, Genesis would finally receive significant recognition in the United 
States with the tour promoting this new album. The Band focused heavily on touring American 
college campuses, referring to the white and black shows depending on the stage backdrop used at 
the time. Mike Rutherford: "We've always gone down well in the big industrial cities of the East 
Coast and Mid West (America), maybe because of the element of fantasy and escapism in our shows."
Genesis played at McGraw Hall at Northwestern University in Evanston, Illinois on December 3, 1973
during the white show leg of the tour and were well received. Taking time off only for the 
Christmas holiday, the band then continued with shows in Europe. By March of 1974 they found 
themselves back in the United States for the black shows and were booked to play Northwestern 
again on April 17th.  There is some controversy over the exact date of this show with some 
evidence suggesting that it occurred on April 27th. 
This CD contains part of that show. The recording is known to be incomplete and many of the songs
 here were also played by the band during their previous visit to Evanston in December. This has 
led to the speculation that the recording is actually from the December 1973 show. However, this 
is unlikely since 'Horizons' and 'More Fool Me' were not known to be performed during the earlier
 concert and they are present on this recording as back to back tracks. This track order did not 
occur often on the Selling England by the Pound tour making Evanston '74 a special show because 
of this fact.
	


Notes from the Re-Master
	This recording was made with audience microphones. These microphones produced both a 
baseline hiss and a high frequency, volume dependent hiss. Each had to be eliminated separately.
  Generally, the frequency response was quite good for the equipment used at the time. The 
frequency range needed some adjustment to give the recording good detail and clarity. At one 
point during 'Battle of Epping Forest' the mid and high frequencies became degraded and almost 
completely lost in the left channel. This could only be incompletely corrected. Finally, the 
last song "Firth of Fifth" fades out during the guitar solo. No complete recording of this show 
is known to exit.

PRRPGS006- GENESIS SERIES

1-1. Watcher Of The Skies 9:00
1-2. Story Of Britannia 1:27
1-3. Dancing With The Moonlit Knight 9:03
1-4. Story Of Romeo and Juliet 1:38
1-5. The Cinema Show 11:22
1-6. I Know What I Like 6:35
1-7. Story Of Five Rivers 1:26
1-8. Firth Of Fifth 10:17
1-9. The Story Of Henry and Cynthia 1:47
1-10. The Musical Box 11:25
2-1. More Fool Me 4:08
2-2. The Battle Of Epping Forest 13:04
2-3. The Story Old Michael 3:11
2-4. Supper's Ready 24:22

The Overlooked Night 
            For Genesis, the final three months of 1973 were spent touring and promoting their latest album Selling England By The Pound. The new show had 
been warmly received in Britain but the band’s biggest challenge lay ahead as they set out to conquer the North American continent at last. Since their 
first appearance on American soil, in December the previous year at New York’s Philharmonic Hall, some 17 shows during the subsequent Foxtrot tour had 
begun to create a cult around the Genesis name and American audiences were already falling under the spell of the band’s music and Peter Gabriel’s 
bizarre onstage antics. This time, with a brand new album under their belt, Genesis were keen to draw audiences from all over the continent in an effort 
to crack the American market. They were scheduled to perform 25 shows, kicking off in the eastern parts of Canada and the US, and leading them all the 
way to the west coast with a memorable stay at the celebrated Roxy Theatre in Los Angeles, California, where they played no less than six concerts in 
three nights.
            During the short Foxtrot North American tour of 1973, Genesis had visited the city of Montreal, Canada, for the first time. The band would never 
forget this first contact with the province of Quebec and the warm welcome they had received there so they very naturally chose to play in Montreal 
again during the first leg of the Selling England By The Pound tour in the fall of 1973. They played the University Sports Centre on November 10th, to a recept
ion even greater than the previous year’s, and they made a promise to return there before too long. After a short break over the Christmas holidays, 
Genesis set out on the second leg of the Selling England tour, with a lengthy series of dates in Europe, before crossing the Atlantic again to add some 43 
new shows to their North American crusade, including two memorable evenings in Montreal. If the band members would recall the 1973 Roxy shows as 
being some of the finest Genesis performed, they would also remember Montreal’s enthusiastic response, making this city a favored stop for years to 
come.
            By the time Genesis made good on their promise and returned to Montreal on April 20th, 1974 for a two-night stay at the University Sports Centre, 
the Selling England By The Pound tour was nearing its end. As a bonus to fans of the band, the province’s hottest rock radio station, CHOM-FM, had 
arranged to broadcast the second night’s show. With this Montreal concert being one of the only two complete broadcasts of the Selling England show 
(the other being the famed London Rainbow Theater concert from October 20th, 1973), home recordings of this show would become highly sought-after 
prizes among collectors and numerous LPs and CDs of this show have been released over the years. Nowadays, thanks to the wonders of the internet, a 
few high-quality versions have finally surfaced, one of the best of which is the FADE remaster release of 2003. At last, the fans can enjoy a recording worthy 
of this outstanding Genesis performance but should that be all we remember from the band’s memorable stay in Montreal?            
	With the emphasis being on locating the best possible version of the April 21st radio broadcast, the previous night’s performance seems to have
 been overlooked over the years. Thanks to the efforts of a devoted fan, a recording of that first night does exist and it is this particular concert which we 
bring you here, at last in remastered form. As this was originally a much bruised audience recording, a great deal of hard work was needed to correct its 
many faults and we are sure that you will listen to this new version with keen interest. French-speaking fans will have a ball comparing the two nights as 
Peter Gabriel’s spoken French noticeably improves from one night to the next…perhaps he received some heavy coaching on the afternoon of the 
second show? And let us not forget the unknown audience member who, right in the middle of ‘The Cinema Show’, proclaimed: “This is even better than
 Pink Floyd”! Apart from ‘More Fool Me’ which was replace on the second night with ‘Horizons’, the setlist was identical for both shows, as was the 
reception from the fans. And, if, as can be expected, there are tiny differences in the performances from one night to the next, noticing these will 
undoubtedly be a big part of the fun of discovering what happened on that “overlooked night”! Enjoy!
Harold Demure
 
Notes from the Re-Master 
            The only complete copy of this show known to exist is a 1st generation cassette. For this project, we began with a CD version of this tape. There 
were two tape flip gaps present but otherwise the complete show was captured. This is generally considered a good quality recording but with the 
limited audience microphones available at the time, it is not surprising that there is no consistent signal much above 8,000 Hz.
            The first major problem that needed to be addressed was the tonality of the show. The Bass was quite excessive and needed dynamic adjustment 
because the excess varied throughout the show. The location of the taper also caused an echoic, upper bass excess that was also reduced. This helped 
to make Peter Gabriel’s stories more intelligible. At some points the tonality changed abruptly suggesting that the taper had to hide the microphones. In 
these situations, the midrange and treble were corrected as much as possible. Finally, the treble was quite hyper-dynamic but a de-esser filter was helpful 
in smoothing the response.
            The other major problem was the noise. The baseline hiss was reduced using standard techniques. The settings to reduce hiss for the last segment 
of the show were difference suggesting that the tape used to record this segment had different characteristics. There was also some peak-specific noise 
in the left channel that occurred intermittently that required selective removal. Lots of clicks and pops occurred and were removed as were microphone 
bumps and excessive claps that suppressed the volume of the show intermittently. Dynamics were adjusted both to correct these suppression problems 
and also to enhance the listening experience. A speed check disclosed no need for speed correction and at that point the show was re-tracked and 
completed.

Set I
Watcher of the Skies
Britannia story
Dancing with the Moonlit Knight
Romeo story
Cinema Show
I Know What I Like
5 Rivers story
Firth of Fifth
Henry story
The Musical Box
More Fool Me
Old Michael story
Suppers ready

Set II
WBCN radi studios;
More Fool Me
Interview with Mike & Phil

The Show

This evening's performance in the middle of the 2nd American Selling England tour was frustrating and brilliant at the same time. The equipment problems that plagued this tour were particularly bad this night, and at times you can hear Gabriel and Colins losing some of their usual tolerance in the face of continual microphone problems. Gabriel comments at one point that "we'll go professional next week", and Colins; "I bet you wish you'd gone to the pictures". The intro to 'I Know What I Like' is aborted at one point. 

Never-the-less, this is a great musical performance, and one of the better recordings of a show from this tour. Firth of Fifth is given a particularly emotive performance, and Phil varies some of his vocal lines in More Fool Me nicely. 

There is also an interview with Mike and Phil, inlcuding the end of their performance in the studio of 'More Fool Me', which was broadcast on Boston's WBCN radio, and which seems to be previously unknown.

The Recording

This recording has been remastered from Steve Hopkins' transcription of his master tape, which he generously sent me. The recording was made on a Sony TC-55 with built in condenser microphone. The tape was transfered using a Nakamichi DR-2 cassette deck to Sony TCD-60ES  DAT recorder at 44.1KHz with Super Bit Mapping (which really improves the clarity of the sound), before being transfered to CD. 

The recording is mono, but clear and with significant detail. The only limitation with this tape is that it does not represent the entire show, as The Battle of Epping Forest, and possibly Horizons (if they performed it this evening) are missing. There are also a few minor edits in the recording, and one of these may have omitted Phil's one-handed drum solo, which one is tempted to think they must have performed given the amount of technical difficulties. 

This recording has been widely in circulation, most commonly through the Highland disc 'More Fool Me'. I don't have a copy of this, but my impression is that while it is a complete transcription sourced from a low generation tape, it is very bright in the upper midrange, and lacking in richness in the bass. The master tape by contrast, is more balanced overall, and with a rich bass presence.

The afternoon before the show, Phil and Mike came into Boston's WCBN studios, performed 'More Fool Me' and gave a short interview. This interview has not been previously in circulation, but Steve had a recording of it, unfortunately missing all but the last 50 secs or so of 'More Fool Me'. But at least it exists and is included in this release. 

The Remaster

I took only one channel of Steve's transcription, so as to optimise for mono. I denoised the recording minimally, mostly just to sharpen up the treble a little. Eq balance was pretty good, although I attenuated the lower midrange a little around 200Hz to compensate for a slight boxiness in the microphone. 

I have made a few small crossfade edits at points where the tape was turned on and off during some of the technical hold ups in the show to provide a little more continuity. I cannot pick the point at which Epping Forest is missing from the recording, I assume it must have been played, especially as Phil and Mike comment in the interview about the show running nearly two hours - this recording comes in at just over 90 mins. 

There are also a few squeaky noises on the master recording, which may come from the cassete recorder, or even the seating at the venue. These sounds were quite distracting, so I have removed them. There was a very noticable one at the beginning of Tony's piano intro to Firth of Fifth, and others in the opening section of Musical Box. 

Watcher Of The Skies
(Britannia Story)
(One-Handed Drum Solo)
Dancing With The Moonlit Knight
(Romeo Story)
Cinema Show
I Know What I Like
(5 Rivers Story)
Firth Of Fifth
(Henry Story)
("Some In Betweens, Phil")
The Musical Box
Horizons
The Battle Of Epping Forest
(Old Michael Story)
Suppers Ready

The Concert

This was the second last concert of the Selling England by the Pound tour. The band had been performing this music since October the previous year, some of it for much longer. What we hear is not only a finely honed rendition of some of their best music, but an exhilarating performance. And what adds interest for us was what plagued the Genesis crew at the time - equipment problems. Not only is Phil's One-handed drum solo routine given an amusing airing, but later in the concert, Phil leads an impromptu improvisation while covering for another running repair. 

And their equipment woes didn't end with the gig. Phil comments at one point during the concert "even the unexpected happens tonight..." Little did he know. Later that evening all the band's guitars were stolen, to be returned the next day after a little bribery, allowing the performance of the 6th May to go ahead. On that last concert of the tour, Peter describes the incident, in typically amusing fashion - however I'm sure they didn't feel that way the day before. 

From a friend who lives in New York, I have been told about the venue: "its offical name was 'Howard Stein's Academy of Music', the place where so many famous bands played, Nektar, Renaissance etc. I think it was on 14th Street. It was sold in 1976 and re-named 'The Palladium'."

In my opinion this concert may be regarded as one of the finest Selling England shows they performed, and it is a great fortune that we also have one of the best recordings of the tour to document it. 

The Recording

This audience recording is absolutely superb. Clear open detailed sound, with good dynamics and very little hiss or distortion. Given this quality of sound, the matter of it being a mono recording becomes irrelevent. 

The recording documents nearly the whole performance. However, there are two major gaps; the first, a minute and a half missing during from middle of the instrumental section of Cinema Show, and the other, the last third of Battle of Epping Forest. These would be sad losses from an otherwise great recording, if it wasn't for the existence of an almost comparable quality recording from the same venue on the 6th. This recording, to my knowledge, is incomplete, cutting the end of Cinema Show, and finishing with Epping Forest and so missing Supper's Ready. However by good fortune, it does cover those sections missing from the tape of the 4th. So I have spliced in the missing sections from this 6th May tape. 

Hence this recording gives the complete show, to the extended applause and playing of Albinoni's Adagio that conclude the concert. 

The best known version of this concert in circulation is the Highland release: 'Voices in the Academy'. Recently, a CDR 'from VHS copy of master reels' has been circulating. This new version is a huge upgrade on the Highland version, and begins to show the quality of the original recording. Highlands source by comparison is hissy, muddy and with a 'bubbly' texture (minor dropouts). 

Recently I was sent a 1st generation tape from an American collector who has had his tape for a long time. Many years ago he did a trade with a Canadian collector who insisted on a VHS dub of the tape. Comparing this 1st gen tape and the 'from VHS' CDRs, I believe it is a fair bet that the new CDRs come from the VHS tape dubbed from this tape. Certainly this 1st gen tape is clearer and more open than the CDs. 

The Restoration

This was a fairly straight forward recording to remaster, requiring little serious repair work. I began with a new transcription of the 1st gen tape, optimising for mono and giving a little boost to the bass harmonics.

I have chosen to denoise very slightly (-4Db) and also bring out the treble a little more cleanly. If you compare with the 'from VHS' CDs, you will hear the extra brightness in the top end, with marginally less hiss. The excerpts from the 6th May tape were spliced in, eq balancing and repitching that recording, as it was about a half tone flat. 

The Academy of Music is a lovely old venue that has a rich warm acoustic. I have complimented the recording with a little reverb, matched to that of the venue, and opening up the mono soundstage with some early reflections.

Label - Digital Brothers Productions
Comment - Remastered from Joe Maloney's master tapes.

CD 1 - 53:39 ; CD 2 - 70:38

1-1. The Story Of Rael (prt 1) 1:20

1-2. The Lamb Lies Down On Broadway 5:16

1-3. Fly On A Windshield 4:12

1-4. Broadway Melody Of 1974 0:32

1-5. Cuckoo Cocoon 2:12

1-6. In The Cage 8:09

1-7. The Grand Parade Of Lifeless Packaging 3:04

1-8. The Story Of Rael (prt 2) 2:05

1-9. Back In N.Y.C. 6:12

1-10. Hairless Heart 2:14

1-11. Counting Out Time 3:42

1-12. The Carpet Crawlers 5:41

1-13. The Chamber Of 32 Doors 5:48

1-14. The Story Of Rael (prt 3) 3:06

2-1. Liliwith Lilith 2:52

2-2. The Waiting Room 6:20

2-3. Anyway 3:24

2-4. Here Comes The Supernatural Anaesthetist 5:19

2-5. The Lamia 7:08

2-6. Silent Sorrow In Empty Boats 3:06

2-7. The Colony Of Slippermen 8:32

2-8. Ravine 1:53

2-9. The Light Dies Down On Broadway 3:39

2-10. Riding The Scree 4:24

2-11. In The Rapids 2:07

2-12. It 4:56

2-13. Story Of Henry & Cynthia 2:37

2-14. The Musical Box 12:06

2-15. After Show Music (Old Man River) 2:07


Special Thanks
This show was a true fan team effort! 
Special Thanks go to Joe Maloney and his good friend Jamie for providing the tapes and amazing photo's 
and full 
support for the creation of this show. Also Roger and Paolo "The Digital Brothers" for the 
superb re-master job. Halley "The Genesis Goddess" for creating the 
fantastic artwork. And finally head 
honcho Meek of Meeksgenesis for organizing another quality Genesis project to the fans .

Technical Notes 
on the Boston Lamb.

Here's some notes on what I've done to obtain the final 
result on the Boston Lamb: 
first, the gaps, there where two gaps that 
had to be fixed.
Flying in some material from Providence: 
an 11" gap at the beginning 
of Carpet Crawlers patched with a 25" sonically matched and 
overlapped portion, 
and a 15" gap in the ambient part of Here Comes 
The Supernatural Anaesthetist starting after 3'45" from the 
beginning 
of the song (it's the point where everyone in the audience seems to 
want to whistle) patched with 
57" from The Providence recording again 
sonically matched, overlapped and crossfaded.(there actually was a 

third gap on the crowd before the encore but that never gave problems 
at all).
The major problem with this 
Boston recording regarded the fact that 
it was brutally mono; so, apart from the usual de-noising, 
equalizing, 
pumping, brightening, limiting and ambient 
reconstruction, I faced the decision to reconstruct a believable 

stereo image which I achieved with the aid of Waves' PS22 plug-in, 
the best software to obtain a believable 
stereo image from a mono 
source (I hope that this doesn't spoil you the enjoyment of these 2 
cds, but is in 
line with my philosophy of not being concerned about 
what it sounded like back then, but being more concerned 
about what 
it should sound like now).

Digital Brothers

It's "The Lamb" live, plus The Musical Box. There are no less than 7 known recordings of this show. I'm thinking this is SAB 06.

LLD_302 is definitely SAB06

(Digital Brothers Production)
Type: Audience
Quality: A
Media: 2 CD-R

Recording comments
Although there's a tad too much noise reduction done IMO, the sound of
this remaster is fantastic, and feels like you're actually IN the hall! :)
Killer version of The Waiting Room, running over 9 minutes and departing
completely from the original theme and going into a hypnotic groove!
[Jesper Moonen]


Setlist
Track # Track Name Track Length
CD 1
1.01 The Lamb Lies Down On Broadway 06:15
1.02 Fly On A Windshield 04:53
1.03 Broadway Melody Of 1974 00:29
1.04 Cuckoo Cocoon 02:26
1.05 In The Cage 08:08
1.06 The Grand Parade Of Lifeless Packaging 04:59
1.07 Back In NYC 06:11
1.08 Hairless Heart 02:34
1.09 Counting Out Time 03:54
1.10 The Carpet Crawlers 05:52
1.11 The Chamber Of 32 Doors 09:33
1.12 Lilywhite Lilith 01:23
1.13 The Waiting Room 09:48
Total time 66:30
CD 2
2.1 Anyway 03:29
2.2 Here Comes The Supernatural Anaesthetist 04:32
2.3 The Lamia 07:12
2.4 Silent Sorrow In Empty Boats 03:30
2.5 The Colony Of Slippermen 08:56
2.6 Ravine 01:51
2.7 The Light Dies Down On Broadway 03:38
2.8 Riding The Scree / In The Rapids 06:53
2.9 It 06:38
2.10 The Musical Box 11:42
Total time 58:26
Total Running Time :  2:04:56

PRRP010

1-1. The Lamb Lies Down On Broadway 5:16
1-2. Fly On A Windshield / Broadway Melody Of 1974 4:14
1-3. Cuckoo Cocoon (Begin)0:33
1-4. Cuckoo Cocoon 2:23
1-5. In The Cage 7:59
1-6. The Grand Parade Of Lifeless Packaging 3:12
1-7. Story Of Rael I 1:30
1-8. Back In N.Y.C. 6:06
1-9. Hairless Heart 2:35
1-10. Counting Out Time 3:54
1-11. Carpet Crawlers 5:48
1-12. The Chamber Of 32 Doors 5:52
1-13. Story Of Rael II (part 1) 3:02
1-14. Lilywhite Lilith 2:55
1-15. The Waiting Room 9:19
1-16. Anyway 3:30
1-17. Here Comes The Supernatural Anaesthetist 2:30
1-18. Interlude 1:47
2-1. The Lamia 6:56
2-2. Silent Sorrow In Empty Boats 3:18
2-3. The Colony Of Slippermen 8:58
2-4. Ravine 1:44
2-5. The Light Dies Down On Broadway 3:29
2-6. Riding The Scree 4:06
2-7. In The Rapids 2:27
2-8. It 4:29
2-9. The Story of Henry & Cynthia 3:30
2-10. The Musical Box 15:06
2-11. Watcher Of The Skies 7:24 

Notes from the Re-Master
	There are many versions of this concert available among Genesis Fans. The BBC recorded 
the show and those tapes were used to produce limited versions of this concert. This recording 
as based on an audience tape which is essentially complete. Only a couple of sentences during 
the Story of Rael part 2 are missing. This was likely when the original tape was turned during 
the show.
	The quality of this stereo recording is quite good. For some reason, the right channel 
volume was consistently 25-30% lower than the left. This was corrected. The recorder was probably 
near the front of the stage at the time of the concert. This allows us to appreciate the ambience 
of the concert hall acoustics without suffering from the "airplane hanger" effect of recordings 
made from the back row of an auditorium. This close proximity may also explain why treble was 
overemphasized in this recording and needed to be reduced. The last two songs also seem to be 
different in their tonality with even less bass and more treble. They may have been recorded 
onto a different tape, hence different characteristics. All of this was fixed. Further, the last 
two songs suffered from constant crackle, the source of which is unknown. Fortunately, it was 
easily removed. Hiss was quite prominent throughout the recording but was removed without too 
much trouble. Because it was an audience recording, removing the hiss made audience talking more 
obvious, and at some point distracting. Nothing could be done about this. Again, because of the 
audience placement of the recording device, applause was quite 
overpowering at some points and needed to be reduced. Pops and clicks were also quite frequent. 
53 were manually removed and others were corrected using algorithms. 
Peter was quite dynamic with the vocals during this performance. At some points the vocals are 
quite soft and needed enhancement. At other times they were overwhelming and distorted at their 
peaks. This was corrected as best as possible. The letter 'S' when sung loudly produced a hiss 
that needed to be reduces on many occasions. For some reason, during the last song, Watcher of 
the Skies, for about 50 seconds the volume of the Left channel drops to about one third of the 
original volume. The cause for this is unknown but this was also fixed.
The Tracking of the concert was quite curious. Disc one track placements did not correspond well 
at all to the known tracking of the Lamb Lies Down On Broadway studio version. So, most of the 
first disc tracking was reworked. On the second disc the 'Lamb' tracking was correct. The only 
change that was made was to separate the 'Story of Henry' from 'The Musical Box' within the 
"Musical Box" track, thereby adding an additional track.

The Lamb Lies Down On Broadway
Fly On a Windshield
Broadway Melody of 1974
Cuckoo Cocoon
In the Cage
The Grand Parade of Lifeless Packaging
The Story of Rael Part 1
Back in N.Y.C.
Hairless Heart
Counting Out Time
The Carpet Crawlers
The Chamber of 32 Doors
The Story of Rael Part 2
Lilywhite Lilith
The Waiting Room

Anyway
The Supernatural Anaesthetist
The Lamia
Silent Sorrow in Empty Boats
The Colony of Slippermen
Ravine
The Light Dies Down on Broadway
Riding the Scree
In the Rapids
It
The Musical Box
The Knife

Visit www.from1fan2allothers.com

PRRP001

 1. Beloved Summer (It's Yourself) 5:40
 2. Ripples (part 1) 4:40
 3. Ripples (part 2) 4:11
 4. Robbery, Assault & Battery 6:25
 5. Los Endos 3:06
 6. Los Endos 2:47
 7. Mad Man Moon 4:14
 8. A Trick Of The Tail 4:35
 9. Entangled (inst. 1) 4:36
10. Entangled (inst. 2) 6:33
11. Dance On A Volcano 6:05
12. Squonk 6:54
Total Disc - 59:46 

“A Trick of the Outtakes”

The Sheffield brothers built Trident studios at No. 17 St. Anne’s Ct. Soho in 1967. 
This studio was the recording site for many rock albums of the 1960’s and 70’s 
including David Bowie’s Ziggy Stardust and many tracks from the Beatle’s White Album. 
The Genesis sessions captured on this CD were recorded there in October of 1975 and 
then remastered to enhance the listening experience.
The CD begins with Beloved Summer which was the working title for the B-side 
release called It’s Yourself. It is one of the few songs on the CD that includes vocals. 
This is followed by an instrumental version of the song Ripples. Mike Rutherford can be 
heard counting the tempo at the beginning. A second version of the song follows. 
Robbery, Assault and Battery is next and is also in the instrumental mode. Just before 
the next song, Los Endos, Phil Collin’s can be heard counting the tempo. This song is 
separated into two tracks detailing different segments of the song. Mad Man Moon is 
then presented with piano, drums and some bass. It is, again, an instrumental version 
and suffers from poor recording but is still quite impressive. Trick of the Tail 
is then offered with vocals in a version very similar to the official release. 
Two versions of Entangled follow, again devoid of vocals. The accentuation of the 
guitars is particularly impressive during the first take while the second take is 
more involved and includes alternatives to the studio mix. Dance on a Volcano is 
the next track followed by Squonk. Both are presented without vocals and provide 
an interesting opportunity to really study the instrumentation of these songs.

Recorded at Trident Studios, England October, 1975
Tony Banks                 Keyboards, 12 String Guitar
Phil Collins                   Vocals, Drums, Percussion
Steve Hackett               Electric Guitar
Mike Rutherford           Bass, 12 String Guitar

Remastering Notes
  
    Most of the recording suffers from a great deal of Hiss. This was removed from 
each track separately. Bass levels were found to be excessively high on many tracks 
leading to a muddy sound quality. Bass was cut and both treble and midrange frequency 
ranges were then raised to bring out the detail within the recording. Many of the peaks 
within the songs were clipped and required software restoration. The whole recording was 
then normalized to a consistent volume level.

Helping Out
Please help get this show circulated. Visit http://from1fan2allothers.com for details.

Dance on a Volcano
The Lamb Lies Down on Broadway
Fly on a Windshield
Carpet Crawlers
The Cinema Show
Robbery, Assault & Battery
White Mountain
Firth of Fifth

Steve's intro
Entangled
Squonk
Supper's Ready
I Know What I Like (In Your Wardrobe)
Los Endos
It/Watcher of the Skies

SAB04

Lineage: SBD > FM > CASSETTE > WAV > CDR > WAV > FLAC > You
Taped By: Eeklair
Transfered By: Eeklair
Bootleg Title: Eeklair GT01 (a 2006 Remaster)

Disc 1
1.1 Dance On A Volcano (6:30)
1.2 The Lamb Lies Down On Broadway (4:57)
1.3 Fly On A Windshield (3:04)
1.4 Carpet Crawlers (5:23)
1.5 Cinema Show (12:06)
1.6 Robbery, Assault & Battery (6:39)
1.7 White Mountain (8:09)

Disc 2
2.1 Firth Of Fifth (10:11)
2.2 Supper's Ready (23:18)
2.3 I Know What I Like (6:14)
2.4 Los Endos (7:14)
2.5 It/Watcher Of The Skies  (5:47)

Notes:

I taped this back in 1998. I sent Mark Bataitis a copy back in 2000. I think he used it to release his Burp 04.
I felt i needed to redo this to give it a more modern mastering. And besides, it never had any business being a bURP release anyhow. Thanks to AV for letting me 'rework' his basic art design. I only affected a few small mods.

Please do an A/B comparison. you'll find this copy more pleasing to the ear than prior releases.

Best
Eeklair

PRRP007

1-1. Dance On A Volcano 6:31
1-2. The Lamb Lies Down On Broadway 4:27
1-3. Fly On A Windshield 2:42
1-4. Carpet Crawlers 5:21
1-5. Romeo and Juliet Story 0:59
1-6. The Cinema Show 10:42
1-7. Harry's Robbery Story 1:02
1-8. Robbery, Assault & Battery 5:50
1-9. White Mountain 6:58
1-10. Firth Of Fifth 8:21
Disc - 52:39

2-1. Entangled 7:15
2-2. Squonk 6:41
2-3. Supper's Ready 23:09
2-4. I Know What I Like 5:09
2-5. Los Endos 7:09
2-6. It 3:57
2-7. Watcher Of The Skies 2:24
Disc - 55:32 

Tony Banks- Keyboards
Phil Collins- Lead Vocals, Drums, Percussion
Steve Hackett- Lead Guitar
Mike Rutherford- Bass, 12 String Guitar
Bill Bruford- Drums and Percussion

“Robbery, Assault and Berkeley”

Genesis first visited Berkeley California on January 22, 1975 to perform ‘The Lamb Lies Down on 
Broadway’. The band returns now on April 29, 1976 for their second visit to this part of the Bay 
area to again present old material but also to play songs from the new album ‘The Trick of the 
Tail’. This is their first show in four days, since a performance in Kansas City, and the first 
of 3 they will give on the West coast. During the previous visit to Berkeley, Peter Gabriel was 
at the microphone and Phil Collins played drums. During this visit, Phil is now singing vocals 
and Bill Bruford is leading the percussion. After the first song “Dance on a Volcano”, Phil 
informs the audience that they are going to play a collection from the prior tour which they 
have entitled “Lamb Stew”. This consists of “The Lamb Lies Down on Broadway”, “Fly on a 
Windshield” and “Carpet Crawlers”. Phil’s renditions are clearly different than Gabriel’s but 
still well received by the audience.
            Mr. Collins also continues Peter’s tradition of telling introductory stories before 
many of the songs. Though using less fantasy and magical thinking than his predecessor, Phil 
conveys humorous tales, including some local flavor, which the audience seems to enjoy. Older 
material such as “Supper’s Ready” and “The Cinema Show” take on a new sound as Bill Bruford 
works his magic at the drum set and interjects a series of new percussion instruments into the 
mix. Phil’s voice, though not as powerful as Peter’s, has an angelic quality at this point in 
his career which blends well with many of the songs presented during this show. The show closes 
with a medley of both old and new material: “Los Endos”, “It” and a shortened version of “Watcher
 of the Skies”.

Notes from the Re-Master

This show was taken from multiple sources, all beginning with an audience recording. As a good 
quality audience recording, this show has the benefit of providing the acoustics of the Berkeley 
Theater to the listener. The majority of the show is from a second generation tape source. 
General tape hiss and show noise were identified and removed. Tonality was generally good and 
therefore unaltered. Very few clicks, pops or dropouts were found. Viable music frequencies 
existed up to 12,000 Hz. Other available CD versions of this show have a great deal of hiss and 
viable music frequencies only up to 7,500 Hz. These other versions also have cut the beginning 
of the song Los Endos due to tape stretch distorting the sound. During remastering we have 
restored this segment. A source with the complete dialog between songs could not be found so 
some transitions are a bit awkward but more natural than other CD versions available.

Never Buy or Sell a PRRP Release!! Visit http://prrp-music.com for more.

PRRPGS003- GENESIS SERIES

CD1
1-1. Sqounk 6:45
1-2. Good Evening San Francisco! 0:42
1-3. One For The Vine 10:03
1-4. The Story Of Harry 1:32
1-5. Robbery, Assault & Battery 5:58
1-6. The Story Of Myrtle 1:24
1-7. Your Own Special Way 6:16
1-8. Steve Hackett Introduces An Older Number 1:08
1-9. Firth Of Fifth 8:27
1-10. Phil Introduces The Lamb 0:27
1-11. Carpet Crawlers 5:15
1-12. Introducing Chester Thompson 1:17
1-13. ...In That Quiet Earth 4:43
1-14. Afterglow 4:36
1-15. I Know What I Like 8:56
CD2
2-1. Story Of A Failed Scottish Uprising 0:39
2-2. Eleventh Earl Of Mar 7:51
2-3. The Story Of Romeo & Juliet 1:55
2-4. Supper's Ready 24:40
2-5. Dance On A Volcano/ 4:24
2-6. Drum Duet/ 0:48
2-7. Los Endos 5:53
2-8. The Lamb Lies Down On Broadway/ 5:01
2-9 The Musical Box (Closing Section) 3:08

Genesis 
Phil Collins - Lead Vocals- Drums and Percussion
Tony Banks- Keyboards- 12 Strings and Backing Vocals
Mike Rutherford- Bass Guitars- Guitars and Backing Vocals
Steve Hackett- Lead Guitars and Effects
Touring Member
Chester Thompson- Drums and Percussion

A Lasting Impression…Genesis 30 Years On 

            I can not believe that it’s been 30 years already…no way…forget it…and still…it is. March 2nd, 2007 and I did turn 47 a few days ago…my, how 
time flies. Yet my memories of the event are so vivid it almost seems impossible that so much time has gone by since then....
            March 2nd, 1977. I’d like to believe that I am the happiest teenager in the world right now, but I know that there are countless others, all over the 
province of Quebec, sharing the same feeling. A bunch of classmates and I are sitting on a chartered bus, en route to the Genesis concert at the 
Montreal Forum tonight. we’re all pretty anxious as a rather strong snowstorm is raging outside, but reassuring words from the seasoned, grey-haired bus 
driver soon put our minds at ease: “Don’t worry, guys, we’ll get there on time!” He has obviously seen worse, so we get to relax. Outside the bus windows,
 the wind is blowing tons of snow through leafless trees and the entire scenery is very reminiscent of the ‘Wind And Wuthering’ album cover, which makes 
for a very special atmosphere indeed. There’s a guy on the bus with a small but quite efficient cassette player who plays Genesis songs from all the 
albums, past and present, and we all find ourselves singing or humming along to countless classics. Clearly, this vehicle is loaded with rabid Genesis fans 
and everyone is having a ball…even the driver! A quick stop for a hearty meal along Auto-Route 40 West gives us a short respite from the storm, but we 
are soon back on the road for the final leg of this eventful trip.
            Suddenly, there it is…the Montreal Forum, home of the Montreal Canadiens, proud holder of so many Stanley Cup banners, and host to the finest 
entertainment acts in the world. Tonight, it will be home for Genesis and an army of 16,000 fans! I’ve been here a few times to attend hockey games with 
my brothers, but tonight is quite different – I’m here to see MY BAND!!! A quick walk around the building to catch a glimpse of the huge Showco trucks 
and in we go, heading straight for a souvenir stand. Unfortunately, they’re already out of my size in T-shirts, so I have to settle for a tour program, and a 
great looking one it is. As I get seated, I quickly thumb my way through it, marveling at all the great pictures inside. I can hardly wait to read the text, 
but my attention now turns to the stage itself and the amazingly huge lighting rig suspended overhead. I’ve seen a couple of rock shows near my home 
town, but nothing on this scale. This is HUGE, and quite impressive to a 17 year old kid. But the most staggering thought is this: in a few moments Tony 
Banks, Steve Hackett, Phil Collins and Mike Rutherford will be standing on that stage…Genesis will be there, performing their music exclusively for us. The 
anxiety is almost unbearable!      Eventually, the wait is over. The house lights are turned off, a huge roar of applause fills the building (and my ears as well!)
 and I can feel my skin crawl as thousands of trembling little flames are lit by fans all over the place. From where I’m sitting I can see the guys in the band 
walk onto the stage and take up their respective positions. The stage is set…let there be light and Genesis music! Music we will have…Phil counts up to 
four…and the Montreal Forum explodes! To anyone present this night the first few bars of ‘Squonk’ will forever be remembered as a deafening blow. The 
volume of sound that engulfs us in that moment is but one step short from total aggression, yet everything is crisp and clear and every instrument or vocal
 harmony can be heard to perfection.
            If the band wanted to grab the audience’s immediate attention, choosing this particular song as the show opener was a sure way to do it! 
Grabbed we are, and grabbed we will stay until the very last note of this incredible show. While my ears are being given a workout, my eyes are 
catching their first images at a furious pace, trying to see everything and everyone at once. Steve Hackett on the left, dressed in beige slacks with 
knee-high boots and a white loose-sleeve shirt, is playing standing up, which is quite a contrast from the old Gabriel-era pictures that I have of him, 
sitting down, hunched over his golden Les Paul.
            Mike Rutherford, all dressed in white, looks like a tower of strength with his huge Shergold double-neck guitar in hand. He has grown a beard 
since the last tour. Tony Banks, perhaps the only member of Genesis that will never change, quiet, stoic, hunched over his keyboards in concentration, 
with only a few head nods here and there to indicate that he seems to be enjoying himself. He too is all dressed in white. Chester Thompson, newcomer 
to the Genesis fold, appears to be a very discrete and efficient musician. I’ve heard him play on a couple of Frank Zappa records and was very impressed. My guess is he will impress me again tonight. And in the middle of all that: Phil Collins, dressed in white trousers and a sailor-like striped shirt. At first glance, the man appears as he really is…a huge ball of positive energy, running around the stage, smiling, clearly having a ball. His voice is in great form this night; every word can be heard clearly and seems to flow like water. I’ve never heard ‘Squonk’ played live before so the finale truly grabs me as Steve Hackett’s chilling guitar sound sends shivers up and down my spine. Wow!!
            After a huge standing ovation, Phil addresses us for the first time. Much to everyone’s delight, he has chosen to speak French for the most part. 
Since his first real brush with the French language comes from when he took over as lead singer the year before, he has to rely on written notes on a 
small stack of typing paper, a practice that (unbeknownst to me at the time) he would carry on for years to come. The next number in the set is a new 
one, ‘One For The Vine’, and will afford us the opportunity to see Phil play the drums for the first time tonight. What an amazing drummer he is! The music 
really takes off when he’s sitting behind the kit. The song also provides our first glimpse at the amazing laser effects, the best of which are still to come. 
After two more recent numbers, namely ‘Robbery, Assault & Battery’ and ‘Your Own Special Way’ (introduced in French by Mike Rutherford), the moment 
that we’ve all been waiting for finally arrives. Time for the band to dig into the older material, and Steve Hackett is the one delegated to bring us the 
good news. ‘Firth of Fifth’…what more can be said about this classic number from the ‘Selling England By The Pound’ album? It is pure magic to see 
Genesis performing this amazing song. Phil’s dynamic drumming and Tony’s masterful keyboard playing carry us to the powerful climax provided by 
Steve’s most celebrated guitar solo, which brings tears to the eyes of many, including myself.
            Another incredible high for everyone is the inclusion at this point of the song ‘Carpet Crawlers’, from ‘The Lamb Lies Down On Broadway’. Phil’s 
voice is so beautiful, and so are Steve’s guitar cries in the background, but the thing that truly gets to me is the amazing respect shown by the audience. 
Not a single sound can be heard outside of the music itself. A fly could have flown by and one would have heard it. Before playing two more of the new 
numbers, ‘In That Quiet Earth’ and ‘Afterglow’, Phil introduces special guest drummer Chester Thompson to the audience. Montreal is renowned for its 
warm welcome to progressive rock bands and musicians, and Chester soon finds out what that means. The man stands up to acknowledge the 
applause, visibly taken aback by such a prolonged standing ovation. For the Montreal audience, it is only natural to greet Chester this way, for the man 
has already proven himself worthy of entering the Genesis family.
            Time to kick up our heels and join the fun as Genesis launch into ‘I Know What I Like’ and the audience is transformed into a gigantic choir every 
time the well-known chorus comes in. Phil’s tambourine dance brings a smile to the proceedings, and I suspect that many people in the hall are too 
busy having fun to notice that Steve has just thrown in a snippet from ‘Dancing With The Moonlit Knight’ or that the music has turned, for a brief 
moment, into the ‘Stagnation’ chorus. I’m convinced that even a lot of my friends will not believe me when I tell them what I’ve heard.
            After the festive mood brought on by the last number, the band returns to the ‘Wind And Wuthering’ album for the last time tonight. ‘Eleventh 
Earl Of Mar’, the song that many thought would surely be the show opener, is instead played almost last. The rendition is superb and paves the way for 
the most exciting moment of the evening. As Phil starts telling the story of Romeo and Juliet, I have a look at my watch and think: “If they go into ‘The 
Cinema Show’ now, they won’t have time to play ‘Supper’s Ready’!” The song that I had most anxiously hoped for was now slipping away, until…Phil 
unexpectedly announces ‘Supper’s Ready’ at the end of the Romeo story, and I think that everyone’s heart must have stopped for a brief moment in 
time. Here is the song we all wanted to see and hear! Steve Hackett grabs the old 12-string acoustic guitar and sits down for the first time. The amazing 
ride is about to begin! I think no words can truly describe the feeling that one gets when seeing Genesis work through the various movements of their 
most fabulous song.
            After Peter Gabriel’s departure, the band decided to modernize the song a bit, so everything is there, so familiar and yet so fresh and new. 
Genesis were always known as a visual band, and ‘Supper’s Ready’ is about to prove this statement beyond our wildest dreams. The giant dancing 
flowers that pop up from behind the stage, the breathtaking red laser cone that fills the Forum from floor to ceiling, seemingly giving a whole new 
dimension to the place, and the amazing blue laser beam that comes down to surround Phil as he sings the final ‘New Jerusalem’ part, all of these 
leave us speechless. As the last rings of smoke evaporate from the stage, the ovation that follows the last few notes of the classic song grows to an 
amazing roar as the musicians stand there to acknowledge the applause and catch their breath. The place is simply going wild and Phil is desperately 
trying to regain control at the microphone. Finally, the applause dies down and he quickly offers us another thank you. “Now we’ve come to the last 
song” he says, and only such a statement could have brought up booing sounds on this wonderful night. The band quickly jumps into ‘Dance On A 
Volcano’, much to everyone’s delight. It comes as a bit of a surprise that this song should be performed so late into the set, but the most surprising 
moment is still to come. Instead of the usual finale, Phil and Chester launch into a quick drum duet that soon leads us into ‘Los Endos’. The amazing 
instrumental totally blows us away as Genesis are giving us every bit of energy they have left. At the climax of the number, visuals take over again as 
amazing orange laser swirls suddenly surround the entire lighting rig over the stage. ‘Los Endos’ ends in a mighty crash as we all jump to our feet once 
again. “Bonsoir Montreal!” Phil shouts just before leaving the stage. The quest for an encore starts immediately.
            If I thought the audience had been noisy before, this opinion is quickly dispelled upon hearing the gigantic roar of applause that we are now 
offering in the hope of luring the band back onto the stage. Our prayer is quickly answered as the guys come back wearing Montreal Canadiens jerseys 
and jump into ‘The Lamb Lies Down On Broadway’. At the end of it, we are taken by surprise once again as the song is brilliantly segued with the finale 
of one of their most enduring numbers, ‘The Musical Box’. With that last blast, Genesis bow to us one last time and leave the stage for good. The show is 
over…it went by so quickly, and yet I have a feeling that I will never forget a single moment of it.
            March 2nd, 2007. As I sit here 30 years on, remembering that wonderful night, I cannot help but smile at the thought that my assessment was quite 
correct. I do remember everything that I saw and heard that night. These memories are forever etched in my mind and will remain with me until the day 
I die. This was my first big show, and it featured my most beloved band of all, how can a person ever forget such a moment in time? I saw Genesis play 
live on six more different tours after that, but even though I thoroughly enjoyed all of them, they were never the same as the first one. Steve Hackett was 
no longer with the band, and a lot of the magic left with him. A few days from now, tickets will go on sale for the new and quite unexpected Genesis 
world tour. They are rumored to be appearing at Olympic Stadium in Montreal on September 14, 2007. Again, I will do my best to land the best tickets I 
can afford, and again, I will be the happiest man in the world when I do so. I know that ticket prices have skyrocketed in the last few years and that it 
will most likely cost me at least 150 Dollars to see them this time, but hey…it’s Genesis!!!
            In closing, I would like to add these few figures, only to show how things have changed since March of 1977. 
                                    Genesis ticket price:      $7.50
                                    Genesis tour T-shirt:      $3.00
                                    Genesis tour program:   $2.00 
Kind of brings tears to the old eyes, doesn’t it? Enjoy this great ‘Wind and Wuthering’ show. The band sounds every bit as good as I remember them being
 in Montreal. 
RH 

Notes from the Re-Master 
            We began with the SHN files that had been distributed via torrent just a few months ago. As was mentioned when the show was released, the 
beginning of Squonk was missing the first few notes and the Left channel was essentially absent for the first minute or two. The audience recording of this 
show was, in part, used to repair this beginning section as were other sources. The audience recording was also used to help patch a tape flip gap later 
on as noted below.
            For the show in general, multiple noise reduction techniques were used to remove tape noise where necessary. There was also an intermittent 
noise that interfered with the enjoyment of the dialogue and other quiet sections. This needed to be repaired when found and was repaired successfully. 
The balance was audibly off-center when listening to the original recording but was easily fixed for the remaster. The dynamics of the show were also 
enhanced where possible but no significant change to the tonality was made.
            A tape flip gap occurs just before The Carpet Crawlers. The gap leaves out the introduction to this song. Rather than splice in another 
soundboard sourced song introduction, we made the decision to splice in the audience recording from that night. This patch itself is incomplete 
because a gap in this section occurs in this source as well but still, we decided to use this source. The reason was two-fold. First, as an alternative source 
for that evening’s performance, using the audience recording was more accurate to represent the evening’s event. This is important because Phil jokes 
that the band will begin to play the entire Lamb Lies Down On Broadway. Secondly, this audience source does capture the beginning of The Carpet 
Crawlers and so easily completes the song.
            Probably the most important component of this remaster was the speed correction. Each disc was speed corrected separately. The tracks were 
compared with established references and a clear pattern of speed error emerged. Correction of this error improves the recording enormously, in our 
opinion. The show was then re-tracked to separate the songs from the introductions and to insure that the track points conform to established standards. 

PRRP Staff

late show

Disc 1 of 2
01. Squonk                             07:00.30
02. One For The Vine                   10:08.42
03. Robbery, Assault And Battery       07:25.51
04. Inside And Out                     07:42.48
05. Firth Of Fifth                     09:02.22
06. The Carpet Crawlers                06:23.70
07. In That Quiet Earth                04:35.53
08. Afterglow                          04:18.66
09. I Know What I Like                 08:11.40
10. Eleventh Earl Of Mar               07:56.05
                                Total: 72:45.52

Disc 2 of 2
01. Phil talking Portuguese ;)         01:29.54
02. Supper's Ready                     24:54.39
03. Dance On A Volcano                 04:14.67
04. Drum duet                          00:45.03
05. Los Endos                          06:10.12
06. The Lamb Lies Down On Broadway     04:48.35
07. The Musical Box (closing section)  03:03.43
                                Total: 45:26.28

Squonk
One for the Vine
Robbery, Assault & Battery
Inside and Out
Firth of Fifth
Carpet Crawlers
In that Quiet Earth
Afterglow
I Know What I Like

Eleventh Earl of Mar
Supper's Ready
Dance on a Volcano
Drum Duet
Los Endos
The Lamb Lies Down on Broadway
The Musical Box

Digitial Brothers matrix

Eleventh Earl of Mar
In the Cage
Burning Rope
Ripples
Deep in the Motherlode
The Fountain of Salmacis
Ballad of Big
One for the Vine

Squonk
Say It's Alright Joe
The Lady Lies
The Cinema Show
Afterglow
Follow You Follow Me
Dance on a Volcano
Los Endos
I Know What I Like (In Your Wardrobe)

Type:  Audience
Quality:  * A-

Recording Comments
From 1st Gen tape  
  Media 2CD-R 
Track # Track Name Track Length 
1.1 Eleventh Earl Of Mar 08:22 
1.2 In The Cage 08:52 
1.3 Burning Rope 08:14 
1.4 Ripples 10:11 
1.5 Deep In The Motherlode 07:16 
1.6 The Fountain Of Salmacis 09:05 
1.7 Down And Out 06:07 
1.8 One For The Vine 11:07 
2.1 Squonk 06:36 
2.2 Say It's Alright Joe 08:17 
2.3 The Lady Lies 06:27 
2.4 The Cinema Show / Afterglow 20:26 
2.5 Follow You, Follow Me 03:58 
2.6 Dance On A Volcano 04:39 
2.7 Drum Duet 01:15 
2.8 Los Endos 06:04 
2.9 I Know What I Like 09:33 
  Total Running Time :  2:16:29

Audience 1st Gen - Vast improvement on the Highland version. 
Quality: A-  
Media: 2CD-R

 
1.1 Eleventh Earl Of Mar 09:27 
1.2 In The Cage 08:17 
1.3 Burning Rope 08:12 
1.4 Ripples 09:35 
1.5 Deep In The Motherlode 06:42 
1.6 Fountain Of Salmacis 09:44 
1.7 Ballad Of Big 05:56 
1.8 One For The Vine 10:11
 
2.1 Squonk 07:21 
2.2 Say It's Alright, Joe 08:13 
2.3 The Lady Lies 10:05 
2.4 The Cinema Show / Afterglow 15:48 
2.5 Follow You, Follow Me 04:28 
2.6 Dance On A Volcano / Drum Duet / Los Endos 11:31 
2.7 I Know What I Like 07:58 
  Total Running Time :  2:13:28 

Eleventh Earl of Mar
In the Cage
Burning Rope
Dancing with the Moonlit Knight
The Musical Box (closing)
Ripples
Deep in the Motherlode
One for the Vine

Squonk
Say It's Alright, Joe
The Lady Lies
The Cinema Show
In That Quiet Earth
Afterglow
Follow You Follow Me
Dance on a Volcano
Los Endos
I Know What I Like (In Your Wardrobe)


http://www.genesis-movement.co.uk/php/showdetails.php?uid=2961

Deep in the Motherlode
Dancing with the Moonlit Knight
Carpet Crawlers
Squonk
One for the Vine
Behind the Lines
Duchess
Guide Vocal
Turn It On Again
Duke's Travels
Duke's End
Say It's Alright Joe

Phil talking
The Lady Lies
Ripples
In the Cage/The Raven
Afterglow
Follow You Follow Me
Dance on a Volcano
Los Endos
I Know What I Like (In Your Wardrobe)

SAB12

EFDVDDB01

Deep In The Motherlode / Dancing With The Moonlit Knight / Carpet Crawlers / Squonk / One For The Vine / Behind The Lines / Duchess / Guide Vocal / Turn It On Again / Duke's Travels / Duke's End / Say It's Alright Joe / The Lady Lies / Ripples (Cut) / In The Cage / Raven / Afterglow / Follow You, Follow Me / Dance On A Volcano / Drum Duet / Los Endos / I Know What I Like / The Knife (07-May-80)

EFDVDG11

Intro / Behind The Lines / Duchess / Guide Vocal / In The Cage / Slippermen / Afterglow / Dance On A Volcano / Drum Duet / Los Endos
Liverpool - 02-May-80 - Granada TV Documentary

Here at last is EFDVD's take on the classic Old Grey Whistle Test footage taken from the second night at the Lyceum Ballrooms in London - and believe me when I say that you will all be glad we left it until now!

After having only played one UK show on the previous tour (Knebworth '78 of course), Genesis "made it up" to the UK fans by embarking on a very much scaled down tour of more intimate venues.
As has been said by members of the band, this was perhaps the first tour that Phil considered himself completely as the singer and frontman, and for many people (myself included) this fact contributes largely to why this tour is so highly regarded.  For me, this tour is the pinnacle of the 3-man era - all the guys are at the absolute top of their game.
And this 40 minutes of footage from the Lyceum perfectly illustrates that - recorded on the penultimate night of the UK tour before they took it to North America, the band are on fire.
Of course, it is sad that only a portion of the concert was broadcast - but the choice of songs is perfect!

Those of you who have acquired the Kate Bush with Peter Gabriel DVD (EFDVDVA02) will no doubt be ecstatic to hear that our source for the OGWT footage is the same person, which should tell you what to expect - and yes, they are still anonymous ;-)
And again, this also benefits greatly from being worked on by TM Productions!

I have to say, listen to this as loud as you can, preferably through some decent headphones - and if it doesn't completely blow your mind, I'll give you your money back ;-)

But wait, that's not all!  Included on the DVD is a cracking upgrade of the Granada TV documentary going behing the scenes on the tour, and specifically at the Liverpool show on 2nd May.
This is taken from a timecoded DVD recording of the master tape and came to us from EFDVD's very own James Hendry :o)

Hope you enjoy this one guys - we're a bit proud of it!!!

Simon Holloway
(EFDVD co-owner)

February 2007.

Deep In The Motherlode
Dancing With The Moonlit Knight (intro)
Squonk
One For The Vine
Behind The Lines
Duchess
Guide Vocal
Turn It On Again
Duke's Travels
Duke's End
Story of Two Characters
The Lady Lies
The Roadie's Smoke Story

Ripples
Misunderstanding
In The Cage
The Colony of Slippermen
Afterglow
Follow You Follow Me
Dance On A Volcano
Drum Duet
Los Endos
I Know What I Like
6-19-80 CHOM-FM Interview with Tony Banks


Notes from the Re-Master

	This Genesis show was provided as a .SHN format soundboard recording. The quality is 
quite good with music signal up to 13,000 Hz but hiss and other sources of noise were found to 
be a major problem. Hiss was reduced using a number of different techniques as the characteristic
 of this noise changed between the music and dialogue sections of the show.  Miss-tracking errors
 were found and corrected during the re-tracking process. Numerous clicks, pops and small dropouts were also found and repaired. Detail and "atmospherics" were enhanced as much as possible. Two 
patches were needed to fill gaps within the show. Another soundboard recording from this same 
1980 tour was used for this purpose to match the feel and style as closely as possible. 
The other major problem with the show was the speed and pitch of the recording. The original 
version was clearly off both pitch and speed. Fixed time segments within the show were calculated
 and compared with other similar shows and the studio versions of the songs. Different speed and
 pitch versions were produced and reviewed by the PRRP staff to confirm the best sounding, final
 version.
	The amount of music on each final remaster disc was re-balanced once the decision to use
 the interview was made. The interview segment came from a cassette tape used to record the radio
 broadcast. This was generally a good recording but suffered from significant volume fluctuations
 that needed repair. Commercials and songs presented between the interview segments were removed 
as well as hiss and a transmission buzz that interfered with the dialogue. Finally, the volume of
 the interview was matched to the show for a smooth transition.

Track # Track Name Track Length 
1.1 Behind The Lines 06:09 
1.2 Duchess 06:08 
1.3 The Lamb Lies Down On Broadway 06:45 
1.4 Dodo / Lurker 07:27 
1.5 Abacab 10:08 
1.6 Carpet Crawlers 05:49 
1.7 Me And Sarah Jane 08:59 
1.8 Misunderstanding 04:10 
1.9 No Reply At All 05:03 
1.10 Story 04:46 
2.1 Firth Of Fifth 11:01 
2.2 Man On The Corner 04:44 
2.3 Who Dunnit? 03:33 
2.4 Phil Plays The Trumpet 03:38 
2.5 In The Cage 08:05 
2.6 Cinema Show 03:47 
2.7 Afterglow 04:34 
2.8 Turn It On Again 05:29 
2.9 Dance On A Volcano 07:22 
2.10 Los Endos 06:17 
2.11 I Know What I Like 13:00 
  Total Running Time :  2:16:54 

Master Audience Cassette> Wav> CDR> WAV(EAC Rip)> FLAC Level 6> You

Featuring many guest performers: Earth Wind and Fire Horns, and Bill Bruford plays percussion on the encores.
Thus the title of this release, "3 drummers 4 horns."

Disc One

01 Dance on a Volcano
02 Behind The Lines
03 Follow You Follow Me
04 Chit Chat
05 Dodo
06 Abacab
07 introduction: The EWF horns
08 Paperlate (featuring EWF Horns)
09 Romeo Story
10 Supper's Ready
11 No Reply At All (featuring EWF Horns)
12 Misunderstanding

Disc Two

13 Man On The Corner
14 Whodunnit?
15 Daryl / Chester intros
16 Medely: In The Cage, Cinema Show, Colony of Slippermen (solo section)
17 Afterglow
18 Turn it On Again
19 Drum Duet/Los Endos

Encores:
20 The Lamb Lies Down/Watcher of the Skies (Closing Section) (Mr Bill Bruford on Phils Percussion)
21 I Know What I Like (Mr Bill Bruford on Phils Percussion)

Phil Collins - Vocals, Drums
Mike Rutherford - Bass, Guitars, vocals (IKWIL) 
Tony Banks - Keyboards, guitar (SR), b.Vocals (Lamb)
Chester Thompson - Drums, percussion
Daryl Stuermer - Guitar, Bass

Guests:
EWF Horn section ("Paperlate" and "No Reply")
Bill Bruford - percussion (2 Encores)

Dance on a Volcano
Behind the Lines
Follow You Follow Me
Dodo/Lurker
Abacab
No Reply at All
Paperlate
Supper's Ready

Misunderstanding
Man on the Corner
Whodunnit?
In the Cage/Cinema Show/Slippermen
Afterglow
Turn It On Again
Drum Duet/Los Endos
The Lamb Lies Down on Broadway/Watcher of the Skies
I Know What I Like (In Your Wardrobe)

The copy I acquired had a five second loop in "Cage", and the balance was off. I used Adobe Audition to correct these glitches.

Disc 1
Back in NYC
Dancing with the Moonlit Knight
The Carpet Crawlers
Firth of Fifth
The Musical Box
The Lamb Lies Down on Broadway
Fly on a Windshield

Disc 2
In the Cage
Supper's Ready
The Knife
Solsbury Hill (take 1)
Solsbury Hill (take 2)
Solsbury Hill (take 3)

AVO2

CDR -> EAC -> WAV -> xAct 1.4b28 -> .shn

Spectrum, Philadelphia, 26th November 1983

The transcription service "Captured Live" recorded 100 mins from the second of the three 1983 dates at the Philadelphia Spectrum. Phil's vocals are on top form: his performance on Mama is the best I have heard. A recent bootleg "Captured Live" [Flying Cat - 2CD] reproduces the radio show. 

Sourced from an original copy of the RKO Captured Live! CL 2684/2784 (23/30 July 1984) vinyl radio show. It is an excellent transfer, with only the dj  intros omitted for the release purpose.


Disc 1

01. Dodo/Lurker				07:51
02. That's All				04:46
03. Abacab				09:06
04. Mama				07:20
05. Keep It Dark			05:33
06. Home By The Sea			05:16
07. Second Home By The Sea		06:47
				 Total:	46:41


Disc 2

01. In The Cage/Cinema Show/
    In That Quiet Earth/Slippermen 	14:29	
02. Afterglow				04:34
03. Drum Duet 				03:08
04. Los Endos				06:26
05. Turn It On Again Medley		09:03
06. Misunderstanding			04:02
07. Illegal Alien			05:30
				 Total: 47:12

Total running time: 		      1:33:51

Coaster Factory

Set I
Dodo/Lurker
Abacab
That's All
Mama
Illegal Alien
Home By the Sea
Second Home By the Sea
Behind the Lines
Set II
In the Cage/
Cinema Show/
Slipperman/
Afterglow
Keep it Dark
It's Gonna Get Better
Los Endos
Dance on a Volcano
Misunderstanding
Turn It On Again
No Reply At All

Sound: A+
Show: A- (for including It's Gonna Get Better and Illegal Alien)

GENESIS: September 30, 1986
NYC - Madison Square Garden

DISC ONE (70:48)
1-Mama
2-Abacab
3-Land Of Confusion
4-That's All
5-Domino
6-In Too Deep
7-The Brazilian
8-Follow You Follow Me
9-Chester Thompson Intro
10-Tonight Tonight Tonight

DISC TWO (73:45)
1-Audience Participation Time
2-Home By The Sea
3-Throwing It All Away
4-Daryl Steurmer Intro
5-In The Cage
6-...In That Quiet Earth
7-Supper's Ready (Apocalypse In 9/8 - As Sure As Eggs Is Eggs)
8-Invisible Touch
9-Drum Duet
10-Los Endos
11-Turn It On Again


Tony Banks: Keyboards, Backing Vocals
Mike Rutherford: Guitars, Basses, Backing Vocals
Phil Collins: Acoustic & Electronic Drums, Vocals
Chester Thompson: Acoustic & Electronic Drums
Daryl Steurmer: Guitars, Basses, Backing Vocals

Lineage: SBD -> ? -> .shn (see below)

Untreated and un-remastered soundboard transfer

1.01 Mama				08:36
1.02 Abacab				10:52
1.03 Land Of Confusion 			05:14
1.04 Thats All				06:30	
1.05 Domino				12:44
1.06 In Too Deep			05:42
1.07 The Brazilian			05:38
1.08 Follow You Follow Me		06:18
1.09 Tonight Tonight Tonight 		09:12

2.01 Audience Participation Time 	04:26
2.02 Home By The Sea 			05:16
2.03 Second Home By The Sea		06:50
2.04 Throwing It All Away 		08:45
2.05 In The Cage 			08:00
2.06 ...In That Quiet Earth 		03:59
2.07 Apocalypse In 9/8			08:27
2.08 Invisible Touch			05:07
2.09 Drum Duet				04:59
2.10 Los Endos				06:48
2.11 Turn It On Again			11:02

Total running time:			2:24:25

These files were shared on the Genesis DC++ hub as "SBD v2" meaning 
there are (at least) two versions floating around. On the Genesis
Movement website http://www.genesis-movement.co.uk/ two versions
are listed as untitled, right below the BURP version. Funny thing is,
this version does not match the track times of any of the two listed
ones, and the artwork is black as opposed to the two other listed ones
with blue and yellow art respectively. I also have the one with the
blue art and it sounds exactly the same as this one, but this one has
more accurate indexing between songs and there are some very small 
cuts that are not present on this version.

The BURP version is listed as "Low generation clone from Fisher
Lane Farm master & is complete" but in my ears this version sounds
better and cleaner, but they all have some traces of hiss and static.

Thanks to Speedy for sharing this one on the hub!

Unfortunately this show has not been remastered by anyone else but BURP,
it would be great if some of the big guns of Genesis remastering took
a shot at this at some point in the future :-D

Enjoy!

PH

Radio intro
Mama
Abacab
Land of Confusion
Domino
In Too Deep
Follow You Follow Me
That's All

Radio intro
Tonight Tonight Tonight
Throwing It All Away
In the Cage
In That Quiet Earth
Supper's Ready
Invisible Touch
Turn It On Again
Radio outro

BURP022

Land Of Confusion
No Son Of Mine
Driving The Last Spike
Old Medley
Fading Lights
Jesus He Knows Me
Home By The Sea
Second Home By The Sea
Hold On My Heart
Domino / Drum Duet
I Can?t Dance
Tonight, Tonight, Tonight
Invisible Touch
Turn It On Again

GENESIS
25-Feb-98
Birmingham NEC 
& 02-Feb-98
Sportshall Prague, Czech Republic*

1.1 No Son Of Mine * 
1.2 Land Of Confusion *
1.3 Lamb Lies Down On Broadway 
1.4 Calling All Stations  
1.5 Alien Afternoon 
1.6 There Must Be Some Other Way * 
1.7 Domino (Part I & II) * 
1.8 Shipwrecked  
2.1 Congo *
2.2 Home By The Sea * 
2.3 Dancing With The Moonlit Knight (acoustic) 
2.4 Supper's Ready (Lover's Leap) / (acoustic) 
2.5 Not About Us (acoustic)  
2.6 Mama 
2.7 The Dividing Line 
2.8 Invisible Touch *
2.9 Turn It On Again *

Liberated bootleg CD "Live After Dividing" (Highland HL 283/284)
DAE with Roxio Easy CD Creator 5
SHN conversion with mkw Audio Compression Tool 0.97 BETA 1

Tony Banks: Keyboards, Guitar
Anthony Drenan: Bass, Guitar
Mike Rutherford: Guitar, Bass
Ray Wilson: Vocals
Nir Z: Drums

Sound: A
Show: A-

Like most of the shows from the CAS, the performance suffers from a lack of confidence. A pity, since Ray Wilson is an excellent vocalist.

No Son Of Mine
The Lamb Lies Down On Broadway
Calling All Stations
The Carpet Crawlers
Domino, Part 1: In The Glow Of The Night>
Domino, Part 2: The Last Domino
Dancing With The Moonlit Knight
Supper's Ready (Lover's Leap)
Not About Us
The Dividing Line
Mama
Turn It On Again
Invisible Touch

This is missing Alien Afternoon  and Shipwrecked, which can be found on "Live After Dividing".

From HDTV broadcast. slight sync issues.

Genesis - The Cinema Show - Düsseldorf June 27. 2007

Source:
Satellite HD broadcast > TS (Transponder Stream) demux with ProjectX > Cut with Cuttermaran > Remux with Mplex > Authoring with Nero Vision 4 > DVD


Behind The Lines / Duke’s End
Turn It On Again
No Son Of Mine
Land Of Confusion
In The Cage / The Cinema Show / Duke’s Travels
Afterglow
Hold On My Heart
Home By The Sea / Second Home By The Sea
Follow You Follow Me
Firth Of Fifth / I Know What I Like


5.1 Sound
PAL

http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:abfuxqtkldke

Producer/director Tony Maylam captured the band's performances at the Apollo Theatre in Glasgow, Scotland and Bingley Hall in Stafford, U.K. during the 1976 tour that resulted in the Seconds Out album. The solid direction, song selection, and sound quality put Genesis in Concert on a par with Seconds Out; the film, therefore, serves as a fine companion piece to that audio release. The 45-minute videotape is comprised of seven compositions and features an instrumental rendition of "Fly on a Windshield"/"Broadway Melody of 1974" as well as hot dual drumming on "The Cinema Show" by Collins and Bill Bruford.

not for trade

gmDVD03

Genesis Live 1972-1974 DVD

March 20, 1972 - Brussels, Belgium - 30 Minutes
The source for this very common video is the recent German 3SAT broadcast because of better quality and bolder colors than the UK broadcast, IMO. The only downside is the 3SAT logo in the corner.
Includes Fountain of Salmacis, Twilight Alehouse, The Musical Box, Return of the Giant Hogweed

April 18, 1972 & February 3, 1974 - Italy B&W - 7 Minutes
The source is a master recording (not from broadcast) and had a timecode on the top. This timecode was removed but left a less-annoying 'blur' in its place. Video was desaturated for a true B&W picture.
Includes parts of Stagnation, misc live footage, & Interviews

January 10, 1973 - Bataclan, France - 34 Minutes
The source is the recent French TV broadcast which has the JIMMY logo in the upper right corner.
Includes parts of The Musical Box, Return of the Giant Hogweed, Supper's Ready, The Knife, and Interviews

December 20, 1973 - Midnight Special - 16 Minutes
Excellent source very close to the only recording made of this broadcast. This version had 4 dropouts where the video and audio went completely out, but this was removed so only a short skip is seen.
Includes Watcher of the Skies & The Musical Box

December 3, 1973 & April 11, 1974 - Chicago 8mm - 10 Minutes
Very nice copy of this silent footage. Some excellent live concert audio was added to make it more enjoyable. 5MBPS VBR.

All video has been encoded at a VBR of 6MBPS unless otherwise noted.

gmDVD05

(Melody, ORTF TV Studios - 12-Feb-74) I Know What I Like / Supper's Ready - 30:14
(University Sports Arena, Montreal - 20-Apr-74)16mm Silent Footage With Dubbed Sound - 43:31
(Santa Monica, California - 21-Mar-74) 8mm Silent Footage With Dubbed Sound - 25:09
(Academy Of Music, NY - 06-May-74) 8mm Silent Footage With Dubbed Sound - 07:25

gmDVD14

http://www.genesis-movement.co.uk/php/listtour.php?tourid=28&addcommentsall=#
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:gzfixqlgldde

Includes the Mama Tour Live and VH1 Behind the Music

The Mama Tour Live - Feb-84Abacab / That?s All / Mama / Illegal Alien / Home by the Sea / Second Home by the Sea / Keep it Dark / It?s Gonna Get Better / In The Cage / Cinema Show / In That Quiet Earth / Colony of Slippermen / Afterglow / Drum Duet / Turn It On Again
VH1 Behind The Music - 1999
Top Of the Pops - 27-05-82 - Paperlate (Mimed)

 The Lamb Lies Down on Broadway
Fly on a Windshield
Broadway Melody of 1974
Cuckoo Cocoon
In the Cage
The Grand Parade of Lifeless Packaging
Back in N.Y.C.
Hairless Heart
Counting Out Time
Carpet Crawlers
The Chamber of 32 Doors
Lilywhite Lilith
The Waiting Room
Anyway
Here Comes the Supernatural Anaesthetist The Lamia
Silent Sorrow in Empty Boats
The Arrival
The Colony of Slippermen
Ravine
The Light Dies Down on Broadway
Riding the Scree
In the Rapids
It

The Musical Box
Watcher of the Skies

Remastering notes from Andrew Skeoch


The Show

This wonderful stereo recording is one of the best from the audience of any Lamb Lies Down on Broadway show, and documents almost the entire gig.

The concert comes from the first US Lamb tour in 1974, and shows a few teething troubles still cropping up on stage. Tony's keyboards in particular cause problems, and loud crackles from his rig can be heard at various points throughout the set. I'm not sure, but it sounds as though at one point during Back in N.Y.C. Tony's 7/8 synth riff drops out altogether, and Hackett carries it alone with Tony filling chords on electric piano. There are also very prominent hums and buzzes from the PA that would have dismayed the band. 

Nevertheless, they put on a powerful performance, and during most of the concert, the music is as good as it gets. It is interesting to hear Phil's harmony vocals present throughout, its as though he is just singing along with the whole concert. One doesn't usually think of Genesis songs as two part counterpoint, but its there. And Phil experiments continually, for instance the usual descending harmony line in Counting Out Time is absent, with Phil weaving lines around Peter's main melody instead. 

The famous problems with the Slipperman costume and Peter's inability to get the microphone close enough are also present. Whilst Peter is mostly loud and clear during this song, there are times he drops out almost completely, and Phil carries the vocal alone. One can understand why the band were frustrated with this situation occurring consistently, and of course it is one of the reasons Peter re-recorded the vocal for the Lamb discs on the Archive box set. 

The audience make a few notable appearances as well; listen to the exuberant whistles during the interlude prior to The Lamia. It is also amusing with hindsight to hear the audience's amazed reactions to Gabriel's unexpected appearance as the Slipperman. 

The Source

This recording is outstanding, and has long been recognised as such. All the set up conditions for a great audience recording are present; good equipment, no obnoxiously loud audience members nearby, and it sounds as though the show was taped from near enough to the stage that it doesn't sound distant. The levels are good, with little hiss or overload distortion, and notably, there is not a single microphone bump during the whole recording!  All the instruments are clear and there is a great sense of ambience from the hall and audience.

The recording was reputedly originally made on reel-to-reel, although the difficulties of stealth recording with large open reel gear, and that consistent cuts occur at the 45 min flips on different cassette copies of this recording, all point to a common cassette source. Whether that is the master or just a 1st gen duplicating tape is unknown, but going on the audio quality of this recording I think the former is more likely.

The recording documents nearly the entire concert with the exception of two omissions; firstly a small section (possibly only a few seconds) between the audience applause at the end of Carpet Crawlers, and the first chord of Chamber of 32 Doors (which fades in quickly), and secondly the middle minute and a half of Ravine. These missing sequences are almost certainly absent from the master recording. While they both occur at end of cassette tape sides, I think it is unlikely that they would originate in a cassette copy somewhere along the line.

This recording is mainly known from the 'Rael Imperial Aerosol Kid' bootleg, although because of its good sound quality, bits of it appear on other releases, notably the Waiting Room/Anyway section which is used on several boots (Lamb Lives, Suppers Ready with a Little Lost Lamb, From One Fan to All Others) to bridge the missing sections of the West Palm Beach and Lakeland soundboard recordings of January 1975. 

The Remaster

This remaster has been initiated from first generation cassettes, generously contributed by a Hogweed member who knew the taper of this show in the 70s. The 2 tapes were TDK and Maxell 90s, with the show on 3 sides. While the cuts on these tapes are similar to those found on the Rael Imperial boot (indicating these cuts are on the master tape), there is a short section of crowd noise at the beginning (where Peter goes "Shhhhh"), which is on the boot but not this tape. Hence these tapes are definitely not the source for the boot. Also, the Rael Imperial boot inexplicably omits one of the best parts of the recording - the second encore of Watcher of the Skies, which is present on these tapes (hooray!), and (as far as I know) makes its public debut on this remaster.

The main difference in sound quality between the Rael Imperial boot and these raw tapes is in the midrange. Rael Imperial has a hard and brittle edge resulting from overload distortion of some kind. These tapes are bright but undistorted and smooth. Rael Imperial also has a treble cut above about 8KHz, possibly to minimise hiss, and of course the top end has gone with it. Lastly it is also weak in the bass as the original recording seems to be, there having been no attempt to balance this up. So, plenty of room for improvement....

I have as usual begun with a new transcription of the source tapes, checking pitch, which rises slightly with each tape and has been corrected. I have also passed the analogue audio through an exciter to add harmonics to both the bass and treble, so extending the frequency range.

Next I have denoised the recording *slightly* - by slightly I mean 4Db down to 4KHz, with a top end (above 7KHz) boost of 3 Db. This is really quite minimal, but enough to sharpen the tops and minimise what was a fairly minimal amount of cassette tape hiss anyway. 

The stereo on this recording is a little off-centre, as though the microphone was not pointed directly at the PA. I know what this is like from my own experience, there is a great temptation to point the mic at the stage, but a central stereo image is best obtained by pointing it at the PA itself. Whether that has happened here I don't know, it could be a tape head alignment issue in copying that has caused the imbalance. What can be heard is that the frequency response is slightly different between channels, and that there seems to be more of a hall ambience echo in one channel (left on this remaster). 

In balancing the equalisation, I have tried to correct this stereo imbalance, but it still didn't create anywhere near to a central stereo image. After a little playing around I found that the phasing of the two channels was the main cause of the problem. This would be consistent with either mic/venue or head alignment explanations. Anyway, after a little jiggling of the timing of left channel against right, the stereo image comes close to the centre, and the eq balance fine-tunes things along a bit more. So while the stereo is not perfectly balanced, it really sounds as though you are there in the auditorium, and that is what we want to hear. 

I have balanced the equalisation as best I can. The microphone used for this recording has a presence band peak around 4KHz, giving a bright sound, but was a little deficient in the bass. So I have pushed the bass a little, softened the low mids, and left the top end pretty much as it came out after the analogue exciting and denoise boost. It sounds at times as though the top end is quite bright, but I have played around with it, and found that attenuating anything just led to either a thin or dull sound. I think a part of it is that the cymbals, particularly Phil's rides, are quite loud in the mix. At least they dominate the music well down into the midrange, so it's not a case of just equalising them back a bit. What you hear probably represents the way it sounded in the hall. 

After the bass was enhanced, some low frequency (around 60Hz) hums became noticeable. Where the music has been quiet enough that they are audible, I have removed them, and in the process cleaned up any 'rumble' on the floor of the recording. 

Lastly I have edited in sections from other concerts to fill the missing gaps in this one. The first few chords of Chamber of 32 Doors come from the West Palm Beach 75 soundboard, which I chose because it matched the sound quality well, and as it was a short fill that would have soun